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Book talk Esther LSD4 part 1

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0:00

whatever

0:02

okay what we were talking about

0:05

uh yeah I looked through I still had a

0:12

two likes I think that you know three

0:14

different ones though it's I don't know

0:17

how you feel about writers breaking the

0:20

fourth wall but I thought it was really

0:23

interesting the way that Sally did it

0:25

because she discusses contemporary

0:28

novels wow you're writing the

0:31

Contemporary novel yeah

0:35

um

0:36

um I don't know how she did it but I

0:37

think through Alice because Alice is a

0:39

writer as well that's interesting uh she

0:42

threw that in yeah but she did it in a

0:44

way that wasn't like weird or cringy or

0:49

oh I I thought it was pretentious you

0:52

did why I I hate it I absolutely hate it

0:56

I mean I guess it's sort of the way the

1:00

author

1:01

um well I already have said pretentious

1:04

in the dislike so you don't need to

1:06

write a down for me but you can write

1:07

your own like

1:08

um

1:09

I hate it when authors uh I guess well

1:13

they're using it to vend but then it

1:16

still comes across like they're just

1:19

like oh I don't need I hate contemporary

1:23

contemporary books but here's my book

1:25

and buy it

1:27

like it's it's like if you hate it that

1:30

much no one is forcing you to write

1:33

another contemporary book but it's sort

1:35

of like they're saying all contemporary

1:37

books are like so many of them are so

1:39

bad but mine's the exception like I I

1:44

don't get it like well I understand that

1:48

if you generally like hated it maybe

1:49

write an autobiography I think that that

1:52

would be a much better place to vent

1:55

about such uh like the parts you hate uh

1:58

in the industry but it always just

2:00

expect

2:07

but

2:08

I didn't feel like Alice represented

2:12

Sally Rooney in that way and I also but

2:14

maybe that's because I've read it such a

2:16

long time ago is that I don't recall her

2:20

breaking the fourth wall to say that she

2:22

doesn't like contemporary in general I

2:25

just

2:26

remember her talking about contemporary

2:30

novels and like

2:32

um

2:34

just mentioning them or something they

2:37

came up I think Alice said that uh

2:40

contemporary

2:42

books have like the genre has become so

2:45

boring because the authors who

2:48

um who got famous

2:52

um of a fish they got famous ages ago so

2:54

then the Contemporary like their daily

2:56

life that the author is right about is

2:58

no longer anything representing normal

3:01

people

3:03

um that's what she was kind of

3:04

complaining about and I do think that's

3:06

very much

3:08

um Sally Rooney writing through Alice

3:11

because she's so it fit in there but

3:17

um maybe maybe she wrote it in there

3:19

because the author herself is also

3:21

struggling uh with a bit of feeling like

3:24

she doesn't want to change because of

3:26

her success because her books have been

3:29

really successful

3:31

um

3:33

but it it felt a bit

3:37

like I don't read contemporary so it's a

3:40

bit hard for me to say whether she has

3:42

any right in that or not but then I felt

3:45

like Alice as a character also doesn't

3:48

represent an average person so for Alice

3:52

to say that she hates contemporary

3:55

authors because they're not the average

3:57

person but then she's not her

4:00

as well but then again she hates herself

4:02

too so yeah it's conflicting so maybe

4:06

Sally wrote her in that way because she

4:09

wants it's to me it felt like her way of

4:12

her venting about her own struggles as

4:14

well but that might be very much

4:16

projection because I don't know anything

4:17

about Sally Rooney no me neither I I've

4:21

only read her books that's all

4:23

uh but I do get what you're saying

4:26

upholding a structure that she's

4:28

criticizing which makes her less

4:31

credible

4:33

yeah or at least

4:35

um it feels a bit like disingenuous down

4:39

like trying to punch down other people

4:41

while still getting all the Privileges

4:45

of it yourself like not actually wanting

4:48

to change it but wanting to complain

4:50

about it anyway like it felt a bit

4:53

I that's why I I personally always

4:55

