Digital Open Campus | Study Fashion in Paris at ESMOD France – Online Info Session
FULL TRANSCRIPT
Hello everyone. Welcome, welcome. We are
so glad that you're here joining us as
we are live in ESMOD, Paris as you all
uh are starting to join uh coming in
from all around the world. We will let
you guys to get settled in, connect uh
and land uh slowly but surely. Thank you
so much again for joining us at ESM
Paris for this open digital this digital
open campus. Today we'll be talking
about fashion design and fashion
business programs, about all the
different facets of ESMD, and we will
dive in in just a second. So again,
thank you so much for joining us.
Um I know we have people joining us from
all around the world. So we're very
fortunate to have people coming from
Mumbai. We have people coming from
London. We have people coming from the
United States, California, New York.
Thank you so much for joining us from
all these time zones. We are very
excited to be telling you all about all
the various things that life at ESM has
to offer. Thank you again. Hello Sophia.
Um we will get started in just a second.
I think we were waiting for a few more
people. But as we are waiting um I just
wanted to again welcome everyone and
introduce the team that we have here
today that will be speaking to you
throughout this uh digital open campus.
My name is Jan Fugel. I'm the social
media coordinator for ESMD. I myself an
American living in Paris for the last
six years. Um as well joining us today
we have uh Nelly from our office of
admissions. We have Vata from our ESMD
career department. And we have as well
Elena from the uh academic department of
fashion design. online we have my
colleagues uh Eli and Jessica that are
from the fashion business um academic
program that will be speaking a little
bit later um and so you'll hear from
each of them as well as two students
that will be joining us a little bit
later so you will all get to ask your
questions uh talk about life in Paris
talk about the um experience um at the
end so feel free to ask any questions in
the chat if you would like and we will
be asking the questions uh for the
question and answer session at the very
end feel free to ask any questions
whether Whether it be about the fashion
design program, the fashion business
program, admissions, um internships,
living in Paris for students or for the
teams that are here today. Um so as I
mentioned, I myself an American living
in Paris. Um before Emily, there was me.
Um I decided to move to Paris after
studying abroad. I did my education in
the States, but uh fell in love with
Paris. There's so much that the city has
to offer and so we will uh jump right in
to tell you all about that.
Um, obviously ESMD uh has multiple
campuses around the world and in France,
but particularly today we will be
focusing on my two favorite campuses,
Paris and Pontan. So I'm sure that most
of you know that Paris uh is of course
uh our campus is located in the ninth
Aldis Mall right around the corner from
um the main department stores gallery at
Plan. We're in the heart of the cultural
sector of the city. Uh we also have a
campus that is in what is known as the
new Brooklyn Pont. Uh we are neighbors
with uh the Hermes u as well as uh BETC
one of the main communications agencies
for fashion and luxury as well as the
DNFM which is
uh gallery. So, we're in great company
with uh some other fashion giants in the
new Brooklyn of uh the greater Paris
area in PA and we have two historical
buildings that we are very proud to have
and to keep the history and heritage of
ESMD alive.
So, the first question of course for
international students that you may ask
yourself is why would I study fashion in
France? That question to be honest is
pretty easy to answer. Of course,
there's Paris Fashion Week, which
remains the main fashion week in terms
of media impact value, but not only. Um,
and there is also, of course, an
incredibly uh rich and historic uh
ecosystem of fashion and luxury houses
that remains once again incredibly
influential and important not only in
France, but globally. France, let's not
forget, has of course the birthplace of
Hodkur uh and remains the fashion
capital uh to this day. And so it is one
of the most important and most um easy
places to study fashion as it is
literally all around.
Um now the thing that is particular of
course about ESMD is that we are where
creativity meets the industry. As much
as uh our students spend time in classes
um and learning technical skills,
learning uh business plans and things
like that, we of course have a very deep
connection with the industry. Uh and our
main goal is to always be completely in
phase with the industry. the SMAN career
team, professors and through
collaborations allow us and our students
to stay on uh as close to the realities
of the industry as possible um during
fashion weeks of course um but not only
and we have many different
collaborations with brands as well um
that our students get to um partake in.
So a little bit about the ESMD network.
Um, Esmad is of course uh the first
fashion school founded in 1841 by a man
named Alexi Lavine. Uh, and back in
1841, he was the inventor of the
mannequin bust and the tape measure
which are two tools that are still used
today in the fashion industry by
literally everyone. Um, so you can say
that we did indeed invent the wheel. Um,
those methods that uh, our founder uh,
wrote is a part of our publishing house.
So that's another branch of ESBOD. Our
students today get to use these
historical methods in their textbooks
and ebooks that the ESM editions
publishes. We of course also have an
international network of campuses around
the world, 18 different campuses in 12
different countries including Paront. Um
and although we have a very uh rich
history and rich heritage including our
historical fashion costumes with
documents archives, we are uh a very
very um
we have a very deep connection as well
to uh the technology of the industry and
the innovations uh in line with our
founder. And so students beginning in
the first year get to learn um techn um
software such as clo 3D um and we have
the digital designer specialization. And
so along with the heritage and the
history, our students are also getting
to learn the new innovations.
One of the main cornerstones of the SMAN
teaching philosophy is of course
learning by doing. Uh like I said, we
are in phase with the industry. We want
to make sure that our students are
getting hands-on experience, whether it
be via internships, in collaborations,
uh working uh one-on-one with brands as
well. Um we have lots of case studies.
We have brands that come in and pitch uh
problematics for our students. And so we
have a lot of uh interactions that make
sure that our students are getting
hands-on training.
And as I mentioned, we have many brands
that work with us and that we love to
work with. Um notably Stefan Hol um a
French hod couture brand a few years uh
back. We had our um design students that
got to do the opening of his hood
couture fashion week show. Uh we've
worked with Mison Kitune. Uh we've had
students that get uh incredible
visibility via the PTON department store
where they have a a two-month uh window
display for uh dedicated to them.
Incredible visibility. Uh of course
these are this is a very non-exhaustive
list uh and we will get into some other
projects notably with the students as
they chat later.
So uh we will of course today be
presenting the different panels of um
programs that we have to offer. We have
uh fashion design and fashion business
as I mentioned uh on both the
undergraduate and post-graduate level.
