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EP 18: We Legal! | Dave East, Maino, Jim Jones & Fabolous

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FULL TRANSCRIPT

0:07

Hey yo, Piff, what you cooking up?

0:10

>> Hey, a lot of shipping going on, so

0:12

let's rap about it. A lot of right, a

0:13

lot of wrong, so let's rap about it.

0:15

>> Controversy every week, so let's rap

0:17

about it. Family that don't even speak,

0:19

we can rap about it.

0:20

>> They crashing out on IG, let's rap about

0:22

it. Everybody want a beef, let's rap

0:25

about it. People going out sad, let's

0:27

rap about it. They really want clout

0:29

bad. Let's rap about it.

0:32

Let's rap about it.

0:34

Let's rap about it.

0:37

Let's rap about it.

0:40

Let's rap about it.

0:40

>> Yo, let's rap about it. Brought to you

0:42

by Playmaker, presented by Prize Picks,

0:45

America's number one sports picks app.

0:48

How y'all feeling, man?

0:49

>> Man, we feeling good, man.

0:50

>> What's up?

0:51

>> What's up with the guys?

0:54

>> 18 episodes.

0:55

>> What's the deal?

0:56

>> Finally legal.

0:57

>> We legal. Fresh off a Allstar weekend. A

1:01

field trip. Yeah.

1:02

>> Good. Good. Good trip. They made it back

1:04

home.

1:04

>> Like a high school field trip. Remember

1:05

at the end of the year when they like,

1:07

"Yo, we all going to Great Adventures."

1:08

>> Yeah.

1:09

>> I loved it. It felt Yeah. Yeah.

1:11

Definitely felt like that field trip.

1:12

Meeting meeting out front. You heard?

1:14

Everybody be on time.

1:15

>> Yeah. Be downstairs at this time.

1:17

>> Lobby call.

1:19

>> Right. We had camp counselors.

1:22

>> You dig?

1:23

>> Definitely had counselors.

1:24

>> But we You need that. That's structure.

1:26

>> Yeah.

1:26

>> Structure. Shout out to JB. Shout out to

1:29

Donatella.

1:30

>> Shout outs to Prospects. It was a great

1:33

to spot. We stop. Marathon Burger.

1:36

>> Marathon Burger.

1:37

>> Marathon Burger. Shout out to Big Shout

1:40

out to Nick.

1:40

>> Shout out to Kiff,

1:41

>> Sam, KBY, everybody that was that was

1:43

out there. The hospitality at at

1:45

Marathon was definitely we got a chance

1:47

to do a lot. Got a chance to hang out

1:48

with my daughter.

1:50

>> That was dope. That you know what I

1:51

mean? Valentine's Day.

1:53

>> I get to chill with my nephew. I take my

1:55

son every year to Allstar weekend.

1:57

Birthday Lar 18, right?

2:00

>> Turn 18 this year.

2:01

>> Wow.

2:01

>> He legal, too. Everybody legal.

2:04

>> The 18's all over the place. Yo, that's

2:06

the first time I kicked it with him

2:08

>> in years. Like since he was a little

2:11

>> Yeah, I seen y chopping.

2:12

>> I'm like, yo, this little [ __ ] whole a

2:14

little different.

2:15

>> No, he got his own swag and his own

2:17

perspective. He understands he know

2:20

what's going on.

2:21

>> He's him.

2:22

>> Yeah.

2:22

>> Yeah,

2:23

>> definitely. Any any highlights for

2:24

y'all?

2:25

>> My highlight was like everything was

2:28

good. The the craziest highlight to me

2:30

was when

2:32

>> a girl tried to sell me some [ __ ] that

2:33

I already had.

2:35

>> That was the craziest thing to

2:36

>> Here we go again.

2:38

>> And the episode has started.

2:40

>> Yeah, we back.

2:41

>> Episode 18.

2:42

>> We are legal, ladies and gentlemen. So,

2:44

he's allowed to talk about these things.

2:46

>> First, she she hit you with Allstar

2:47

weekend prices,

2:48

>> right? There's like

2:49

>> tried to up

2:53

like I don't understand.

2:53

>> That's that's the key question. I was

2:55

like did you pay for it before?

2:56

>> No, that's the thing. I had it before.

2:58

It was I think that

3:00

>> she might have some I think it was allar

3:03

weekend. I think it was the Allar

3:04

weekend. That's what it was. She had to

3:07

try. I'm not understanding

3:08

>> the rooms is a little more expensive.

3:10

You know what I mean? The flights.

3:11

>> But I thought I had I mean like damn.

3:14

Like she said I said I said what's you

3:16

doing? She said, "Yeah, you know what?"

3:18

She said, "You know what? I'm going to

3:20

go to work tonight and I'm just going to

3:21

come by and see you. Just hit me off

3:24

>> after work

3:25

>> because Yeah.

3:25

>> Just hit me off." That was the key

3:27

question.

3:27

>> Take care of me.

3:28

>> Take care of you.

3:29

>> And because I know what you want and I

3:31

said that

3:31

>> it was no set price. Is just to take

3:33

care of

3:33

>> I didn't I don't want that.

3:35

>> I didn't want that. Like she [ __ ] it

3:37

all up.

3:39

>> Yeah. Yeah. Yeah. I thought I thought

3:40

>> after take care of you. She [ __ ] it

3:41

all up. Take care of me.

3:43

>> Yeah. She was She was She was crazy. I

3:45

couldn't.

3:45

>> Did you remind him you got it for free

3:47

before?

3:47

>> I was confused. I said, "Did I do this

3:50

before? I remember doing this." And I

3:53

don't I I didn't trade.

3:54

>> You didn't pay. You didn't pay the first

3:55

time.

3:56

>> I didn't trade no Diero.

3:58

>> Allstar weekend, baby. So, shout out to

4:01

her.

4:01

>> Maybe the first time was a sample.

4:03

>> You know, I give you the sample so you

4:04

can come back and pay for the real

4:06

thing.

4:06

>> That's a possible. But yeah, I

4:08

>> You didn't promote it. You were supposed

4:10

to trying. But I guess shout out to

4:13

Allstar weekend because everything goes

4:14

up. You definitely definitely Yeah,

4:16

definitely a highlight. So that was a

4:18

highlight. What about you, Dave?

4:19

>> Highlight. Um my nephew, he got the he

4:22

played in the Rising Stars game. Um he

4:25

played for the Miami Heat.

4:26

>> That's dope. You got a nephew in the

4:28

NBA?

4:28

>> Yeah, in the A right now.

4:29

>> That's fire. Dope. That's fire.

4:31

>> So my sister was there, his mother. So

4:33

we they got to come. We got to hang out.

4:35

That was dope.

4:36

>> You be looking at him with a grudge

4:37

sometime.

4:38

>> Yeah. I'm a little I'm a little You

4:39

know, that's what I wanted to do.

4:42

I wanted to do that.

4:44

>> But no, it's you know what it is. It's

4:46

it's um that's something my pops wanted

4:51

>> for me.

4:52

>> So to see now my my nephew was actually

4:54

there.

4:55

>> That's dope.