dislike it but you can write it as a

4:57

like for yourself

4:58

um

4:59

I think that's a general like this like

5:03

for people that don't read contemporary

5:05

I think because I I actually when I was

5:08

looking up the the genre I I found a lot

5:12

of books that I liked in the list really

5:15

and I never knew that they were a

5:17

contemporary so maybe that's I've gotten

5:19

gradually like used to this or something

5:22

but how did you because I contemporaries

5:26

talking about the daily life now in the

5:28

end she mentions a bit covet I found

5:31

that to be so unnecessary like she just

5:34

threw that in after a year it's like oh

5:36

having a baby in in covid and like

5:40

I just thought not necessary it doesn't

5:42

need to be like a covid novel we've

5:44

already seen enough covid novels yeah

5:48

well I guess she's trying to make it a

5:50

bit relatable

5:51

in that sense and

5:54

um I didn't mind that part that much

5:56

because okay

5:58

um I think it's I think she put it in

6:00

there in that way uh because

6:02

because it's uh like how do we say this

6:05

like they have struggles then but they

6:06

still have struggles like even though

6:08

things might have changed a lot and we

6:10

as readers might perceive like oh they

6:12

suddenly changed a lot for the better

6:13

because we didn't see that part or like

6:16

maybe we consider it changing for the

6:18

better I don't maybe that's my own

6:20

business and projection there but that

6:23

just to show that there's still

6:25

struggles going on there and that might

6:26

have been the easiest way to throw that

6:28

in I guess yeah

6:31

how the thing is we talk a lot but then

6:34

how do you know yeah no that's fine

6:37

anyway I mean but at the end of this I

6:40

don't even know if our teachers actually

6:42

watch the whole thing so we'll just

6:43

we'll just take it we'll see

6:45

um because I just wrote breaking the

6:47

fourth wall and like but that's also

6:50

um related to another the last like I

6:53

had it's like it's kind of but I'm not a

6:56

philosophy kind of person I found it to

6:59

be an approachable way to write about

7:01

big themes really related to philosophy

7:04

to make them easier to understand

7:05

because you're getting to know like

7:07

certain principles through the emails

7:10

and them discussing it and going back

7:12

and forth is how I stand in what they're

7:17

discussing but also how other people

7:19

view the same situations is very

7:22

interesting to me because I don't really

7:25

get to like think outside of my own head

7:29

or read about what other people think

7:31

I do that all the time because I read

7:33

books all the time but like it still

7:35

keeps surprising me

7:37

people so I thought that was

7:40

um a like for me as you know I like

7:42

about it because it was very like it

7:45

wasn't deep it was very superficial

7:47

knowledge about philosophy I think like

7:50

think of that themselves but being that

7:52

explicit made it interesting to me

7:55

and it was it it wasn't a bad addition I

8:00

I didn't hated I

8:02

I definitely didn't hate it I didn't

8:04

dislike it I I thought it was a little

8:06

bit positive a bit neutral but on on the

8:09

positive side as well I didn't really

8:12

enjoy it either because I don't I don't

8:15

know this is why I don't read

8:16

contemporary that much because

8:19

um

8:20

I I don't like

8:23

um

8:24

when things get a bit too too

8:29

like too braggy or like it feels

8:31

sometimes it just feels like okay why

8:34

why are we talking about these

8:37

simple things that should be simple and

8:40

then we're making it out to be as if

8:42

it's like like the big brain moment but

8:45

to me they're just very simple Concepts

8:47

and I don't know I'm not trying to be

8:49

like who I'm I'm so smart but then

8:52

sometimes I feel like they're making

8:54

things not to be bigger than they

8:55

actually are and then I'm gonna sort of

8:57

like okay

8:59

okay

9:00

yeah but it's kind of I I didn't mind it

9:02

I didn't mind it that much I didn't mind

9:05

it

9:06

I guess it's like looking for something

9:08

that isn't there sometimes it can seem

9:12

like you're

9:15

no no I think I get what you're saying

9:16

it's like making things more difficult

9:18