We have an uh intensive program that is
uh specifically tailored to a different
kind of profile which uh Elena will get
into in a bit. Um and we of course also
have summer programs that we will uh be
happy to chat with if anyone has any
questions about that.
Um so I would now like to invite Elina
um our curriculum coordinator and dean
of the second year to come up and chat
with us about the bachelor in fashion
design.
Hello. Nice to see you all tonight. Uh
so I'm going to present to you the
bachelor in fashion design program. Uh
just so you have a little bit of an
overview. this program. The main
subjects, the main subjects of this
program, the subjects that you're going
to see through the three-year program
are pattern making and design. So,
creative and technical design as we call
it. Uh complementary to these main
classes that you're going to have. You
have French, art, history, marketing,
design, pattern making, fashion,
culture, trends, adobe. So all these
skills you're going to learn to
complement creative and technical design
main classes that you're going to have
through first, second and third year.
First year you're going to learn the
foundations through the key garments
like skirts, shirts and they're going to
finish the year by a personal dress that
you're going to present to the jury.
Second year we're going to go to more
complicated garments. So outear pieces,
so casual wear pieces, pants, and you're
going to finish the year uh by uh a
tailor suit. So uh jewelry around a
tailor suit that you're going to make.
And this tailor suit will enable you to
enroll into the third year
specialization of your choice. You saw
that we have like around nine
specializations.
Uh so it's up to you which one you
decide to make a whole collection
around. Uh you also have two mandatory
internships, one in third year to finish
up your uh process of three years and
one in second year.
Um
I'm going to talk to you about the
intensive uh fashion design program too.
So this program is dedicated to those
students who are a little bit more
mature, who have a little bit more
experience into the fashion field or
not. Uh but they have the capacity to go
quicker uh through the program. It means
that um you're going to have two years
in one. It's a a program that goes a bit
faster. Yeah. For those who understand
time management maybe a little bit
better. Um but the classes are the same.
So you're going to have two years in one
and then you're ready to enroll if you
wish to the third year as if you would
have had first second year as a in a
classical way.
Thank you so much. We are now going to
go to our friends online as we will
switch over to talk about the fashion
business programs. So we will start with
the bachelor in fashion business of
course with Jessica.
[clears throat]
>> Hello everyone. Delighted to be here to
present to you our program in fashion
business. This is a bachelor in fashion
marketing and communications.
The requirements are basically a high
school diploma of course and a genuine
passion for fashion of course that's
very important for us. a strong desire
to learn very important. Okay. So the
classes are mainly on fashion history,
fundamentals of marketing and fashion
media. The first year is centered on uh
the fundamentals in fashion marketing
and communication. So you have introduc
introductory courses on fashion
marketing and communication and you have
management basics. Second year is um
centered on branding and digital
marketing skills with an emphasis on AI
and e-commerce.
The third year is center on um advanced
brand strategy. So um we are building on
what you've learned in the second and
the first year um and sustainability and
entrepreneurship.
The internships are um at the end of
each year. So the first year you do an
internship in sales which is a for very
formative and very important experience.
Uh second and third year you can do your
internship in either marketing or
communications.
Um they progress both in time and in
responsibilities. So that's the idea.
Thank you.
>> Thank you so much Jessica. Um we will
now be going over to Annali as we will
discuss the postgraduate fashion design
program.
Hi everyone very happy to be here to
explain the fashion design postgraduate.
Um so the program is taught in English.
Um the main difference between the
bachelor and the postgraduate is in
bachelor you learn to do and
postgraduate you learn to lead. Uh so
the as for the requirements so cultural,
theoretical and technical knowledge are
required. We are welcoming many
different profiles not necessarily with
a background in design depending on your
project. Uh collection focused designers
need solid design and technical skills
and editorial or researchdriven projects
may require different creative
strengths.
So first year it's about rethinking
garment and fashion research for final
project and thesis and in the second
year finalization of the creative pro
project and thesis internship.
Now let's move on to the fashion
business. So postgraduate in fashion
business
uh we are welcoming all bachelor's
background with a strong interest in
fashion and a desire to specialize in
fashion and luxury.
So the program develop strong strategic
creative and leadership skills in
fashion and luxury combining marketing
branding innovation sustainability and
digital expertise to prepare students
for complex global global environments.
So the first year is focused on
foundations in fashion marketing and
branding with a strategic strategic
responsible focus and the fifth year
develops strategic leadership in digital
luxury innovation and global management.
Year one you have um a two month
internship and year two you have a six
month um internship in whatever field
you want. Thank you. Thank you so much,
Anna Lee, for all that information on
our post-graduate programs, Edina and
Jessica for our bachelor programs. If
you have any questions again throughout
uh this uh digital open campus, please
feel free to ask your questions in the
chat and we will of course get to answer
some questions with our students in a
bit. Um but before we do so, I'm going
to throw it to Valon from Esmed Career
who will talk to you a little bit more
about your future in fashion and luxury.
Thank you Jan for this amazing
introduction and hello to all and
welcome to this open day. So um I would
like to start this presentation about
EST career with a coat. Choosing a
fashion school today is not only about
creativity, it's about career
development, international exper exper.
So it is very important for us at ESMAT
career to have a personalized human-
centered approach and really to help our
students and then afterwards our alumni
on a fashion um supports
uh especially on with a dedicated with a
dedicated sorry billing team and really
an individual guidance for internships
for jobs and we have at an international
level 900 um international brands with
whom uh we are working every day and
approaching our students. So talking
about numbers we um in terms of
internship placement we are almost at
100% for the validation of our students
and 6 months after their studies they we
are between 80 and 86
for 80 for the fashion design and 86 for
the fashion business that they found a
job six months after.
Um, we have a platform for our alumni
and students that is very important to
us and we have on it uh 10,000 active
members and 1,800 career opportunities
for our students to be able to uh
advance in their um professional
journey.
So this was just what I explained about
the internship placement and then
afterwards the employment placement that
we had on the six months after
and this like I told you just before our
alumni is really our heart and is very
important to us. So here is in an
example of a list of alumni who work uh
international uh alumni who work in
different brands like DK mhabus.