4:56

>> It's is even I super I'm I'm I'm

4:59

ecstatic behind it. But my father more

5:00

like

5:01

>> Yeah.

5:02

>> One one of you [ __ ] got there like

5:04

family like

5:05

>> you know I mean bloodline too. That's

5:07

>> any any killing like you know what I'm

5:09

saying? So it's a high life for me.

5:11

>> You the you the uncle that almost made

5:13

it

5:13

>> for sure.

5:15

So that's Uncle Dave.

5:16

>> I was as close as he got.

5:17

>> Uncle. Yeah.

5:19

>> Uncle

5:22

is a bad uncle.

5:23

>> Yo. Wow.

5:24

>> Tired of seeing you coming through them

5:25

doors. Ice.

5:26

>> Tom. He Tom Shepard. You heard?

5:29

>> Why y'all keep playing me with this

5:31

ball? None of you [ __ ] was athletic.

5:33

>> None of you [ __ ] play this above the

5:34

rim. You heard

5:35

>> keep playing.

5:36

>> No. The thing is

5:37

>> I was athletic.

5:39

Nothletic Ashley, man. Don't get mad at

5:42

me, man. I almost made it just like you

5:44

almost made it, [ __ ] We both wa You

5:47

almost made it way.

5:47

>> And what? What's

5:49

>> I almost made it, [ __ ] I would have

5:50

[ __ ] He didn't make it.

5:52

You talking about footage of Capo?

5:54

>> His efforts is just as good as

5:58

he really played.

5:59

>> Somebody go find that footage, please.

6:01

>> What you What you talking about?

6:02

>> And then I believe what he talking about

6:03

over here, man.

6:04

>> What you talking about? [ __ ] No, I'm

6:07

>> like to keep playing about this

6:08

basketball [ __ ] I'm talking about my

6:10

nephew. I'm proud

6:12

right now.

6:14

>> When your nephew's at school and he just

6:16

he talking

6:17

totally different people,

6:18

>> right? But you know my uncle was Dave

6:20

Beast. You know he almost made it too.

6:21

>> Yeah. He don't say that. He don't even

6:23

rep me. That's the ill part about him.

6:26

>> He's He don't want to He don't want to

6:27

be known,

6:28

>> bro. He's been in conversation. He said

6:30

that

6:30

>> he don't want to be known for my being

6:32

my nephew. You get what I'm saying? if

6:33

it come up. Yo, East. All right. Yeah,

6:35

but he's he's doing what he's doing.

6:37

>> He adds that in

6:38

>> and he's better. He's better than you.

6:41

>> Uh

6:42

>> he's better. He's what?

6:44

>> He's what?

6:44

>> He's better than us.

6:45

>> Yeah, for sure. Right now.

6:47

>> Nah, that's that's a hater.

6:48

>> That's the real question at the

6:50

Thanksgiving dinner.

6:51

>> Right now, for sure.

6:52

>> Can you bust my ass right now? Beat me

6:55

outside. [ __ ] you talking about?

6:57

>> Pause that.

6:58

>> Whoa. Pause. You can't say bust my ass.

7:00

>> What?

7:00

>> You can't say. First of all, we we

7:03

talking ball talk, but let I'mma let

7:05

them get I'mma let him get his pause

7:07

button off. I'm let him get his button.

7:09

>> Yeah.

7:11

>> Oh man,

7:14

you bought a button. You bought You

7:15

bought

7:16

>> You bought paraphernelia.

7:20

>> [ __ ] got props now. Got be careful.

7:22

You got to be careful. [ __ ] got props.

7:24

>> So you came prepared.

7:27

>> All good. All good. All good. Look,

7:31

>> don't don't play.

7:32

>> Just leave just leave it alone. Just

7:33

leave it alone. Just forget about it.

7:35

Just forget that we even said it though.

7:37

You know what I mean? But shout out to

7:38

nephew.

7:39

>> But yeah, now a I'm I could never be mad

7:42

at a I ain't mad at I'm going be mad at

7:44

the family.

7:44

>> That's not even your

7:47

I literally, you know what's the part

7:48

about it? I watched it happen. Like I

7:51

seen it from him being a baby like to

7:54

the whole super dope

7:55

>> AU to college to every tournament. like

7:58

I really was a part of I seen it.

8:01

>> So to watch him in that space now is the

8:03

illst [ __ ] ever to me.

8:04

>> To make it to the NBA is still one of

8:05

the hardest things to to accomplish in

8:07

the world, period. Like the odds on

8:09

these kids getting into the league is is

8:12

slim against you, right? You know what I

8:13

mean?

8:13

>> It's not easy.

8:14

>> But speaking about nephews, you uncle

8:16

Jesse passed away.

8:18

>> Uncle Jesse Jackson.

8:19

>> Uncle Jesse Jackson.

8:21

>> He passed away. It's it's Black History

8:22

Month.

8:23

>> Yes.

8:23

>> So rest in peace to to Jesse Jackson. I

8:26

remember when he said he wanted to cut

8:28

Obama's balls off. Do y'all remember

8:29

that? Remember that footage?

8:31

>> I don't think right now is the time for

8:33

that type of memory.

8:34

>> Jesse Jackson trying to run for

8:37

president balls. It's all right, [ __ ]

8:39

We got to he we keep he

8:42

was what 90 80.

8:43

>> He was he was he was extremely uh

8:46

>> vocal.

8:47

>> Just a part of like everything black I

8:51

feel. You know what I mean? He was with

8:54

Martin and all that. He was there. He

8:56

was there with him. Yeah.

8:57

>> He was on the balcony 100%.

8:59

>> Rest in peace.

9:00

>> God bless his soul, bro. He he he I feel

9:02

like he lived a a longer life than a lot

9:04

of [ __ ]

9:05

>> He did some good. He fought for

9:07

something. He stood for something.

9:09

>> Yo, what are some things the society has

9:11

been has been desensitized to?

9:15

>> What y'all What y'all feel like?

9:16

>> Violence is number one. I think I think

9:19

everything, right? So, you think about

9:22

our society, America is so violent,

9:24

right? We used to hear about shootings.

9:26

If we heard about a mass shooting right

9:27

now that happened in some city, it's

9:29

just like, "All right, there's another

9:30

mass shooting."

9:31

>> Right.

9:32

>> Right. It's just we overly stimulated,

9:34

overly too much information, so much is

9:37

going on. So much news. It's to the

9:40

point where it's regular.

9:41

>> I think the difference is used to just I

9:44

mean, some of it might come up on the

9:45

news if you watch the news. And a lot of

9:48

us was wasn't watching the news. We

9:49

outside running around. But now you got

9:53

your phone in your hand. You seeing

9:54

what's happening in Cali,

9:56

>> Miami, Atlanta, Houston,

10:00

>> Haiti,

10:01

>> London,

10:02

>> London. You seeing it or you could just

10:03

swipe through like, "Oh, damn. [ __ ]

10:05

just got his head blown off in London."

10:06

That's crazy. Foop. And it it's like

10:08

it's not even a

10:09

>> nothing.

10:09

>> You just swipe. You know what I mean?

10:11

You going to the next whatever happened.

10:12

I think

10:14

>> social media played a part in in the in

10:17

the rush of everything like, you know

10:19

what I'm saying?