than they need to be because it's just

9:20

the way that it is and there's not much

9:22

to it or something

9:24

yeah or just like

9:27

um yeah just making things bigger

9:30

but like way bigger than they are

9:33

um when sometimes well I mean sometimes

9:35

things are that big but just because

9:36

they're big doesn't mean it's not

9:38

important I think like just because

9:41

things are might be that big doesn't

9:43

mean I want to give good importance but

9:45

then again I guess other people would

9:47

want to do that but then to me it just

9:49

it doesn't do it for me personally but I

9:53

guess why

9:55

for other people and for the characters

9:57

it could be yeah yeah

10:02

um I've been adding to the list because

10:04

you mentioned Helix as a dislike so it's

10:07

just feeling yeah

10:09

and in addition like the Menace plot

10:12

devices and I just wrote Alice but uh we

10:14

can get back you can start with Felix if

10:16

you want you have anything to say

10:18

um well I just generally really dislike

10:20

him

10:21

I did write some things about him I

10:24

think I I

10:26

probably did but like because I wrote

10:28

like chapter thoughts but I just yeah

10:30

the the thing is

10:33

there's nothing good to be said about

10:35

this guy and it's actually I want to

10:37

write a puzzle just like the puzzle is

10:39

the chemistry between Phoenix and Alex

10:41

like where is it where is it I don't the

10:44

puzzle for me is how they had such poor

10:48

chemistry like their top they're only

10:51

talking

10:53

um like they're answering and and

10:54

conversing in short such short words and

10:58

sentences but then it's like they're

11:00

still attracted to each other like yeah

11:02

it just puzzles me because it's not even

11:04

the the writer doesn't even give it off

11:07

like oh they're just like physically

11:09

attracted or something like there

11:11

doesn't seem to be any attraction apart

11:13

from tension because I I felt

11:16

uncomfortable reading it and I felt

11:18

anxious reading it so the only thing

11:22

um their interactions the only thing

11:24

that it gave me was tension and anxiety

11:27

but somehow that was chemistry or it's

11:30

yeah because it turned out to be

11:32

chemistry or something but I was just

11:34

very uncomfortable and I didn't like

11:35

Felix because

11:38

I personally if a man like that would

11:41

come into my life I'd be like stay at

11:43

least

11:44

like three meters away from me at all

11:46

times like so yeah I just

11:50

no I agree with you because I think I

11:52

that's also a puzzle of mine is like

11:55

what's the type of intimate connection

11:57

that they have because you're right they

11:59

do there seems to be like according to

12:02

Sally the way she's writing there seems

12:04

to be an intimate understanding of them

12:07

between each other it's like they

12:10

intimately know each other but we don't

12:12

see that being written out and we don't

12:15

understand how that happened especially

12:16

from we went from zero to a hundred real

12:19

quick yeah when they went to like Italy

12:21

and whatever happened there and also uh

12:25

he even said that that there was no

12:27

physical attraction per se they just

12:29

sort of like happened upon each other

12:31

and but he didn't even want a serious

12:33

relationship so how did we end up here

12:38

and I I don't

12:40

I don't understand is it like from

12:43

Adam's perspective if it was written as

12:45

a bad situationship where the girl like

12:48

is using it as a way to

12:51

um

12:52

uh because I thought that was gonna

12:54

happen at first like you have these

12:55

situationships where a girl will go to

12:59

uh emotionally like not available person

13:01

and just

13:03

um use them to be to just get a little

13:05

bit of intimacy because the girl also

13:07

doesn't want real intimacy because

13:09

that's also addressed some point in the

13:11

book that

13:13

um

13:14

also pushing him away like she doesn't

13:16

actually want to be a relationship as

13:18

well which is it's it's like fine if you

13:22

have a certain understanding about that

13:25

but there's no communication between

13:26

them there's nothing that seems like

13:29

intimacy they're only just tolerating

13:32

each other to in like in my opinion they