It is very diverse in terms of brands
but it is really one of our strength
also uh regarding our alumni. So um it
is very important for us that they have
a development in fashion business and in
fashion design. So this is why the list
is pretty diverse
and uh regarding uh our program. So it
is very important for us to follow
everything related to the future of
fashion under three um parts which are
first sustainability with new jobs such
as circular fashion specialist,
ecodesign expert, green manufacturing
manager and the list continues on the
slides and technology with for example
AI fashion designer and fashion data
analyst, digital artisan and pattern
makers 4.0 know and obviously digital
fashion with uh jobs such as virtual
garment designer uh ARVR fashion creator
metaverse specialist and the list goes
on obviously and is going to evolve in
the following years. So it is for sure
one of our strength our alumni and the
development of um and the evolution
sorry of the jobs in the fashion
industry.
>> Thank you so much Bena. It is true we do
heart our alumni. They are everywhere.
Uh as you saw that beautiful list of
masil and it is non-exhaustive. Uh we
like to brag a little bit. Um I will now
ask my colleague Nelly to come and talk
to you a little bit about how to apply
in our admissions process as we do have
a ruling ad rolling admissions based uh
system. Nelly.
>> Hello.
Okay. I'm Nelly and I'm I work in the in
the admission department. So first of
all I wanted to say that I'm really
delighted to have you with us tonight
online. So I'm going to explain how you
do you can apply online. So first you
have to go in our website esmod and you
have to complete the application form
and pay the application uh pay sorry the
application fee. After that you will
receive an confirmation email including
all the documents you have to send it
back within 15 days. So you have the ES
mode assessment task with the mood board
portfolio and the administrative uh
documents like uh your resume uh your
cover letter your last grade reports and
your identity card.
Um the admission teams we will review
your application and if your application
is eligible you will have an interview
online via teams.
>> Okay. So concerning the visa procedure
once you're admitted at to ES mode you
should start uh your application for the
visa and we are and we we work with an
organism called live in France and this
organism help you throughout all the
process to obtain your visa.
Concerning the scholarship, as we are um
private school, we do not offer a
scholarship. But student who already
have grants uh can have a scholarships
and um you can check your eligibility on
campus fronts. You have the uh the uh
the link the address link and you can
just check your age liberty for the
scholarship.
Uh do not hesitate to contact us on
WhatsApp. me and my teams in the
admission are available at any time if
you need more details or question about
the admission or the process. Thank you
for listening.
>> So for someone who is uh looking to
apply ni do you have maybe any tips as
to what they should include on their
creative dossier assignment the mood
board that we asked them to do?
>> Yeah sure.
>> Do you have any tips on how to succeed
the as best as possible on that
exercise? Uh yes for the mood board for
first of all the portfolio is optional
but recommended for your application and
the mood board should reflect your
personality your creativity and
reference from fashion, art, music,
photography etc. is uh really uh you can
just use uh add this on your
application.
The portfolio itself is not uh required
for bachelor's uh students but it is
required for the post-graduate
application as obviously our our bar is
a little bit higher for the mast's
program.
>> Perfect. Thank you so much for
listening.
>> Um so now that you've gotten some tips
and tricks for your application process,
you can now uh also get some from the
students that have gone through the
process and done it. Um I will now happy
to invite uh two students from our
fashion design program. One is in third
year and one is in first year. And so
they will be talking to you a little bit
about their espan experience um their
collection
their life in Paris and uh how they've
gotten to acclimate here as an
international student.
>> Hello.
>> Hi. [laughter] Um, I guess I'll go
first. Uh, my name is Tate. I am a first
year student in fashion design and I'm
from the United States. Oh.
Um, and I'm from the United States. So,
shout out to New York. Um, yes, I moved
here in July and I've been speaking
French since I was six. So, that is
helpful with the Parisian integration.
Um, but there are plenty of students who
are in my class who do not speak very
much French. Um, and I actually met this
lovely one exactly a year ago at Esode
Student Days.
Yeah. So, um, hi, my name is Meta. I'm
from Germany and I'm in the third year.
Uh, and I'm working on my collection.
I'm doing the specialization couture.
And um yeah, I met I met Tate at the
open day, convinced him to go here. How
we're probably convincing you guys to go
here because it's amazing. And um yeah,
for me living in Paris was really an
entirely different world. Um I come from
a small city back home. So um having all
of this richness in culture and events,
things to do, all of these international
people was really really amazing and a
and a huge change, but in a very
positive way.
Yeah,
>> thank you so much for these beautiful
intros and it's so funny if you guys met
uh via ESMD in such a way. Um so first
things first, we would love to know how
you found out first and foremost about
ESMD and what made you decide that this
was a place for you.
>> Sure. So obviously in New York we have
Parsons and FIT. So I applied to Parsons
as well. Um but I was really interested
in coming to France because I was
interested in studying in the home of
fashion and couture in my eyes. Um so I
had a friend who had attended Esode in
the international program as well and he
did the intensive. So that's the
two-year option. Um and he highly
recommended it. So I came last year for
the student days and I was a little bit
unsure because I had actually just been
admitted to Parson's. So I was studying
between the two of them
um and speaking to Meta and a few of the
other students, learning about some of
the programs um and actually speaking
with Nelly. Nelly gave me two tours. I
was very privileged. Um it very much
convinced me. Um, and again, why not
study in one of the most beautiful
cities on earth and where couture was
born?
>> Yeah. Um, for me it was quite clear that
I wanted to go to Paris. So, I was just
searching up um sort of the
possibilities and which schools there
were. And I just kind of fell in love
with um the building with uh the
presentation that I saw online and I
decided to apply. It was the first
school I applied to and I got my um
acceptance very quickly. So, uh because
I already liked it, I just decided to go
with it.
>> Let's call it fate.
Um so, since you've now are both uh
experts at living in Paris, tell us a
little bit about what it's like living
in Paris in this beautiful city that we
love. Um, and tell us about how as
fashion students you can draw
inspiration from such a city.
>> Well, I knew that I wanted to live in
the mahi or near school. So, that choice
was very easy. When I was looking at
apartments over the summer, I found a
very beautiful apartment that for an
American was a steal. Um, the building
definitely has had its fair share of
issues since, but we live in an old
city, so that's a given. Um, I was just
actually saying to Meta that I look
around every single day. It's a if I'm
ever in a bad mood or if I'm ever
stressed, I just look up and I remember
that I'm in Paris and I look at the
architecture and think, "Wow, I'm never
going to live somewhere so beautiful
again." Um, but the city is it's has a
very nice pace of being slow when you
need it to be. You can go sit in a cafe.