10:19

>> Over stimulation, bro. And anything you

10:22

click

10:22

>> that becomes your algorithm.

10:25

>> I'm scared to click a ass

10:27

>> on the gram. Like cuz then your whole

10:29

explore page going to be mad

10:32

butts.

10:35

>> Just crazy.

10:35

>> It's real [ __ ] I click a sneaker, it'd

10:37

be mad sneakers. If I That mean like

10:40

anything you It's like the [ __ ] is

10:41

watching you like, "Oh, this is what he

10:42

into today." And if you click it, the

10:45

explore page probably wow midgets.

10:51

Yo,

10:51

>> right or right.

10:52

>> Well, Midgets is crazy.

10:54

>> You got Mad [ __ ] popping up on your

10:56

feed.

10:57

>> It's short. You got

10:59

>> that week. I did

11:00

>> that week.

11:01

>> See, it knew that there's a bunch of it

11:03

know what's going on.

11:05

>> My my my explore page is like a lot of

11:07

animals.

11:09

Like a lot of like sharks and

11:12

>> that's what you clicking on.

11:13

>> Yeah, I'm clicking on [ __ ] orcas and

11:16

weird [ __ ] like that. I like that.

11:17

alligators and

11:18

>> right

11:19

>> yeah you'll see a lot of that

11:21

>> and

11:21

>> but how does it know how does it know to

11:23

do that like that's my thing like if you

11:26

you mean

11:26

>> it's designed like that bro

11:27

>> whatever you click I

11:28

>> it's designed to go for what you what

11:30

your interest is documentaries about

11:32

that the phone listens to you too you

11:35

ever having a conversation

11:36

>> 100%

11:36

>> right if we talking about something we

11:38

talking about target and all that then

11:39

you open your phone and it's right on

11:41

target it's right on brands you talking

11:43

about cars it's right on whatever it is

11:45

it's it's designed to to to to this is a

11:48

fact.

11:49

>> It's a smartphone. That's why they named

11:50

it a smartphone.

11:51

>> Yeah. I think the accessibility to

11:53

everything,

11:54

>> you know, people just seeing so much

11:58

um

11:59

[ __ ] dropping guns in the studio like

12:03

it just everything just happening. So

12:05

like

12:06

>> and it keeps happening. So like once you

12:08

even

12:10

once you even see something you're not

12:13

even getting a lot of time to really

12:14

process it the way like most people

12:17

would have processed this back in the

12:19

days. I think soon as something happened

12:22

within a day or two days something

12:24

happens again. So you just roll on to

12:28

the next thing and it kind of like you

12:31

know you might say damn that's crazy and

12:32

but you just roll on to the next crazy

12:34

thing you know

12:35

>> before like nothing is too serious

12:37

anymore like it's just like

12:38

>> because there so many things happen it's

12:40

like Mr. David said it's like

12:42

>> everything is so accessible now. Now we

12:44

tapped in. We see what's going on in in

12:47

Jamaica. We see what's going on in

12:49

Colorado. You know, it it's it's just a

12:52

lot of information and we overloaded. So

12:56

now when he's like a I use like a mass

12:59

shooting because the United States got

13:00

more mass shootings than any country in

13:02

the world.

13:03

>> All right. [ __ ] walking into a school

13:06

or church or mall and just going crazy,

13:09

right?

13:10

That [ __ ] happens so much that it's like

13:13

nobody even no big deal no more

13:17

because we seeing it so much and like

13:19

you said once that happened it's like

13:22

two other things going on right after

13:23

that. So we all we we we disconnected

13:27

bro all over

13:31

all over. I think some people like, you

13:34

know, the way the internet runs and

13:36

social media platforms run like it's it

13:39

does inform you. I think everybody likes

13:42

to stay, you know, on top of what's

13:45

going on, but then there's some parts of

13:48

or or some people like even myself, I

13:51

like being kind of out the loop sometime

13:53

on what's the the because it kind of

13:55

like keeps you from getting caught up in

13:58

so much of the other [ __ ] and and and

14:00

and distracting you from what you got to

14:02

do in your world. You know what I'm

14:04

saying? So sometimes being out the loop

14:07

also could make you a little bit like

14:10

desensitized to it because you're just

14:12

not feeling everything. You're not

14:14

catching everything. Like when people

14:15

come up to me

14:16

>> and ask me about certain [ __ ] if I

14:18

ain't really,

14:19

>> you know, if I ain't really

14:20

knowledgeable of it, I ain't going to

14:21

even really speak on it cuz I don't

14:23

really know that much about it.

14:24

>> I know I heard certain little things,

14:26

but

14:27

>> it's like anything that you hear, like

14:28

it's so many voices on the internet.

14:30

anything you could hear, anything that

14:31

go on, you're going to hear so much

14:33

comments, opinions, you know what I'm

14:35

saying? By the time it get to you, it's

14:37

a whole narrative is already shaped to

14:39

you. So sometimes just staying out of

14:40

the loop too can just keep you from all

14:43

the [ __ ] that's going on as well.

14:45

>> It's like a overload though.

14:48

>> It's a lot with everything. It's a lot.

14:50

>> And it's hard to It's like distracted,

14:52

right? So remember back in the days, you

14:54

go in the house, you watch your movie,

14:56

but you ain't had no phone to keep

14:57

picking up.

14:58

>> Mhm. cuz it was just a phone to use for

15:01

a call. So you only picked up your phone

15:03

when you was using it for like a phone

15:05

call or maybe the old texting. Maybe the

15:07

flip phone that old texting.

15:09

>> You wasn't really looking at the phone

15:11

all day.

15:12

>> Hit the number three times.

15:13

>> Yeah. You had to hit the number a couple

15:14

times to get to the to the letter,

15:17

right? So you used to you used to focus

15:20

more like whatever it is that you was

15:22

doing. If you was watching a movie in

15:23

the crib with your girl or if you was

15:25

just chilling like you was you wasn't

15:28

distracted. Now with everything

15:30

>> you pick your phone up, you on that

15:31

[ __ ] for an hour no matter what.

15:33

>> You know how many times I put a movie on

15:35

or some [ __ ] I've been want to watch and

15:37

then got to and be watching this [ __ ]

15:39

and then get into my phone and got to

15:41

run back. I got to run the movie

15:42

>> right. You got to run the movie back

15:43

now.

15:44

>> I done missed 20 minutes of this [ __ ]

15:46

Don't know what

15:47

>> because the because the scrolling is

15:48

like a it's like a addictive. That [ __ ]

15:50

is drugs.

15:51

>> And it's like a whole

15:52

>> [ __ ] is cocaine, man.

15:53

>> Yeah.

15:54

>> If a [ __ ] add up how many hours a day

15:56

spent on the phone, it'll probably bug

15:58

you.

15:58

>> It tells you though.

15:59

>> Tell you that.

16:00

>> Tells you. I ain't check my [ __ ]

16:02

>> Yeah.

16:03

>> Y'all be checking that.