13:34

were tolerating each other but then

13:36

they're still

13:37

keeping like why why would you be with a

13:41

person that

13:42

you generally just like don't really

13:44

like that much I would just keep that

13:47

around like if the only thing

13:50

that person brings to you is bad

13:52

feelings I mean for Alice I sort of get

13:54

it because she's

13:56

uh well

13:58

I don't get it but she's written as a

14:00

character who

14:02

does it who wants to like who's

14:05

attracting someone like that because she

14:08

um she feels bad about herself so she

14:11

wants to feel better

14:12

yeah I've talked about that a little bit

14:14

before it's also mentioned in the book

14:16

that she always wants to feel better so

14:18

then you want to listen to groom

14:21

um but then I just I still don't get it

14:23

because there was still

14:25

no chemistry there was nothing there

14:28

that made me feel like there was

14:30

anything between them apart from General

14:33

disinterest like not even hate just

14:36

disinterest like nothing there

14:39

you know I I it puzzled me yeah no I

14:44

agree

14:46

um let me see I also go into patterns

14:52

I found it interesting

14:55

how there seems to be like constant

15:00

conflict between Eileen and her family

15:02

and especially Lola her sister but and

15:06

and we get like the flashbacks with like

15:09

the traumatic past which makes it more

15:11

relatable and understandable but my

15:14

puzzle and like

15:16

whatever like question with that is like

15:19

why would she even still associate with

15:22

her family because she says that like

15:24

there's still love between her and her

15:26

mother but I don't understand why she

15:29

she said at some point like despite

15:32

despite it all

15:34

um she she still loves her family and

15:38

although her family doesn't show it she

15:41

hopes she hopes or she likes to think

15:43

that they love her too but there's

15:45

nothing to show for it so I'm just like

15:47

girl you need therapy like I'm reading

15:50

it and I'm like you need to stand up for

15:52

yourself like this is

15:54

because it's not it's not it's they're

15:57

not doing anything for her to show that

16:01

love and I don't think I think I don't

16:04

know where she gets the perception from

16:06

that there is love like that's kind of

16:08

messed up because if that's that's mommy

16:11

issues or something that you have the

16:13

results before she becomes a mom

16:15

and I think it's actually also a pattern

16:18

like Elena and her family

16:20

um you can clearly tell like the way

16:23

um her interactions with her family were

16:24

written

16:25

um her family doesn't have any

16:27

expectation of her

16:29

um like they just always assume the

16:31

worst for her like that things will not

16:33

work out and that's something that she's

16:35

internalized even further to the point

16:37

where she also thinks it of herself so

16:40

I'm I I just every time I read an

16:43

interaction with her and her family I'm

16:45

just like she needs therapy because

16:46

there's issues here like she's

16:49

internalized what her family tells her

16:51

because her family constantly puts her

16:54

in the second place and always being

16:56

less worthy and just generally not being

17:00

that

17:01

um

17:02

successful and making it seem as if

17:04

that's just to be expected from her and

17:07

she's internalized it to that's also

17:10

like she doesn't even she doesn't even

17:13

realize that she can aim higher than

17:15

that because it's that internalized and

17:18

that's also uh it's it's a pattern that

17:21

you can see in everything and everything

17:22

in our life

17:24

so but the same with like the guys as

17:26

well it's like you see that there is

17:29

something that needs to be resolved like

17:32

the main character conflict I guess that

17:34

they have to overcome

17:36

um which they don't in the book of

17:38

course

17:39

um but like for

17:42

um what's the other guy's name Simon

17:44

yeah Simon yeah Simon he has something

17:47

going on and like feelings he's very

17:51

um I don't want to diagnose him but he's

17:55

very morally created all over the place

17:57

so it's very like yeah

18:00

something needs to happen I think one of

18:02