I love doing work in cafes if it's
sketching, reading, or just like
chilling with a friend or having brunch
or coffee. Um or if you need it to be
really fast, you know, you can go on the
right streets, you can make it Time
Square. Um and of course we have Paris
Fashion Week, which is the biggest
fashion week in the world. Um and it
rivals New York as well. So there is so
much energy. There's watch parties.
There are opportunities for us to
participate which are quite easy to get
as ESM mode students because there are
so many connections. So for example,
last week I worked at the La Mer show as
a stand-in model and then I was supposed
to be for Eyaki but then I had a
deadline. So um it's been it's been
really amazing. So
>> yeah, for for me it's similar. I don't
actually live directly in Paris. I live
in what we call the Bonu. Um, but we
have an amazing metro system here. So, I
just take the line 13 and I'm at school
in a matter of like 25 minutes. So, I
really can't complain. And like this um
because in Paris we do have quite like
small apartments. Again, it's sort of
this old city, so student apartments
usually are not as big. So, I chose to
go a little bit outside to have a little
bit more space. Um, and yeah, it's just
it's just amazing. I mean, there's like
always new things to do. Um we have
amazing fashion museums but just museums
in general. Um every fashion uh museum
is free for us as students and uh a lot
of the museums uh as well if you are
under 26 and you're a student. So
there's so much inspiration that you can
take from that. And as well yeah like
Tate said the energy in fashion week is
just uh crazy. I mean you have um events
all around the city. You have popups.
you have um yeah like streaming at this
point like the la watch party if you
know um
>> as did our our own watch
>> yeah we we did our own as well um and
yeah like working backstage that's super
interesting as well I did it for uh
Vivian Westwood in the first year I
believe and then um a few other brands
Ellen Pole and um Egon Lab as an example
so um there's so much inspiration also
from the people that are here. This is
such an international city. You will
meet people from around the globe. Um,
and it's it's it's just yeah, so many
sort of uh things that you can take
from.
>> Thank you so much. Um, and I would love
to hear a little bit about from each of
you. Maybe could you describe a typical
ESMA day?
Could you describe your typical day?
[laughter] your typical day at S mode.
>> Yes, the typical day at S mode um for
first year at least. I'm not sure what
it was like um for meta, but my normal
day starts at 8 a.m. Um I have my either
stisma or modisma, which is either
technical design or creative design.
It's a workshop class that we have
studio from 8 until 1 and we have a
break around 10:30. Usually we have
projects that we're working on. So right
now we're actually at the final for our
semester. Um so we're working on our
personal skirt project. So the creative
design class and the technical design
class go hand in hand. Um, for example,
we're working on a pattern in one class
and then in our creative class, we'll be
learning about how to style, how to
define, how to um create graphics, use
AI, use different like random creative
tools to basically like present these
things. Um, so, and then in addition to
that, we'll be supplemented. So, after 1
p.m., we'll have usually an hour break
or a three-hour break, and then we'll
get to go to our other classes. Um, some
days we have the afternoons off, but
usually we'll have Adobe Illustrator.
We'll switch over to Photoshop next
semester. Um, we have a class in French,
uh, which is on fashion vocabulary,
uh, and fashion culture, fashion
history, and there's a few others, but
yeah. Um then usually you go home, you
eat, you do a little bit of homework, go
to bed and redo.
>> Um so for me in the third year I still
have the same structure of the main uh
classes. So I have five hours of um
style class and five hours of technical
class um which is mainly focused right
now on creating the collection. So
usually there's more of a focus in the
beginning of the year on the style and
then uh later in the year more on the
technical when it comes to the
realization obviously and then uh you
can also choose an option in the third
year. So that's like another thing that
you can uh add to your resume another
technique that you are able to learn.
Um, as an example, we have a 3D print.
We have a knitwear by hand, knitwware by
machine, which I'm doing. Um there's
also some digital options like uh clut
um so all of these tools that are really
used in the business and yeah so I have
a few classes of that um every week and
I usually uh most of the time I do end
at one do so that I have enough time at
home to work a little bit more um yeah
have some have some food maybe you know
go out
um yeah and that's that's uh how my day
looks
>> well. Thank you. One last question
before we uh we'll bring everyone back
out and we'll have everyone have to
answer questions. Um but can you tell us
a little bit about you're in your first
year so you have yet to do any but I
would love to hear from you about the
internship so far that you've done and
then also what is it that you're that
you're dreaming about? What's your goal
post uh post ESMD? And so the same
question would be for you. What are we
aiming for? What's our goal? What's uh
what's our dream post esmud?
Um so I actually had the chance to do
this internship last year in the summer
um which was a collaboration with the
National Archaeology Museum. So this was
a sort of research and creationbased uh
workshop for a month where we learned a
lot about um the bronze age and uh so we
had a little bit of creative liberty to
create um sort of the clothes that would
have been worn at that time um with uh
by using the old sort of ways of
creating garments which was really nice
because you you kind of had to detach
yourself from everything that you
learned because you couldn't use a
sewing machine. There was in general
just minimal amount of sewing and you
kind of had to create something out of
um things that you would normally not
think to use. So that was uh super
interesting and very enriching and um
yeah for the future um I I mean I'm
personally somebody that is uh in
between style and technical. I enjoy the
both. So I will be applying uh to to
both and I will I will be seeing what
what I what I get in the end. Um but we
have an amazing um uh platform like we
already talked about as MOD alumni. So
um there is a high chance of hopefully
me finding an internship.
>> There will be I've seen your work.
Um, I think I came into ESMOT as a
unique role because I'm actually 25 and
I graduated in the United States from a
4-year university. I worked at Microsoft
doing marketing and now I'm back in
fashion. So, I would say what my goal is
is I want to work more on the product
and creative side. Um, which S mode
teaches technique to perfection. The S
mode way is the way of couture. Um, so I
think that that background is going to
be really well suited for doing
something with product. Um, what that
looks like, I don't know. That's what
I'm here to find out. But my dream would
be to work for Balenciaga or Mason
Margala and then ideally like launch my
own brand at some point. I'm working on
a brand launch now, but it's an infant,
so something, you know, down the line.