16:04

>> Sometimes sometime it alerts you. You've

16:06

been on your phone for this amount of

16:08

hours or something like that. I think

16:10

what you even saying about back in the

16:11

days too, like

16:13

>> I started like at the end of last year

16:15

feeling like I just didn't have enough

16:17

time. I always felt overwhelmed where I

16:19

had something to do. I ain't why even if

16:22

you get a bunch of things done,

16:23

something get left off. And I was cool

16:25

with it cuz at least like if you got 10

16:27

things to do and you get eight done, you

16:29

like you could be proud that you got the

16:30

eight done. But I always felt like

16:32

something was getting left off. But I a

16:35

lot of when I start at the end of the

16:36

year, I start looking at it. It's not

16:38

your time. It's just it's more

16:40

distraction now. Everything is you don't

16:42

need more time, you need less

16:43

distraction. So like I started just

16:46

trying to like

16:47

>> slow down the distraction so that I

16:49

would have more time to do the [ __ ] that

16:50

I want to do.

16:51

>> That's what it is. The distractions and

16:53

I think most of the distraction come

16:55

from us picking up our phones.

16:58

>> My phone is

16:58

>> you get lost in that [ __ ]

17:00

>> Yeah.

17:00

>> [ __ ] know that [ __ ] don't leave [ __ ]

17:02

hands after nobody's hands. Females with

17:04

guys. That [ __ ] is just

17:05

>> Yeah. You just be going on a whole chase

17:08

like one thing lead to another that

17:10

leads you to two more things. 90% of the

17:12

club is on the phone in the club.

17:14

>> So everything is affected. So now

17:16

instead of people going to the club and

17:18

dancing and partying, now everybody in

17:20

at their table like this,

17:24

>> right?

17:24

>> Just bopping music.

17:27

And that's the experience. And then it's

17:29

like even when you go out, you go to

17:30

restaurant, you look around, everybody

17:32

in their phone,

17:34

>> basketball game, any anything, bro.

17:36

That's fact.

17:37

>> That's a fact. The whole world's

17:39

desensitized. Does having access to too

17:42

many women make it easy to think they're

17:47

disposable? Which one? Which one of you

17:49

[ __ ] want to answer that?

17:50

>> How you feel about that, man?

17:52

>> So, this I thought that question was for

17:54

you. That's what me.

17:55

>> I thought it was

17:56

>> I think I think the question is more or

17:57

less having too many access to

18:02

to people in social setting to it's just

18:05

overload.

18:06

>> It's kind of reflection of what we just

18:07

was talking about,

18:07

>> right? But now over access to anything,

18:10

>> everything. So if you got over access to

18:12

women, over access to relationships,

18:16

it's just so much.

18:16

>> It dilutes it dilutes [ __ ] that used to

18:20

might have been excited about before

18:22

before it was an abundance.

18:24

>> Does it does it mean does it take away

18:26

from the chase?

18:28

>> The thing is this, it's like when you

18:30

back in the days when you met somebody,

18:32

you probably wasn't meeting so many

18:34

people as you're meeting now. But you

18:37

also aren't who you are today back then.

18:40

So back then you might have only been

18:42

subject to

18:44

five or six blocks or getting on the

18:46

train and going here and like that might

18:48

have been your your your world. Now you

18:51

here there you on the internet they know

18:53

you your name is on TV is in it's

18:55

everywhere like

18:56

>> but even if you even that shifted

18:59

everything like for long as you got long

19:02

as you got a phone you could be DMing

19:04

chicks from from here to Pakistan like

19:06

it don't matter

19:07

>> right right that's a fact

19:08

>> you got access is Wi-Fi

19:10

>> right and you all you need is Wi-Fi you

19:13

can just be hitting anybody from

19:15

anywhere you could try you shoot the

19:16

shot all day long

19:17

>> at anybody

19:19

>> anybody So he's like, "Does that make

19:21

you like

19:22

>> this way?" When we was young growing up,

19:24

you could never It was no way you could

19:25

talk to Holly Berry

19:27

>> or even get it. It was impossible. Like

19:30

all the movies she had was like, "Damn."

19:32

Like you knew you couldn't holl at her.

19:35

Now you could figure out if she has an

19:37

Instagram,

19:39

anything like that. She might see it.

19:41

>> But the thing is is like what it's

19:42

saying is it does it. She right. You're

19:44

right. That a Holly Berry respond like

19:47

>> But does that make you does that make

19:49

you sort of because it's like this size

19:52

too. So now it's like if you bag Holly B

19:55

it's fake bro.

19:56

>> Do you feel like all right I got other

19:57

options too because you just so used to

20:00

having a lot of motion because you

20:02

you've been able to accumulate a lot

20:03

more. You bag Holly B. You think you got

20:06

you got other options is crazy.

20:08

>> I think it's I think it's all I think

20:10

it's all like like instant what's the

20:12

word? Instant gratific. It's like I see

20:15

that I I can hit that up now. You know

20:17

what I mean? Like you can't it it it cut

20:19

out the like um the mystique.

20:23

>> So now you don't love no more though.

20:24

>> Dreaming of it like damn

20:26

>> like that how you used to be like damn I

20:29

wish I could get next to that. Like

20:30

that's

20:30

>> it's not special.

20:31

>> That's gone.

20:33

>> You know what I mean? I feel like that's

20:34

gone.

20:34

>> The specialty is everything is too

20:36

accessible.

20:37

>> Especially even the stars. That's why

20:39

it's good for some stars to keep that

20:40

mystique like he was saying because

20:42

social media and [ __ ] like that will

20:44

take away from that if they get to see

20:46

you all the time or they know they could

20:47

get next to you all the time or they

20:48

know you I mean like it's bad

20:51

>> I think everything needs moderation. I

20:54

think like you said too much

20:56

accessibility

20:58

to

21:00

everything changes how you deal with it.

21:03

You know what I'm saying? I think um

21:05

it's the same way when somebody has a

21:07

lot of money, it changes how they deal

21:10

deal with people, deal with deal with

21:12

money, deal with, you know what I'm

21:13

saying?

21:14

>> I think the same thing if you put it in

21:15

a women on women or men vice versa. If

21:19

you have so much accessibility to you,

21:21

it definitely changes how you, you know,

21:24

view even like Nino now. Now you Nino

21:28

>> who

21:29

>> anybody cancel that [ __ ]

21:32

>> right?

21:32

>> Like it's nothing. I think that too is

21:34

because people think they have option

21:37

too. I think a lot of people who would

21:39

have worked through things or worked

21:41

through you know hard times I think now

21:44

people feel like

21:45

>> there's a lot of option out there. They

21:47

always think that's something.

21:49

>> But that that go back to what I was

21:50

saying that go back to what I was

21:51

saying. You might have only was seeing

21:53

what you were seeing.

21:54

>> Right

21:55

>> now you might really be sitting in your

21:58

projects DMing somebody in Dubai.

22:01

You heard? Like, or you in you might be

22:04

talking with a chick over there and

22:05

whatever. So that got you on some like I

22:07

got joints all over the [ __ ] world.

22:09

Like

22:10

>> and then you feel like

22:11

>> So now you like you might start fronting

22:14

on what's in your in your your reach.

22:17

>> Like I got options. I don't

22:18

>> I got options. I don't got to And that

22:20

ain't You don't even know what the [ __ ]

22:22

going on over there. Like

22:24

>> Yeah. You get gas quick.