them was in therapy no but something

18:06

because it seems like a cycle to bound

18:08

to repeat itself yeah

18:11

yeah

18:12

it does be yeah

18:15

because Simon I

18:18

there's not a whole lot to be said about

18:20

Simon as a character like I generally

18:23

dislike Felix Alice I I think like she's

18:27

very egotistical at times and Aileen is

18:30

just a perfectionistic

18:33

person who doesn't like to take any

18:35

chances or aim like aim higher for

18:39

herself in any way but then Simon I'm

18:40

just like appeasing just he's just like

18:43

using he just wants to be Dependable but

18:46

that's his entire personality yeah he

18:48

just wants to be dependable

18:50

but there's nothing more to say about

18:52

him he seems to be like the third person

18:56

that wants to keep the peace like

18:59

um he's trying to make both sides like

19:02

witches in this book is like Alice and

19:04

Eileen both have yeah

19:06

um with and then like he seems to be

19:09

kind of like a people pleaser someone

19:10

that doesn't want to like take up too

19:12

much space uh that their own definitely

19:15

you know yeah

19:17

that's interesting because he takes it

19:20

very far but his like because he I had

19:22

that as a puzzle as well is like him as

19:26

a Christian I can't place like God in

19:29

general in this book was very

19:30

interesting that's a pattern for me is

19:33

like in the beginning like they're both

19:36

kind of atheist agnostic Alice and

19:39

Eileen and Simon's the only one that's

19:41

really like Christian although yeah

19:43

premarital sex as a Christian I don't

19:45

know

19:47

um yeah yeah it depends on what kind of

19:50

Christian yeah

19:51

I Simon has explained as a very normal

19:55

like uh very easy going Christian so I

19:58

guess yeah

19:59

explained in that way but they still

20:02

call him a freak of course

20:04

but like at the end of the book like

20:07

Alice especially seems to be moving more

20:11

towards God but in a different way

20:15

yeah and Aileen also is

20:19

more interested in it like she's

20:21

interested in the intimacy aspect of it

20:24

um

20:25

so

20:27

it is touched upon but I don't feel like

20:30

it's really explored no that's true yeah

20:34

I think that's also that's also Patrick

20:37

in this book everything could have been

20:39

flashed out more flat but fleshed out

20:41

more but that's what I think in general

20:43

is like these kinds of books can be

20:45

super long and still you wouldn't touch

20:47

upon everything in extreme detail

20:53

um let me see if I have

20:55

um

20:56

oh well yeah

21:01

I I have another puzzle about Alice

21:04

because she's sometimes she's just like

21:06

really whining about her life how she's

21:08

so privileged and then like she doesn't

21:11

feel like she deserves this and then I'm

21:13

just like okay why why don't you just

21:15

donate some of your money then yeah but

21:18

I don't think we understand how because

21:19

she's so rich I didn't understand at the

21:21

beginning

21:22

like how would you get this rich off of

21:25

one book sale

21:26

I guess it was it was a really good book

21:28

or something yeah no I don't if you

21:31

mentioned in the book like how much she

21:33

got for just the book sale but I and

21:35

then of course she has interviews and

21:37

everything and then she earns money by

21:39

that from that as well but I generally

21:41

but the millions I think they said

21:44

yeah she's rich rich and then because

21:47

especially that and then knowing that

21:51

Eileen is struggling and then not paying

21:54

more yeah she doesn't help out yeah

21:57

that's that's that puzzles me because

21:59

I'm I'm like you know that your best

22:01

friend you know your best friend because

22:04

it said that Amy doesn't like she barely

22:06

makes like 20K a year so it's like why

22:10

don't you help her out because she said

22:13

that Aileen

22:15

um at the end you know Aileen said that

22:17

she doesn't have the money or the time

22:19

to to travel uh because she like to

22:22

Alice because during the time that she

22:25

was in like the mental health facility

22:28

she was already paying the bus for every

22:30

time and that was practically all of her

22:32

money and then I was just like why

22:34

didn't you come well because she also

