Daughter Leads Police To Her Father's Deadly Murder Rampage
“>> So, you two were the only ones in the actual house at the time?”
FULL TRANSCRIPT
ST. CLOUD POLICE DEPARTMENT. MAKE
YOURSELF KNOWN. HOLD ON. Let me fix the
next one.
>> Florida SWAT are in the middle of a
multi-hour rescue operation after a
deranged father just shot his wife in
front of their own children.
>> Go. My son. That's her daughter.
>> We're going to make sure we GET
EVERYBODY RIGHT NOW.
>> GO. You're got a rifle. Okay.
>> As far back as you can go. In the middle
of this chaos, police are racing against
the clock to save the wounded mother
trapped inside, leaving them with no
choice but to get creative. Even if it
means using the shooter's own children
to bring the standoff to an end.
>> He already said he's not coming out
until you guys kill him.
>> Oh yeah, he's in the He saw the drone.
Fall back.
I don't want to die.
It's approximately 6:00 p.m. on a
Saturday evening in an upper class
lakefront neighborhood in St. Cloud,
Florida. Inside one of the homes, a
heated argument erupts between
48-year-old Jose and his wife Lzvette.
One that's about to completely spiral
out of control.
>> 911. What's the address of the
emergency?
>> I think I died to someone.
>> My dad is upstairs with the gun. I don't
know. He went back to the room.
>> Where is your mom?
>> He just shot her.
>> No, he shot her. He just shot her in the
my bathroom.
>> How many shots are fired?
>> After the call disconnects, the St.
Cloud Police Department rushes to
respond, immediately dispatching 20
patrol cars to the scene. From what
officers can gather, two siblings just
watched their father shoot their mother,
and they could be his next victims. The
first to arrive is rookie officer
Garnesh with only 6 months of
experience. And as he steps out of his
car, he's walking straight into the line
of fire.
>> Go inside.
Get inside your house.
Get out of the way.
Gash, hold there.
Have the 1027 and the neighbor step out
and come immediately north.
>> All the way at the corner on the left is
going to be the target residence. 1027
is one house to the north, one house
towards us. Officer Garnesh and his
partner are positioned roughly 70 ft
away from the active shooter's house,
waiting for backup. Moments later,
additional units arrive along with K9
quickly surrounding the home from both
the east and west. Leading the operation
is Sergeant Patrick Manx. With nearly a
decade in law enforcement and awards,
including hero of the year, he's earned
a reputation for doing whatever it takes
to protect innocent lives. So knowing a
civilian hostage may be critically
wounded inside, Manx understands the
clock is working against him. So he
quickly devises an extremely bold
strategy, completely unaware of the
danger he's about to send his men
directly into.
The sergeant's plan is straightforward,
but far from simple. rush in, take the
active shooter by surprise, and get the
two children and their wounded mother
out, all while ensuring no civilians or
officers are injured. But as Manx and
his team approach the house, the shooter
inside has a plan of his own. One that
doesn't involve surrender, but instead
drawing officers into a deadly ambush.
>> Okay, let's move.
This house should be the same.
>> Nice house.
>> ST. CLOUD POLICE DEPARTMENT. TAKE
YOURSELF DOWN.
>> HOLD ON. I think it's the next one.
>> Pull back.
>> Can you make sure I don't have any blood
on me anywhere? Cuz he's shot at me. I
didn't feel anything, but All right.
The shooter fires, but the round strikes
the door instead, miraculously missing
Sergeant Manx by less than an inch. But
as Manx and his men retreat to cover, a
critical problem remains. Officers have
yet to secure the south side of the
property, which leads directly into a
nearby park. However, rushing over there
now would expose them to gunfire from
the numerous windows surrounding the
home. So faced with this reality check,
Manx is forced to rethink the strategy
from the ground up.
With tension rising by the second, SWAT
finally arrives on scene along with a
sniper and a drone operator, giving Manx
his best [music] chance yet to contain
the shooter. And as fate would have it,
the most dangerous assignment, securing
the back of the house, falls to Officer
Garnes. So, with a wounded mother and
two children still trapped inside, this
rookie officer is about to face the most
dangerous moment of his career.
>> SOMEONE GO TO THE BACK. GO TO THE BACK.
Take two. Come on. Roll.
>> Come on. Come on. Come on. Come on.
>> Go.
>> [snorts]
>> Backyard's fence off.
>> There's a fence back here. Just make
sure I got him up there.
>> It's f back here.
>> That's me.
>> 51
resident 2760.
This is the St. Cloud Police Department.
Come out with your hands up.
>> I'm going to duck down here and cover
the top. I don't I don't like standing
right here.
>> This is a safe cloud police department.
>> Yeah.
>> Come out with your hands up.
>> You just hold low like that.
>> As officer Garnesh continues issuing
commands, SWAT has now surrounded the
house from all directions. While a
sniper maintains visual on the front
entrance and for the first time since
the standoff began, police finally have
gained the upper hand. With the standoff
closing in on the 1 hour mark, one
officer decides it's time to deploy a
drone, hoping to locate both the shooter
and the wounded victim inside. But what
seems like a smart tactical move is
about to escalate the standoff even
further.
I'm getting ready to put the drone up.
>> Come on. Come on. Come on. Come on. Come
on.
>> Do you see him?
>> Oh, yeah. He's in the hole. He shot the
drone. He shot the drone.
He's all the way down the hallway with a
light going [music]
on his on a rifle. It looks like a
rifle.
Don't worry about it.
>> But you can see through the front door.
>> Yeah.
>> See him?
>> Yeah.
>> Despite successfully locating the
shooter, the drone is shot down, making
the suspect even more agitated. But even
more concerning, there has still been no
update on the two children inside or
their injured mother until now.
Suddenly, officers notice movement and
within seconds, the entire scene
descends into chaos.
>> We're sending people from the house just
north down the street towards you, LT.
>> LT, they're sending people our way.
>> Don't let anybody leave.
>> Get him. Get him. Get him. Go, go, go,
go, go, go.
>> Right here. Over here. Come on.
>> Stay right here, buddy. Stay right
there.
>> Go.
>> We're going to make sure we get
everybody.
>> Go, go.
>> Get behind the cars. Get behind the
engine.
>> Come on.
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