22:25

>> It's the internet.

22:26

>> You get gas quick. So what [ __ ] You

22:27

can kick me out.

22:29

>> I don't care. Going to Dubai.

22:32

>> Out of here.

22:32

>> I'm out of here. First thing smoking.

22:35

>> Me the buzz. Where it's at.

22:36

>> When is it the right time to start

22:38

flexing? Immediately. Soon as the check

22:40

clear.

22:42

>> Off top.

22:42

>> Soon as the check clear. Flex.

22:44

>> Off top.

22:45

>> Soon as the check.

22:47

>> Let them [ __ ] know it's on.

22:48

>> Let them [ __ ] know. I've been beefing

22:49

with these [ __ ] all this time. I can't

22:51

wait to see. I can't wait. I What? The

22:54

[ __ ] that you've been going at it

22:56

with.

22:56

>> We can't wait till they see me in

22:58

something.

22:59

>> Good.

22:59

>> Yeah. Yeah, you got to flex some somehow

23:01

some way. Tomorrow night, tomorrow

23:02

night. Promise, baby.

23:03

>> First check was a heavy.

23:05

>> Soon as you get it,

23:06

>> you know, you know how, you know, you

23:07

know how hard it was to get to the first

23:09

check.

23:10

>> It took years.

23:11

>> First check. You thought that [ __ ] was

23:12

going to last forever. The flex was

23:14

heavy.

23:14

>> Yeah. Yeah. Yeah. But that

23:16

>> and that was the that went the fastest

23:18

quickly.

23:18

>> It's okay. But you got the chance to

23:20

flex though.

23:20

>> Immediately

23:22

suplex you didn't like the day it

23:24

landed.

23:25

>> And all of the [ __ ] that didn't like

23:26

you, did they see you?

23:27

>> They saw that. Everyone saw me, Jack.

23:30

>> They saw that. It was summer time. I had

23:32

my windows down.

23:33

>> I'm sure they saw a [ __ ]

23:35

>> Fish bowling.

23:36

>> What's flexing though? What's flexing?

23:37

>> What's flexing?

23:38

>> What's flexing?

23:39

>> I guess it's different to everybody.

23:42

Me homeowners.

23:44

>> I don't even want to say it.

23:45

>> Well, that's a good question.

23:47

>> What's flexing? You just You just got

23:48

the check cuz we talking about the

23:50

check, right? What you

23:51

>> flexing to me is I'm about to do some

23:53

[ __ ] like [ __ ] I that

23:57

y'all said y'all probably thought I

23:59

wasn't going to do.

24:00

>> So what you do?

24:01

>> I'mma pull up in some big sexy

24:04

>> foreign [ __ ]

24:06

>> What you think?

24:07

>> Cuz y'all know me on the train and and

24:11

>> so now I'mma pull up a little different.

24:14

>> The the Maserati Quattroport when it

24:17

first came out. I believe I was like the

24:19

first one

24:21

>> mazy on them.

24:22

>> Oh, when spirit was open

24:24

>> spirit

24:25

>> right in front skirt

24:28

>> ocean blue I was so ignorant I had a

24:31

piece for the grill. So the grill had a

24:34

piece that I could take off as a chain

24:36

and then I had

24:38

>> Yeah, that's ignorant.

24:39

>> [ __ ] was going it was

24:40

>> very

24:41

>> [ __ ] was going on.

24:42

>> That's top-notch ignorance.

24:44

>> Yeah.

24:45

>> The picture of you in the dictionary.

24:46

>> I think that's flex. That's Yeah, that's

24:48

flexing.

24:49

>> What was your flex,

24:51

>> man? I told you, man. Like my first

24:55

Bentley,

24:57

the first thing I did was was drive from

24:59

Long Island dead straight to the hood

25:01

nonstop.

25:05

>> Immediate [ __ ] going to feel me every

25:09

day.

25:10

>> Anything else was civiliz?

25:15

That's how I felt when I first got my B.

25:16

I had I had the GT2. That's your What

25:18

was about you, Spence? What was your

25:19

first flex if you could remember or one

25:22

of your flexes?

25:23

>> Um, what you said? When is the right

25:25

time?

25:25

>> Be telling you

25:26

>> the right time is is whenever you feel

25:29

like it. For real. Like I think that's

25:32

part of flexing is just doing what you

25:33

feel. You know what I'm saying? People

25:35

might not feel like you got this or you

25:38

got that or they used, like you said,

25:39

used to seeing you one way. Now you got

25:41

to pop out and show them how you feel.

25:43

So um I think whenever you feel whatever

25:47

you feel it's time when you when the

25:48

money hit when

25:50

>> [ __ ] right whatever

25:51

>> good bright sunny day

25:53

>> you ride around the specific

25:57

part of the flex is you're not worried

25:58

about you know how you like you said the

26:00

money goals and all that you worried

26:02

about yeah that's not that's not a

26:03

thought of like that's not part of the

26:05

flex

26:08

if you if you budgeting your [ __ ] and

26:10

all that you're not thinking about when

26:12

it Then you [ __ ] don't give a [ __ ]

26:14

about nothing.

26:17

>> [ __ ] you.

26:18

>> It's not about being frugal while you

26:20

[ __ ] flexing.

26:21

>> What was your favorite car that you

26:22

thought that you was like, "Yeah, I'm

26:23

killing these [ __ ] with this one."

26:25

>> Um,

26:28

I had a CL6 when I first

26:31

um when I first started coming in the

26:35

game. That was just like that [ __ ] was a

26:38

car that I just wanted. It was just

26:39

crazy. And then I think the Bentley GT.

26:42

Yeah, that's the CL

26:43

>> CL6. And then the the Bentley GT was

26:46

>> cuz it wasn't No, that was the first

26:48

time that coupe really hit. So I

26:51

remember I hadn't I was I'm I'm I'm so

26:54

proud of this car. We shooting a video

26:56

for Breathe, I think. And I'm like, "Yo,

26:59

I want to put my car in the video." I

27:01

don't They like, "Yo, what what you want

27:03

us to rent?" Cuz you know videos, they

27:04

used to just rent the car. I'm like,

27:06

"Nah, we got to we got to

27:08

>> So, I think we I pulled up to them and

27:10

we like and I told him I'm like, "Yo, we

27:11

not using that rental car." They had

27:13

rented something. It was some kind of

27:14

car they rented. I'm like, "Nah, we not

27:16

using that car. We

27:18

>> We using my car."

27:19

>> My [ __ ]

27:20

>> Fired.

27:20

>> I ran into you one day and you almost

27:22

thought my car was yours. Remember that?

27:24

We was about uh Cheesecake Factory long

27:26

time. Yeah.

27:27

>> Never happened.

27:28

>> Said, "Nah, I never was your car. I

27:30

never ever pressing your button.

27:31

>> My car, your car is impossible for me to

27:34

think that." You never thought that,

27:35

man.

27:35

>> I'm Spears, [ __ ]

27:37

>> That was never happened. That wasn't

27:39

That wasn't him.

27:39

>> It was That wasn't That wasn't him. It

27:42

happened. That wasn't him.