22:36

she used all of her money she

22:39

practically couldn't come in and this is

22:40

Rich and she could have went to her

22:42

friend or she could have sent the money

22:44

but that's again a pattern where there's

22:46

no communication because I don't think

22:48

both of these best friends they don't

22:51

even know

22:53

um what is actually going on and what

22:55

the other like what their best friend is

22:57

actually struggling with they don't know

22:59

because they don't I had that as a

23:01

pattern

23:03

um

23:04

they just generally they don't tell each

23:07

other what is actually going in on in

23:09

their life you can tell it as well in

23:12

the letters because in the letters

23:13

there's still uh you could tell it with

23:16

Aileen especially because then she gets

23:18

so moody and uh dark in her writing but

23:21

then she doesn't say

23:23

like she for example if something bad

23:26

happened with her and Simon it'd be like

23:28

oh yeah me and Simon like no you don't

23:30

need to get a double bed for us or

23:33

something but then the entire letter is

23:35

Moody and she only weighs one sentence

23:38

about

23:40

um what is actually making her that

23:42

Moody but she doesn't actually Express

23:43

that like there's

23:46

no communication like whatsoever they

23:48

don't know what's going on in their life

23:50

they only know their moods I think

23:52

they're in the emails especially that's

23:54

why the there's such a difference

23:56

between their in real life like

23:59

communication and emails is because I

24:01

feel like they're very

24:03

logical in emails I mean you still see a

24:07

bit of the emotions seeping through but

24:09

like you don't know what's going on in

24:11

their emotional life or like their

24:14

personal life yeah I agree yeah they're

24:17

just the emails are just

24:19

um very venti like they is it to vent

24:23

their emotions but without actually ever

24:26

touching on why they're feeling that way

24:28

yeah then both parties never actually

24:31

know what's actually going actually

24:33

actually no what's going on in their

24:36

life

24:37

um

24:38

but they only just know that they feel

24:40

bad and then they can't help because

24:43

they don't know they they don't actually

24:45

I need to stop saying actually

24:48

but uh yeah they

24:52

just no communication like at all

24:55

oh yeah it's very limiting to me though

24:59

yeah me too because they're they're not

25:01

children or teens they're not even young

25:05

adults they're 14 year olds

25:07

yeah

25:09

I guess it's still like room for growth

25:12

at that age

25:13

that is weird because I feel like and I

25:16

don't want to say like I'm better at

25:18

certain things because I struggle with a

25:20

lot of things but I'd say I don't

25:22

struggle with emotional vulnerability or

25:25

something it's something that I feel

25:26

like they struggle with

25:28

they do a lot yeah

25:32

and they struggle with emotional

25:34

vulnerability but also

25:36

um they also struggle with

25:39

um soothing themselves in their own

25:41

emotions that's something that was

25:42

really unrealistic to me because I'm

25:45

really

25:46

um like I think that's something I'm

25:48

really good at but like they don't know

25:49

how to

25:50

um so if I face to their own emotions

25:53

but I think that's also a very

25:55

Millennial thing

25:57

I think Jency is generally a lot better

26:00

at that I think but that's the

26:03

generalization

26:05

um I did have another pattern

26:10

um let me see if it was actually already

26:13

sad

26:17

oh well is it already in the dislike

26:23

I had a pattern

26:25

um which is a really short one in the

26:27

meantime while you're looking is yeah

26:30

um I like but that's in general what I

26:33

like because I appreciate that in real

26:35

life as well is the descriptions of

26:37

everyday beauty is like the flowers and

26:41

like the scenery and like descriptions

26:43

of the house and the where they're

26:46

situated like I I liked how that was

26:49

done

26:50

oh yeah I like that too I like that too

26:53

I couldn't read a book that doesn't have

26:55

a thought yeah no true because then it

26:59

just feels very

27:00

like bare to me I think

27:02

[Music]