>> We'll uh we'll keep that in mind.
>> Yeah. Trash. throw us your app.
>> Um, thank you so much for answering
these questions. You will be staying
with us. Don't worry, we have other
questions coming from the audience as
well. Uh, but I'm going to bring up
everyone else uh to come back as we have
questions for all of the above. Um, once
again, thank you so much all of you for
joining us this evening for this digital
open campus. Thank you especially to our
two students that out of the goodness of
their heart decided to stay late with us
and chat with you, which really shows
just how much they love us. So, thank
you so much. Um, and we did not
>> uh split them, you know, fiverr for
[laughter] the compliments. We promise.
Um, so we will be answering some
questions on live. Um, again, if you
have any questions about our admissions
process, about life in Paris, about what
it's like to be an ESM student, uh,
fashion design or fashion business, how
do I choose, anything like that, you can
feel free to drop it now if you have not
already. And
>> so we have a question from Daria. Is it
necessary to know French if you want to
enroll at fashion design program?
>> Is it necessary to know French in order
to enroll in the fashion design program?
How
>> uh No, you don't have to know French to
enroll because we have several English
speaking classes. Yeah. In first and
second year. Third year. By third year,
normally you'll be uh well, maybe not
fluent, depends on you, but uh you'll be
understanding and communicating pretty
well. So, our teachers encourage you to
to try to present your prejuries in in
French to to get more contact with the
language. Thank you so much, Alina. Uh
we have another question from uh Rodika
online. Um, can you please tell us a
little bit about uh internships from
students in the post-graduate program?
Um, Esco Van, do you have any examples
for us of uh post-graduate students and
the internships that they would have
gotten? Um,
>> it's going to be much better. Thank you.
So yes indeed we have a variety of
examples of stu of internships that our
students have made in the post-graduate
program like uh designer footwear uh for
men at Christian cannot say the names of
the students but here are the
internships uh development assistance in
ledger for Louis Vuitton and visual
merchandising uh intern for Balenciaga
and uh every year we um give our
students who have mandatory internships
to participate in our talent days which
are basically a concept where we uh send
the CVs of our students to companies and
they select the students that they want
to meet and they are able to meet them
in our school or directly. So it's a
very easy way to find an internship and
to meet the companies of your dream like
our student just talked about before and
an easy way to get an internship.
>> Thank you so much Van. Um our next
question is going to be for uh Alani who
is online and it is a question uh asking
if we can study both fashion design and
fashion business and then do you want to
talk about uh how you can study both?
>> Wait, I don't understand the question
how we can uh uh
>> so we have the possibility of doing the
fashion design bachelor and then going
on to the fashion business postgraduate
for example.
>> Yeah, sure. Yeah, of course. Um actually
it's um it's a very good idea because um
if you study the design in bachelor you
will have all the technical skills and
if you want to come to the postgraduate
in fashion business you will have all
the strategic um managerial skills and
this we call it hybrid kind of profile
is very important and um nowadays
companies really look for that. It's a
it's a it's really good um employment um
profile.
>> Thank you Netti. Uh our next question is
going to be for Nelly. Um Netti, can you
please tell us we have a question from
Sophia online. What is the best time to
apply for the Bachelor in Fashion
Design?
>> So thank you for your question. Um I
recommend you to apply as soon as
possible because uh right now we have a
lot of applicants. So, we don't have a
deadline date, but uh it really um
important if you can apply as soon as
possible because we have a lot of
applicants right now. So, yeah,
>> thank you, Nelly. And we have another
question that I'm going to try to answer
as well. Um a lot of questions about our
admit rate. Uh because our admissions
are done on a rolling basis, we don't
have an admit rate percentage. Um, so
you got to uh you got to apply as Nelly
said uh as soon as you feel ready and uh
and hopefully uh the faith will be on
your side. The next question is going to
be for our students. We have uh people
that are asking how did you come about
finding your apartments? Can you give
some advice on uh finding uh finding
residency in uh [laughter] in Paris or
in the suburbs?
>> Well, I personally I used uh a website
called Logis. Um I I have moved every
year so far, but I'm finally very happy
with my apartment. So I used for my last
two moves, I used Luchis, and I was very
happy with that. Um because sometimes it
can be quite difficult as an
international if you don't have a gar
like in uh in France, they usually work
with this guarant system. Um so it is
nice to have uh an agency to sort of
help you figure all of that out.
Yes, I was very lucky to have lots of
friends and family who had lived in
France to give me recommendations. Um,
but I would say do your research, watch
YouTube videos. There's a lot of expats
who have stories to share. Um, the
guarantor is definitely one of the most
important things and France in general
has a lot of bureaucratic systems that
everything just requires a lot of steps.
So keep that in mind. that takes a while
to get anything done. Um, I used an
apartment website called Solo. Um, and I
worked with an agency. It actually I got
really lucky and finding my apartment
was super easy. I actually thought it
was going to be a scam because it looked
too good to be true. But I had a friend
tour it for me over the summer and then
I came and moved in the next week.
>> The faith were on your side.
>> We love to see it
>> and with us mode.
>> Thank you so much. you guys hand the mic
off to uh to Van. Um there is also for
uh for those of you that are
international students, we do have a uh
concier service that can also help uh
try to find you uh um placement in
student housing. Uh there's also some
agencies that we've worked with in the
past that can help you find host family
if you're not wanting to live on your
own just the minute that you get here.
It's a good option as well. Um and our
next question uh Veral I will leave to
you uh is asking about what exactly are
the types of jobs that students at ESMOD
can get during Paris fashion week and is
there any difference between the jobs
available to fashion design students and
fashion business students.
>> Okay then thank you very much for the
question. So fashion week is indeed a
very important time uh in the year uh
for the fashion industry but especially
for our students and uh there is no
difference in the missions that our
students can do during fashion week
between design and business. They can
work as dressers, showroom assistants,
and it's a very amazing um opportunity
for them to discover the fashion
industry, the sorry the the life in
Paris and uh how the fashion works here.
And even though it can be sometimes a
bit stressful, it is very formative for
the future of their careers. And at ESM
career it is our responsibility and our
duty to um make uh all those mission
possible for them for them to get um an
amazing employability to be happy
students and then afterwards happy
alumni.
>> Thank you Valent.