27:43

>> Never had the same cars, man.

27:44

>> [ __ ] what are you talking about? You

27:45

had a black GT. I had a black GT.

27:48

>> 100%.

27:48

>> I wouldn't have thought your m I had

27:49

mine first, so I wouldn't have thought

27:51

mine was yours.

27:51

>> You did, but when you came out, you

27:53

don't You just don't remember. You was

27:54

coming out of Cheesec

27:59

GTS.

27:59

>> Right. Right. Hold on. I was sitting

28:01

outside. Okay.

28:03

It was a It was a nice summer day. He

28:05

came out. He had his bag in his hand,

28:06

whatever. And I'm, "Yo, spit." He's

28:09

like, "Oh [ __ ] what up?" Boom. Chopped

28:11

it up for two seconds. He went to go get

28:13

in his car. And then you was like, "Yo,

28:16

I thought you don't remember that.

28:18

>> You went to hit the

28:19

>> No, I mean

28:21

[ __ ] Don't your car light up when this

28:23

>> Yeah. And you were saying there I was

28:25

bugging. You said to me, man, I was

28:26

bugging. I thought this was mine.

28:28

>> You don't remember. This is bad." It's

28:30

okay. [ __ ] happens. Might be a main

28:32

memory.

28:33

>> No, no, no. That happened 100%. It

28:35

happened. I mean, it could happen in

28:37

your mind. That happened.

28:40

>> Sound like a dream to me.

28:41

>> Sometimes sometimes

28:43

maybe

28:45

you saw him walking by your car. He was

28:47

like, "Oh, he thought that would cause

28:49

me." He said, "Yo, I was like that.

28:51

>> Yo, I tried to hit the No, that

28:53

happened.

28:54

>> He might have said, yo, so you got the

28:56

[ __ ] up that

28:58

>> he don't he just don't remember. It's

28:59

okay. A [ __ ] tell me a story every day

29:01

that I don't remember. It's okay. It

29:04

don't mean it don't happen.

29:05

>> I don't know if I even knew Maine when I

29:06

had the Bentley.

29:07

>> That's cap.

29:08

>> That's cap.

29:10

>> You came You came You came to shoot.

29:14

>> So man was like a fan that time as well.

29:17

>> When we shot

29:19

>> when we shot when we shot each other is

29:21

crazy.

29:21

>> When we shot Hater Remix, you came in

29:23

the bent.

29:26

>> That was 08. I got one in09. I ain't had

29:29

a Bentley 08.

29:30

>> That's cap.

29:31

>> I didn't. This is I had a Bentley in 03.

29:36

>> No, it came out. No, they came out in

29:37

04.

29:38

>> That's when I I got the first I did not

29:40

still have that car in 200.

29:42

>> I'm willing to bet any amount of money

29:44

or anything.

29:45

>> We could bet anything

29:48

pulled up to the high video shoot with a

29:52

black Bentley.

29:53

>> Who want to bet on this? This is how

29:55

sure I am.

29:56

>> What What y'all bet? What y'all bet?

29:59

More

30:00

>> more more what? More more more that fab

30:02

pulled up in the Bentley or less that he

30:04

didn't

30:05

>> more that fab didn't have a B didn't

30:07

have that he did it 0 you got the car

30:11

>> I got the car like in the end of 03 so

30:13

04

30:14

>> they came out of 04

30:15

>> so I'm not jacking he still had it in 08

30:17

>> I guarantee every any amount of money we

30:19

going we going to go through the picture

30:20

>> back that out 08

30:22

>> I back that out 09

30:23

>> he's what I'm saying he pulled up he

30:26

pulled up to the high hater video shoot

30:29

>> in the black bench

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31:55

>> As an entertainer, is there a right way

31:58

to handle a situation if you're unsure

32:01

about someone's age? So, finesse two

32:04

times they was in his stream and I

32:08

believe one of the girls mentioned she

32:11

was 17 and he caught on to that and he

32:14

and he did what he's supposed to do. He

32:15

left the studio and I guess he wanted

32:17

them girls to leave and things like

32:18

that. So how do you how h how how are is

32:21

an artist supposed to handle those

32:23

situations?

32:23

>> If you adult you got to figure out who

32:25

around you just based on every like you

32:29

got to understand the world you living

32:30

in like

32:31

>> so

32:32

>> and for me I got daughters so I I

32:34

definitely don't want to be in a space

32:35

where anybody underage unless it's is

32:39

like you know what I mean like friends

32:41

of mine and [ __ ] like that.

32:41

>> So do you feel how you handle it? That's

32:43

what I'm saying. So, do you feel that

32:44

artist need to start iding girls? Cuz

32:46

imagine if that girl if that girl didn't

32:48

make the mistake

32:50

>> of saying she was 17 cuz it was in the

32:52

midst of a conversation. Somebody else

32:53

said 17 and she was like, "Yeah." And he

32:55

caught on and they was like, "How old

32:56

are you?" So, if the girl didn't make

32:58

that mistake of saying she was 17 and

33:00

she just in the midst of going on and

33:02

[ __ ] like that, then it's like he could

33:04

have got herself caught up by not even

33:05

knowing that the girl was lying to be

33:07

there. M

33:09

>> I think a lot of times you could kind of

33:12

read

33:12

>> and then it switches once he get caught.

33:13

It just makes him look like a monster

33:15

for I mean pardon not him. Let me put

33:17

that on nobody but anybody look like a

33:18

monster for being caught in that

33:20

situation now with a un underage girl

33:22

but didn't know that.

33:24

>> A lot of times you can read it.

33:25

Sometimes you can't. Sometimes it's

33:27

tricky. Sometimes I've I've I've been

33:29

around just in spots and they be young

33:32

and they look older like so I get that

33:34

part of it. But a lot of times you can

33:37

read it. If you can't read it, figure it

33:38

out.

33:38

>> How can you read it between the alcohol

33:40

and the weed and the music?

33:42

>> What you mean? How if they look like a

33:44

little girl? They look like a little

33:46

girl.

33:46

>> They don't be looking like little girls.

33:48

>> Let's be honest. Like the average grown

33:50

average grown entertainer per se and

33:53

having some company and stuff like that.

33:55

I I believe he's believing that there

33:57

are grown women to to come see you.

34:01

Right.

34:01

>> Unless Unless it's like a thing like uh

34:05

what's that [ __ ] name? Academics. He

34:06

got a thing for like little boys.

34:10

He got having weird conversations with

34:12

little boys. Unless it's something like

34:15

that,

34:16

right? That's different. But the average

34:19

person

34:22

>> y'all got toys over there. We ain't got

34:24

nothing.

34:27

>> Hey yo

34:29

>> yo, I think I don't know, man. I just

34:32

feel like if anything feel unfamiliar or

34:35

feel glitchy and you mean figure it out.

34:39

Don't don't don't like not know what's

34:43

going on cuz then you you know what I'm

34:44

saying? That [ __ ] could go left. So I

34:46

always feel like with me figure out

34:48

what's going on. Who who who that who

34:50

who with you?

34:51

>> Then what you do though? How do you

34:52

handle it?

34:53

>> We not vibing here. Unless Unless

34:55

>> what do you say?