27:04

not real world building as they say yeah

27:08

and I think it fits the book as well

27:10

because practically the book is about

27:12

finding Beauty where you can even though

27:14

the world sucks so yeah I guess the

27:17

title as well like

27:20

how would you interpret beautiful world

27:22

beautiful world where are you I

27:24

I would interpret it as in that the

27:27

beauty is here in the world but that you

27:30

have to look for it like it's about a

27:32

mentality because if you choose to close

27:35

off to the beauty that is there and the

27:38

good that is there it's very easy to do

27:41

so and then you just don't see any

27:43

anything positive anymore

27:47

I think it's a pretty message but yeah I

27:50

know about you I think

27:52

um but that it might be the same as what

27:54

you're saying we might be saying the

27:55

same thing but for to me it seems like

27:58

in society there is this preaching of

28:02

this path this beautiful world we're

28:05

working towards which doesn't exist and

28:09

these people have to find their own way

28:12

and their own beautiful world it's like

28:16

oh he has to go to school you have to

28:18

get a family you have to blah blah blah

28:20

but they're defining Beauty for

28:24

themselves

28:26

but I guess that kind of plays into what

28:29

you were saying as well it's very simple

28:31

right just it's a little bit different

28:32

yeah

28:35

similar hmm

28:37

yeah because you have more of the

28:39

cultural aspect and I'm just like yeah

28:41

you know you have to look around and see

28:43

beauty no but that's true because the we

28:48

not sustain that's the wrong word but we

28:51

tend to

28:52

get satisfaction from

28:56

things that aren't really good for

28:58

ourselves or something I don't know how

29:00

to explain it but like if you were to

29:01

like experience

29:03

um pleasure by just being out and just

29:06

seeing the Sun and that I think that

29:08

would make our lives much more enjoyable

29:10

than rather than trying to like go for a

29:14

certain degree because people are

29:16

attending you that you need to go for

29:18

that and that's going to make you

29:19

probably miserable miserable if you

29:21

don't want that so I guess what I'm

29:25

saying is that it depends on where you

29:27

find pleasure is how you live your life

29:29

and what you find

29:30

yeah and I think the title is also about

29:34

just seeing that like there are always

29:38

small things that you can uh find beauty

29:41

in like there's always things you can be

29:44

grateful yeah

29:47

yeah

29:48

we have 10 more minutes I have one

29:52

cultural note I think one two oh I

29:55

didn't have any cultural notes so you

29:57

get started no but the thing is is I

29:59

don't even know if it's culturally

30:00

applicable but what I noticed is I don't

30:04

even know because most of Sally Rooney's

30:06

books don't really go into Irish culture

30:08

much they're just like a background

30:11

the thing yeah

30:13

um but like if I thought it was very

30:15

telling the house prices and the housing

30:18

prices because that's very apparent in

30:20

Ireland I know it's apparent in the

30:22

Netherlands too but I thought it was

30:24

interesting to see

30:26

in this book and the degree which

30:30

Sally talks about it

30:32

especially because Alice wanting to buy

30:35

this house is very interesting

30:38

plenty of money yeah I know true so

30:41

she's not part of the housing crisis

30:43

problem but I think Simon and Eileen

30:46

were because they were together and then

30:48

they were looking for something for when

30:50

the kid comes yeah

30:54

just write it down all right

30:57

well it's not really cultural but the

30:59

there was one part in the in the book

31:01

when you know when they were all

31:03

together and then they said they went to

31:05

the beach and it was sunny and people

31:06

were out and I was like

31:08

um

31:09

every time I've gone to the beach it's

31:13

just wet and cold and I've never seen

31:16

people sit there on the beach and have a

31:19

beach life like yeah yeah

31:22

I was like that's unrealistic it's not

31:24

cultural it's just a joke yeah no no but

31:26

you're right though like the way that

31:28

Irish people perceive weather is

31:30

different because like this this summer

31:33

hasn't been the best like last year was

31:34

better

31:36

um it's been very wet and it's been very

31:38

all over the place so

31:41

maybe it was one of those like Precious

31:43

sunny days that everything because the

31:46

Irish people do get very happy when it's

31:48

like very sunny because it doesn't

31:49

happen that often it doesn't happen that

31:52

much no yeah I also wrote down Mayo GAA

31:55

but I don't remember what I meant by

31:57

Mayo Mayo is a county but GAA is like

32:00

Gaelic

32:02

a sports thing no

32:05

I I honestly I don't know a little about

32:07

Gaelic Sports because I'm not that

32:10

sporty of a person

32:12

so

32:16

oh I can't hear you that does a lot of

32:18

GAA Sports

32:21

um oh yeah Gaelic Maybe

32:26

oh yeah they were a little bit like the

32:29

cultural aspects to me weren't really

32:31

that noticeable

32:32

um it was only a little bit noticeable

32:34

like sometimes she'd mention like

32:36

streets but that sounds really culture

32:38

that's just picking a location yeah

32:43

so like I barely noticed that it was

32:46

placed like in Ireland yeah no true but

32:50

like like the setting like the pubs and

32:53

the drinks and like I guess the way that

32:56

they communicate I don't know if it's

32:57

typically Irish the the characters we

32:59

saw

33:01

um but I guess some of the things we

33:02

talked about could be like takeaways for

33:04