Uh we also of course love our alumni
network that invites us to shows.
Next question is going to be for Elena.
Um could you give any advice in as
someone who is uh in the academic
department and someone that often does
admissions interviews
>> in the past um could you give us some
tips as to how to make your creative
dossi assignment or if you're applying
to the postgraduate fashion design uh
your portfolio stand out
>> okay so for the bachelor if you're
applying for the three-year program um
your mood board yeah Neil was talking
about the mood board of course make it
personal. Uh it's around your
inspiration. It's around what touches
you, what relates you to fashion, art,
and inspiration in general. But we also
want to hear uh how you analyze all of
that. How this connects to you as a
designer. Yeah. So, it's not just I like
those elements, but how and why uh those
elements inspire you. Also for
everything that you're going to do uh as
for the collages that you're going to do
with this mood board um really try to
think your process connecting that to
the brands that you like. Yeah. So just
for us to have a link on how you think
as a designer. Yeah. And uh you're going
to see that there is a practical
exercise there to be done too. So the
construction of two garments uh also we
want to see how you think outside the
box. Yeah. So this will help you help us
understand who you are as a designer.
Yeah. Uh of course we we don't expect
you to be uh pros and designers at this
point but uh we want to see how curious
you are. Yeah. Uh and for those who are
applying for the post-graduate program,
you just need to think portfolio. Yeah.
So of course we need to see that you are
able to think garment to think uh a
project and that you have a project in
mind that goes beyond making a a
thirdyear collection. Yeah. So
>> I think uh if I'm not mistaken and
correct me if I'm wrong es particularly
for the the bachelor fashion design uh
creative dossia assignment there really
is no wrong answer. Oh,
>> we're really looking to see where your
mind goes, how you express yourself,
where you express yourself creatively as
well, right? We want to see not just
things that you do related to like art,
for example. We want to see do you
dance? Uh what architecture do you like
and why?
>> Things like that. Thank you for saying
this. Don't hesitate to add to this uh
three elements that you we are asking
from you. this uh let's say these three
parts can be 10 pages if you want. Yeah.
So the more you show us who you are, the
more interested we're going to be in you
and your process. Yeah. But as you were
saying, Janan, there's no right or wrong
answer there. Yeah. It's just about you.
Thank you so much.
>> Yes, we have another question. Um and we
will pass this over to Nelly. Um the
question is what would you recommend if
you are unsure as to which program to
choose?
Okay. Um so you hesitate between fashion
design or fashion business right? So
both of the program are really good. So
it depends of what you like most. If
you're a creative person, if you want to
be a stylish for example, if you're more
business woman, a man, I don't know
which person asked the question, but
yeah, it depends of what you like and
your inspiration.
>> And I think Nelly, there is a a surefire
way for someone to test out to figure
out uh which one they sort of gravitate
towards that it's testing and learning,
right? We have uh summer courses.
>> Yeah, sure. every summer where you can
test out both fashion design and fashion
and business uh at the same time. So you
can really get a feel for what exactly
we mean when we say fashion design
classes what exactly we mean when we say
fashion business classes. It allows you
to sort of get a feeling also for the
ESP method for the professors because
the professors that teach the summer
courses are the professors that teach uh
throughout the year to our uh to our
undergraduate and our postgraduate
profess uh professors as well. Um, so
it's a great way to sort of get a feel
for the campus, get a feel for the
methodology, and also really feel out
for yourself which one you gravitate
towards because as Nelly as Nelly
mentioned, fashion business is just as
creative as fashion design. It's all a
matter of how you see it, what you do
with it, the approach, the an the
analysis. Uh, and so we have very
creative projects on the fashion
business side. We have very technical
projects on the fashion design side. Uh,
both require skills that are are hybrid
as and then you mentioned earlier,
hybrid profiles are more and more
important today. And so, uh, this, uh,
the summer course is a great option in
order to to test out which, uh, which
you would gravitate towards.
>> Exactly.
Believe we have another question online.
>> Uh, yes. Uh, Ni, would you tell us a
little bit about just we talked um
specifically for the fashion design
postgraduate, we need a portfolio and
all that. Can you talk a little bit more
in detail about what would be required
to apply for the fashion business
programs, what it is that we're looking
for in those applications? Okay. Uh the
assessment tax for the fashion business
is divided divided in two parts. So in
the first part you have to make a
portfolio a mood ball uh like in the
fashion design. Uh but in the second
part you have to you have an editorial
text that you have to write uh about an
fashion event or your literary brands.
Yes. So that's all and after that you
have your interview online on teams via
teams.
>> Thank you Nelly. Perhaps Jessica, you
could maybe tell us a little bit about
just as Elena uh gave us some tips as to
what it is that we're looking for, what
would make your your application stand
out. Uh what is it that the uh
curriculum coordinators, the deans of
the fashion business are looking for
when they're looking at uh the fashion
business applications?
>> Okay, so [clears throat] I think again
here there is no right or wrong answer.
Um we are not looking for something
specifically.
um we're just looking at um getting to
know the candidate. So that's why why we
do this. This is why we do interviews.
That's why we require you to as to do
this exercise. Namely, uh three mood
boards. One about your personality and
then one another about another one about
fashion and then a third one about
artistic references. What's really
important for us is to know that not
only you were passionate about fashion
um in the surface level, let's say. So
you really interested in um learning
about all the artistic directors, but
also about the maybe marketing
strategies and campaigns, you know, so
the communication strategies of certain
brands, you can add that to the mood
board and then talk about it. Um, and as
for the artistic reference, you can
really go from um, architecture and
painting. It's really your universe that
we're interested in.
>> Thank you so much. Thanks, Jessica. Uh,
we have another question online um that
is asking what exactly sets apart from
other fashion schools, which is a very
good question. There are a lot of
fashion schools all over the world. Um,
of course in New York, [laughter]
of course here in Paris, and of course
again all over the world. Um, however,
what really truly does set ESM apart,
there are several things. First and
foremost, as I mentioned at the very
beginning of this uh digital open
campus, ESMD was established in 1841.