34:56

>> What do you mean? What do you say?

34:57

>> Do you kick them out? Say yo, y'all got

34:58

to go. Now, I'm not going to just

35:00

violate and be disrespectful. That might

35:02

be somebody people, but if it ain't

35:04

somebody people and they didn't found

35:06

their way through somebody to the lab,

35:07

y'all get the [ __ ] up out of here.

35:09

>> What you think, Spo?

35:10

>> I'm not kicking it and vibing and y'all

35:13

not going to be in here recording and

35:14

y'all got to leave.

35:16

>> I think you got to watch your

35:17

surroundings. You know what I'm saying?

35:18

I I've been doing this for a long time.

35:21

I never really had that situation around

35:23

me. But I think if you know who's around

35:26

you then kind of like that helps

35:29

situations like that don't happen. But I

35:32

don't really if it does happen I guess

35:34

like you said you got to escorted out of

35:36

the out of the space. You know what I'm

35:37

saying?

35:38

>> I never happened to me. I never I never

35:40

been in a situation like that. But I

35:43

just know the type of person I I'm in. I

35:45

am I would probably just be like get the

35:48

[ __ ] out.

35:51

You get the [ __ ] out.

35:53

>> You bucking the [ __ ] out.

35:54

>> I don't want nothing to do with none of

35:55

this.

35:56

>> Get the [ __ ] out.

35:58

>> You got to like make sure to take me

36:00

film me.

36:01

>> Get out. You don't know me.

36:03

>> You need this on record. I

36:05

>> record Yeah. Yeah. I

36:07

>> I never been in that situation ever like

36:09

where where I had to question. You know

36:11

what I mean?

36:12

>> That young teenage and [ __ ] like that.

36:14

That's to me that's

36:15

>> in like you got thinking about a studio

36:17

session. Now, a lot of times you might

36:19

go to a studio session where you've been

36:22

invited to the to the session and you

36:23

don't know who in there. You not even

36:25

asking really questions or whatever. You

36:26

might be there with another artist. But

36:29

as far as my own [ __ ] I know who I

36:31

invited to the studio. So, if something

36:33

like that was to happen, it had to come

36:35

from somebody.

36:36

>> But some some girl bought that I

36:37

invited,

36:37

>> right? But some girl that bought

36:39

>> four of her friends. You don't even know

36:41

these girls. Or you might be in a

36:43

different city. You must off you just

36:45

you just finished performing. You know

36:48

you going back to the hotel or

36:50

>> I hope God gives me the power that night

36:51

to read how young they are and and and

36:54

ask somebody, yo, you know what I'm

36:57

saying? Like they look young like what's

36:59

up with them?

36:59

>> Never forget too. You could always

37:01

remove yourself from situations.

37:03

Absolutely. I do. I remove if I'm

37:05

somewhere and the vibe is not really

37:07

right or

37:08

>> something ain't looking right in the

37:10

thing, you got to

37:11

>> exit stage left, man. And that's that's

37:14

another way to protect yourself, protect

37:16

your in peace and

37:18

>> not get caught up in what's going on and

37:20

>> [ __ ] like that. Like we've all like

37:23

had situations happen it with us or

37:26

around us. It's just like you at some

37:29

point you got to, you know, that's why I

37:31

said you got to watch your surroundings

37:32

and those around you.

37:33

>> That's a fact. That's a fact. That's a

37:36

fact. Remove yourself sometimes.

37:37

>> Yeah.

37:38

>> I'm out of here, man. [ __ ] this [ __ ]

37:42

Do you think a woman's value changes

37:44

depending on how many kids they have?

37:47

>> Who think that?

37:48

>> Crazy. That's crazy.

37:50

>> I like them little stretch marks.

37:51

>> Apparently the basketball of the

37:53

football player

37:55

uh Cameron I mean Cam Newton, right?

37:58

That's his name. Uh said that a woman's

38:02

value

38:02

>> her value changes like in what way? Like

38:05

I I I guess I guess the conversation is

38:09

cuz some men feel like I don't want to

38:12

talk to a female if she got kids,

38:15

>> right? Some [ __ ] think that, right?

38:16

>> 100%.

38:17

>> That's some [ __ ] rules or that's their

38:19

standard.

38:20

>> And that's almost hard to find right

38:21

now, bro. That's I said that's almost

38:23

hard to find right now.

38:24

>> I don't feel that way.

38:26

>> Women without kids.

38:27

>> I like a little stretch marks, man.

38:29

>> I don't know nothing about it, but I'm

38:30

just telling you like it's like, you

38:31

know what I I like them little tiger

38:33

joints on the side.

38:35

>> What's them tiger joints on the side?

38:36

>> That's high school favorite. You heard?

38:38

>> Yeah. Huh? What's those?

38:39

>> Tiger joints on the side.

38:40

>> Tiger stripes.

38:42

>> Yeah,

38:43

>> I'm with that. Did the BBLs make the

38:45

Tiger Stripes disappear?

38:47

>> No, I'm asking you. No, that's that's a

38:50

No, that's a myth.

38:51

>> That's a myth.

38:52

>> Yeah. See, I I just got nothing.

38:54

>> Tiger stripes on the side of the BBL.

38:56

>> Yeah, they still live. Yeah. Yeah, they

39:00

>> there.

39:00

>> Yeah,

39:01

>> they was there. They was there.

39:02

>> They was there. You can see it.

39:04

>> But bringing down the value of a woman,

39:06

I don't think that

39:07

>> I don't know. Kids,

39:08

>> I don't think kids bring out the value

39:10

of a woman. You know what I mean? Cuz is

39:12

a woman of value. She's a woman at the

39:14

end of the day.

39:15

>> Is there is is there thing as too many

39:17

is a woman has too many kids?

39:19

>> What's too many kids?

39:20

>> I mean, five, six, seven.

39:22

>> [ __ ] I'm up in there, [ __ ] What time

39:24

them what time them kids going to sleep?

39:27

Huh? What time? What? You want me to

39:30

play with him after? No problem.

39:32

>> Does Let me ask you this, man. Do the

39:34

Does the amount of of

39:36

>> baby fathers play a part? So, if she got

39:39

six kids and there six baby fathers,

39:41

>> that's hilarious to me. Like, why do

39:44

that take her value away?

39:45

>> Does that drop her value?

39:47

>> She got six different I'm not looking to

39:49

wife her, right? I don't I'm don't want

39:51

to be in a

39:52

>> in a relationship.

39:53

>> That means her value is down. You you're

39:54

not looking

39:55

>> if you're not looking at wife for that

39:56

old. The value is not

39:57

>> Isn't that a a symbol of her value?

39:59

Ain't where you but not for me though.

40:02

That doesn't I don't think that brings

40:03

her value down.

40:04

>> Brings her value down to you though. No.

40:06

No. No.

40:07

>> She's not. So could you be in a Could

40:09

you be in a loving relationship with

40:11

her? Let me think about this.

40:13

>> If you wouldn't wife her, the value has

40:15

been there.

40:15

>> If I wouldn't wife you got six kids with

40:17

six different

40:18

>> I'm not here wifeing joints that don't

40:19

got kids. So what's that? It's their

40:21

thing is too many miles. A woman has too

40:24

many mouths.