cultural things as well

33:06

perhaps

33:09

um I did think that like every time they

33:12

had a get-together like for example on

33:14

the birthday I thought it was very

33:17

awkward like I read it and it all

33:20

I thought the conversations were really

33:22

cold and sort of awkward like they call

33:25

like sometimes the conversations weren't

33:26

written out but then when they were I

33:29

just was like uh I would not want to be

33:31

there but maybe that's just because

33:33

I don't like social stuff like social

33:37

events like birthdays where I don't know

33:39

all the people but

33:42

yeah it just felt very cold but that was

33:44

the same thing

33:46

um which I had with Alice Alison Felix

33:50

like all their conversations seemed so

33:52

cold but then it was perceived like

33:54

there was some sort of

33:59

like what what's the word I'm looking

34:01

for like there was something there and

34:03

I'm just like I just I it just the

34:07

conversation was so cold what do you

34:09

mean they like each other but you know

34:11

credibility oh yeah no because I I was

34:15

looking through the clothes I was

34:16

thinking which is my favorite because I

34:18

like oh we can finish off by saying our

34:21

favorite quote but I caught because

34:23

there's so many good quotes in here

34:25

which it's interesting because in

34:28

general I didn't like this book The Best

34:30

of hers but like normal people and

34:32

conversations with friends are also also

34:34

very quotable

34:36

um yeah they're just very good I'm

34:39

looking you can look for one as well if

34:41

you want and then we'll just finish with

34:42

that because we have five more minutes I

34:44

don't have any more notes if you don't

34:45

have any more I oh my God it's gonna be

34:47

hard to find a good quote and I might

34:51

have some notes but I don't think

34:52

they'll really add anything to

34:56

like anything good to this conversation

34:58

anymore

34:59

yeah because I think everything that

35:02

everything has already pretty much been

35:04

said

35:05

um

35:06

but

35:11

I don't because the problem is I've got

35:14

so much

35:15

um I was annotating this book and I've

35:17

got so much uh annotation so it's going

35:21

to be really hard to find something

35:23

I just underline I could find them quite

35:26

easily but I I've got I've got um

35:33

I felt like uh

35:35

let me

35:40

like I underlined them and then I

35:42

highlight some parts depending on how I

35:44

feel about it but there's not really any

35:46

rules

35:47

um

35:48

oh

36:07

I think I have four which I really like

36:15

oh my god I've just only found one but I

36:18

don't know if that's the best

36:20

no because I wrote them in my notes

36:22

actually I like typed everything I

36:24

underlined yeah I'm I'm just like going

36:27

through them I can I can tell them and

36:30

then you can tell me if any of the ones

36:32

are the ones that you remember writing

36:34

yeah sure okay the first one is like

36:37

very early on is we can't

36:40

conserve everything and especially not

36:43

social relations without altering their

36:45

nature nature resting some parts of

36:47

their interaction with time in an

36:49

unnatural way because I think like

36:52

friendship wise a lot of people want

36:54

things that stay the same and we've

36:56

talked about how the characters seem to

36:57

want their social relations to stay the

37:00

same yeah they themselves have changed I

37:04

thought that was interesting especially

37:05

applicable to some things in my life

37:12

um

37:13

I do like that quote

37:15

uh oh go on go on

37:17

well I do like their clothes because

37:19

this also uh was it Alice that wrote it

37:22

I think it probably was because she's

37:24

the one who was

37:26

um like messing around more with

37:29

um

37:30

there was this quote that she said or

37:32

maybe it's not a quote but it's

37:34

important part in the book she said that

37:37

um

37:39

I don't remember exactly how she said it

37:41

but she practically said that because of

37:43

certain expectations like

37:45

um

37:46

if we

37:48

find a person and then we put

37:50

expectation on that person then like for

37:53

example if it's a brother but

37:57

say it the way I want to but uh

38:01

she's practically saying the

38:03

expectations sometimes ruins

38:06

um your connection even though as a

38:09

friend it might have worked out but then

38:10

if it's your brother or your dad or like

38:12

if the connection is different then it

38:15

doesn't work out because the expectation

38:16

is different because you're just I think

38:19

she said it in a way of like

38:21

um

38:22

like filling up the expectation I can't

38:25

maybe let me try to see if I can find

38:27

the clothes it's somewhere in the

38:29

beginning I just didn't say it's chapter

38:30

two we only have one more minute though

38:34

oh god well we could

38:43

and she says it is on page 16.

38:47

oh I didn't have even have it

38:56

oh my God

38:58

yeah it's it's going to be a very long

39:02

book talk but

39:06

that's good it's good there was plenty

39:08

of things to say

39:11

it and then and you are I can edit it

39:16

but it will take a while I don't know

39:18

when you're planning on handing this and

39:19

what

39:22

I'm not planning on handling it in

39:24

really soon or anything like I'll do it

39:26

whenever I'm ready you will you still be

39:29

on next year yeah right

39:31

what do you mean like in school

39:35

I'm gonna start my uh third year

39:37

internship because last year uh it

39:40

didn't work out because I was trying to

39:41

do it at the same time as my minor which

39:43

was

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