So we're kind of the OGs.
um along with our uh historical
archives, our methods, uh the inventions
of our founder that really make us uh
sort of the the the quarter the
cornerstone of uh technical fashion of
pattern making theory. Um and now uh we
are also the reference for digital
fashion. We were one of the first
schools to implement Clo 3D from the
first year uh in fashion design and our
students have the possibility to have a
concentration as a digital design uh spe
specialization u and so our students get
to have the best of both worlds. They
get to have the heritage as well as the
innovation. They get to have the
connections to the industry with through
our incredible alumni network. Um we
have alumni such as uh founder of Vista.
Um we have DJ Kayak in Hodkau. We have
uh alumni that run the gamut and again
that are international as ESM is an
international group of 18 campuses um in
12 different countries around the world.
And so that network of course allows our
students to travel uh to gain
inspiration from other cities not just
from Paris. Um and then of course our
implementation in Paris uh is very
important as our students mentioned.
They get to play around with Paris
Fashion Week. Uh they get to really use
the city as their inspiration. um which
in a historical building such as this
not everyone can say the same.
>> Yes. And our next question uh to
continue on that and I will ask uh Nelly
to chat with me a little bit about any
possible um exchanges that students can
do. So can you tell us a little bit
about the uh study abroad opportunities?
Uh I know we can travel within the ESMA
network. Let's talk about that. But then
also our uh Arasmus uh plus exchanges.
>> Okay. So yes, of course, if you want to
uh make an exchange and uh for example
do your second year abroad, it's
possible because we have a lot of campus
uh all over the world, Dubai, China, uh
Indonesia, etc. So yes, it's possible to
make any change and we have also the
Aerasmith program and uh also the Tokyo
program in the second year. So yeah,
it's possible to do uh to uh um to go
abroad if you want to and during your
intensive uh during your um
>> internship
>> internship. Yes, you can do your
internship abroad as well.
>> What's really interesting about the
ESVOD network of course is that you have
the possibility to do jumps. So it's
shorter amounts of time where you can
truly jump into another school, another
campus, another culture. And since the
ESMA ESM methods are the same
throughout, your curriculum itself will
stay the same, but you'll just get to
change uh who's teaching it to you and
you get a different perspective in terms
of professors, which can obviously inj
be very important. Um and then also, as
I said, draw from the inspiration of the
city, from the culture as well.
Cross-cultural um impacts on design is
obviously incredibly important. Um and
so, uh it's a great opportunity to do a
smaller uh study abroad opportunity
while you're still designing your
collection even. It's possible. Um and
so we have our international department
here that can uh that can help
facilitate the uh the exchanges and the
Arasmus plus exchanges notably uh are
more so for especially the fashion
business opportunities as uh our fashion
business network is not as large
globally as our fashion design network.
And the next question will be for
Jessica online. Um, can you tell us if
our fashion business bachelor is linked
to uh fashion journalism?
Um, and is there a lot of math and
analyzing the data involved in this
bachelor? Can you tell us Jessica about
how um is it possible? Number one, let's
break this question down a bit. First
and foremost, would you say that uh
going into fashion journalism, is it
possible? Perhaps even Valent could uh
could talk on this, but uh as a as a
potential career path after the fashion
business bachelor.
>> Okay, interesting question. Um we do
have classes on um on fashion media as
it was stated on the slide. Um so it
ranges from um social media of course
and then of course one very important
part for us is the um press. Uh we do
have a students who end up working on
that is not the main focus of the
program but we do um have classes that
are uh about that. So, but I maybe Analy
can um talk a little bit about the the
that as well since she is also has she
also has the overview about the
bachelor. Um what do you think can you
do fashion journalism after doing a
bachelor that is mine?
>> So if you talk about editorials um
working with the stylists that's totally
an option that's actually what some of
our students do. If you talk more about
writing
um it's going to be more difficult if
it's just lit literally writing
>> but again yes the editorial part working
with the stylist yes
>> I think uh van I have some examples also
of uh of alumni that have gone on to
work in fashion journalism post fashion
business
>> they are actually they are and a lot of
them actually a lot of our students and
alumni have afterwards a career directly
impressed we have an alumni actually
from the fashion business program who
worked few years at the Figaro in the
press section and which has been an
amazing opportunity for him and an
amazing development. Uh it is an amazing
development for students uh to to work
afterwards in the communication industry
and uh to evolve afterwards in this. So
it's a very very important career path
and even more interesting I think at if
you have the possibility to not only do
it in France but do it at an
international level to really know more
about you know cultures and how you
communicate. So it's a it's an amazing
platform indeed.
>> Thank you. Um and then the second part
of the question Jessica was about the
sort of let's say quote unquote less fun
part of fashion business talking about
data analysis law perhaps. Could you
talk about how that fits into the
fashion business curriculum, please?
>> Yes. Um, we do have classes that are
less fun. I'm not going to lie. There's
a very important part of the learning
process. Um, it's not main focus on uh
big data or data analysis, but we do
learn uh we do teach you how to the
basics of all that in a way. Um there is
yeah a lot of classes that are working
skills that we think that are very
important for you later on. Of course we
do have to find a very interesting
balance between um the more creative
side of the program and these less fun
but very important uh classes. So it's
there um precisely because we know that
our candidates and our students are very
hybrid. they have this very creative
side but they also very strategic and
analytical. So we're trying to feel that
and um really make it drive. So no math
is not required. You don't need to know
you know um algebraic or you know any
kind of high level math but um there are
classes that are going to be a little
bit more challenging when it comes to
that. But those are important classes.
>> Thank you so much, Jessica. We're going
to go back to our students and we have a
question that I'm going to twist to make
it more specific because I have specific
examples for each of you. Um, so I know
that one of you participated in the
fabric
uh and the other one did the de so I
would love for you guys to just tell a
quick anecdote about each of those
projects.
Yeah. So, Esode has this Oh.
[laughter]
Uh, because ES mode is international and
very well known in the world of
everything creative. We have
relationships with lots of different
brands and fashion houses namely, but we
have a relationship with FaberCastell,
FaberCastell. Um, and they make art
products. So, we had a contest back in
October where we had to blend one of the
projects that we were working on for our
styism class with fabriccastell products
and then turn it into something that was
also merged with ideas that we created
from Paris Fashion Week. So, it was like
an explosion on a page. Um, and we were
given about 5 hours to be in a studio
and sat down with all of the different
fabric castell products that we had been
introduced to the week before. Um, and
we created a mood board and we created
all the these concepts and essentially
the idea was to use as many
Fabriccastell products as you could and
the best project actually won like a
multitude of products and I had someone
in my class get second place.
city is super. Um, it was very cool and
even though I did not win, it was super
fun to participate. Um, and we also had
a hat project that we did in November as
well. So, there's all these fun things
that are going on all the time, um, that
kind of ignite your creative brain and
are not graded, which is always nice.
>> Um, yeah. So for me, uh I mean I already
talked a little bit about it, but um it
was it was super interesting because
also we had all of these materials given
to us to create something. And uh I
learned so many like new techniques. Uh
as an example, when you you can
rehydrate leather and you can like sort
of like sculpt all of these forms out of
it, which was really really cool to
learn. And then um at the end when we
were finished with the products um they
were exhibited in the museum that was
also super cool to sort of see your
thing in this uh really official setting
and we also just had um a meeting with
some students at the SAN and there was
um you know a really nice discussion
round. So, it's it's it was really nice
to just get all of this feedback from
from different uh sectors and from
different people and to really yeah show
your work exhibited in a way that you
usually wouldn't really have uh the
connections to.
>> Uh one last question. Um can you so we
spoke about a typical day uh and now
they're wanting to know about the
workload. Can you tell us a little bit
about the work that you're asked to do
both in and sort of out of class because
I know a lot of the work happens out of
class. So let's talk about that.
>> Um what I mean fashion is a very
passionate job. So I think you do have
to bring that passion and you have to
bring that motivation to also work
outside of class. Um for me it is my
dream. So um the work that I do doesn't
necessarily feel like work. It feels
more like I'm, you know, doing my hobby
all of the time. But it is uh it is
work. It's uh sometimes is a lot of
work, especially when you have a handin
or a jury where we present our um our
products. But um it's not like you don't
have any time to do anything else. Um I
do enjoy going out on the weekends and
uh meeting up with some friends, but do
be prepared to do some work at home.
Yes, I echo the same statement. Uh, and
as someone who also has a relationship
with corporate America, um, you
definitely have to prioritize and
organize yourself very well. Um, I think
I saw someone ask before about having a
job outside of school. At least for
fashion design, I would say it's very
impractical. Um, your day is very much
dedicated to fashion and that is like as
long as you're, you know, meeting your
deadlines and getting all of your work
done and like understanding the
projects, teachers are very very nice
about like helping you, you know,
through hard times and things like that.
Um, I would say the first semester for
first year is a huge adjustment period
for everybody. um you know everybody's
coming from all over the world, very
different backgrounds, very different
education systems and the workload is
very specific to S mode. Um so you know
there's some growing pains but I will
say coming back from Christmas um
everything is a lot more seamless. I
definitely know how to prioritize my
work. I think, you know, you should be
expected that you have your classes
during the day, you have breaks to eat
lunch, um, and then when you get home,
you'll probably have time to, you know,
make dinner and then do some more work
and go to bed. So, enjoy your weekends.
Your weeks are for working.
>> Um, Tate, we have a question
specifically for you. If you already
speak French or a little French, do you
recommend choosing the program in French
or in English?
I think because all of the teachers
speak French, um I do not find it
difficult to practice my French. But at
the same time, like it depends on what
your goals are because if you want to
live in France and if you want to work
in France, it would be helpful to take
the French program and get immersed into
that universe as quickly as possible.
Um, if you are interested in working
abroad or if you have your eyes set on
working, you know, somewhere like where
everything is dual language, then it
could be good to be in both. Um, you
definitely will get a lot of practice if
you make it that way. But I will say I
have to go out of my way to practice my
French with people in school because
everybody in my class is English or like
English speakaking. Um, and some of them
don't even speak French. So personally,
I've actually done both. So I did my
first year uh in an international class
and then I switched in my second year to
a French class. And for me, that was
kind of the best way to go about it
because you are arriving in a new
country, there's a bunch of new people
that you meet and learning a language on
top of that that you don't really know
that can be sort of a little bit
overwhelming. Um and in the third year
you do mostly have to speak French
because most of the teachers are French.
Um they have a big saber you know they
they are from the business. Um but um
not all of them are fluent. So it's uh
good to have a good level there. So
that's why I took the decision in the
second year to switch and therefore I
kind of made friends from all around the
world. I had a little bit of both. So I
think um that was yeah a good choice for
me to make.
>> Thank you so much both of you. Uh we had
a question uh that was triggered from
your answers asking about the workload
and homework for fashion business
students. So uh Jessica could you maybe
run us through what the typical day for
a fashion business student would be and
is it more project based? Do they have
homework? Can you describe a little bit
of the workload uh that students would
have briefly as we are going to wrap
things up very quickly? Thank you. Yes.
[clears throat] Hello. Um, so our
classes are very workshop. So they're
hands-on. We teach by practicing. Uh, so
you don't have a lot of homework. Most
of the work is done in class. There is
uh there are classes where you it where
is required some um learning at home.
Let's say um you for example I think
about history and sociology of fashion
because there is a lot of information so
it is required to do some work at home
but most of our uh most of the workload
is done u in class.
>> Thank you so much Jessica and once again
thank you everyone that was here this
evening that answered your questions and
that presented uh the SMAN community. We
were very proud to do so. So, thank you
so much to Jessica, to Anni,
our two students with us and thank you
so much for those that were moderating
in the chat as well. Thank you so much.
And to all of you that were here
listening, we thank you so much. We know
it was a lot of information. Of course,
uh we did not get to all of your
questions. If you do have uh more
questions, if you want to get in touch
with an uh ESMED admissions officer, you
can contact us via WhatsApp uh using
this QR code. You can of course send us
an email at contactesmed.com. You can
give us a call. Our admissions officers
are always here to give you tours, uh,
to chat with you, to tell you, uh, to
help guide you as well in your choice.
If you're still deciding design and
fashion business, that's what they're
here for. Um, and of course, please, uh,
check out, uh, Esman Paris on Instagram,
on Tik Tok, we're on LinkedIn as well.
Um, and you'll find out all of the
happenings on our campuses, what's
happening with student projects, and our
upcoming events, uh, such as fashion
shows. Um, so stay tuned and try to keep
up with ESMD. Thanks again so much for
everyone from joining us from all over
the world and uh we wish you all a great
evening. Thanks.
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