40:24

>> Too much malice.

40:26

>> I like my people.

40:27

>> That thing from Maine. That thing drove

40:29

from Maine. Arizona.

40:30

>> Yeah.

40:31

>> Or too many bodies.

40:33

>> They all got bodies, baby. I like to

40:36

play with the kids though, man. I like

40:38

to come in there and and and and be a

40:41

like a you know what I mean?

40:43

>> Just sounds crazy. I don't know if I

40:44

like it. I don't

40:45

>> I don't know if I like it.

40:46

>> I don't know if I like it.

40:47

>> I don't know if I

40:50

>> That's not Damn, man. Y [ __ ]

40:52

>> Yo,

40:53

>> that

40:55

is crazy, man.

40:57

>> I think it's an interesting take,

40:58

though. I I I think it's an interesting

41:01

take, but I don't I don't It's It's

41:03

really how you feel. I think it's not

41:06

wrong, right? I feel it's the person or

41:09

how they feel because I think a woman

41:12

could say the same thing about a man. If

41:14

he got five baby mamas and five kissy,

41:17

>> they go both ways.

41:19

>> Is it the same for a man? Is it the same

41:21

for a man though?

41:21

>> Is that value? Yeah. To some women it

41:24

does like what you like what you like,

41:26

bro.

41:27

>> I think I think it's it's not a it's not

41:28

a general thing. I think it's more of a

41:30

is it's is it's

41:31

>> person. That's what I'm saying. Is that

41:33

individualized? It's like

41:35

>> she might have kids, but that's you

41:38

first impression that's you meet you

41:40

meet a female.

41:41

>> I think it depend on

41:42

>> bad as hell and then she tells you she

41:44

got five kids, five baby deaths

41:46

>> with five different [ __ ] Does that

41:48

take away from Does that make you think

41:50

different about her?

41:51

>> You might have hold on hold on though.

41:54

I'm just trying to figure out where we

41:56

going with this.

41:56

>> You might go you might go, "Damn,

41:58

>> where we at?

42:00

>> You open. She at if it's a strip club or

42:02

a regular club."

42:04

>> A banquet.

42:05

We had a banquet. We've been on stuff.

42:08

>> No, no, we had a banquet.

42:09

>> Okay. We had a banquet.

42:10

>> We need a beautiful woman.

42:12

>> Oh, we've been on stuff.

42:12

>> Oh, we on stuff. Drink.

42:14

>> No, no, no. me on like we just at a

42:17

banquet getting an award. You meet a

42:18

beautiful woman. She bad. You like damn

42:20

she look good.

42:21

>> Am I saucy?

42:22

>> Not yet.

42:23

>> You're in your right mind.

42:24

>> Is he super rich and smoking crack?

42:26

>> Not yet.

42:27

>> Not yet. I didn't.

42:28

>> You're just in your right mind. That's a

42:30

key factor.

42:31

>> Yeah, that's definitely a key factor.

42:32

>> That's a part of it.

42:32

>> You're in your right mind. I'm

42:33

>> in my right mind.

42:34

>> You mean an astonishing young lady.

42:37

>> You have a conversation with her. She's

42:39

telling you everything you love to hear,

42:40

>> right?

42:41

>> Seems that she has a good mental, dope

42:43

body,

42:44

>> right? And

42:45

>> do she say it that night, Cabo?

42:46

>> Huh?

42:47

>> Do she say it that night?

42:48

>> Yeah, this night that at the banquet.

42:49

This is how they talking. He's falling

42:51

in love. You falls in love in one day.

42:53

Stop lying on me.

42:55

>> Stop lying on me. What's going on?

42:57

You've been lying on me for years. I see

42:59

it.

42:59

>> Okay. So, now she's telling you

43:00

everything that you want to hear. You

43:02

fall in love. And then she also tells

43:03

you, "I have five kids and five baby

43:06

fathers. I hope that does not change the

43:08

dynamic of our beautiful conversation

43:10

that we just had."

43:11

>> How do you feel in that moment? I don't

43:14

judge you, queen.

43:16

I don't judge you. Them kids is

43:19

blessings.

43:19

>> You still want to be with her?

43:21

>> Them kids got a daddy.

43:23

>> That's the next question in that moment.

43:25

>> Yeah. Do them kids got a daddy? A steady

43:28

father, a father figure.

43:32

Because I can come over tonight

43:34

>> and be all and do that.

43:36

>> Just for tonight. I could be all you

43:38

could be tonight.

43:39

>> Tonight, daddy.

43:40

>> Tomorrow. I don't know. I don't know

43:41

about nothing. I don't know about, but

43:42

tonight

43:43

>> tonight

43:44

>> I get to sit in the living room with the

43:45

remote.

43:46

>> I vibe with them tonight.

43:47

>> And I vibe.

43:48

>> So you would treat her the same way you

43:50

would treat any other young lady you

43:51

would meet.

43:52

>> No, seriously. Um,

43:53

>> man is sick.

43:54

>> No, seriously, cuz I'm I'm I'm I'm

43:56

[ __ ] around. But listen, I think I

43:58

don't judge women with kids. It's all

44:01

about I think the connection. I met

44:04

women with two kids, three kids, four

44:06

kids. It's a girl out here right now.

44:09

She is fire. Yeah, a lot of [ __ ] don't

44:10

know she got about five kids.

44:13

She so fire, but she got about five

44:16

kids. And it's like I It's [ __ ] out

44:18

here that been wifeing her. So, it's all

44:22

on the connection. I I guess.

44:23

>> Have you wedded it yet?

44:24

>> No, I didn't. I wasn't that lucky.

44:27

>> You wanted to.

44:29

>> I thought about it.

44:31

>> So, the kids wasn't a deterrent for you?

44:34

>> No, [ __ ] Like,

44:35

>> they had nothing to do with how you

44:36

viewed the woman.

44:37

>> Like, how how you how that's what I'm

44:39

saying. That's why I I don't know if

44:40

it's actually uh a preference or if it's

44:45

really value.

44:46

>> The average man doesn't think like that.

44:48

You know this, right?

44:48

>> I'm not the average man, [ __ ]

44:50

>> I realize this. You're a maniac.

44:52

>> Absolutely.

44:54

>> You're a murderer, Nino.

44:55

>> [ __ ] right. [ __ ] right.

44:58

>> Yo,

44:59

>> you know time them kids going to sleep.

45:01

I'll be over there.

45:02

>> What are some things that lowers a

45:04

woman's value?

45:05

>> It's her. It's the way she conducts

45:07

herself. her mindset. mindset, her her

45:10

her

45:12

just how yeah how female move

45:15

>> hygiene

45:16

>> hygiene is number one

45:17

>> definitely

45:18

>> but I think yeah that that loss your

45:20

value immediately

45:21

>> yeah cuz she could be the smallest

45:22

sweetest thing in the world if that

45:23

hygiene ain't right then what you got

45:25

>> what if she got all her thing but she

45:27

hang with a bunch of 304s do you think

45:28

she want to

45:30

>> I think the thought is on her mind

45:31

>> do you believe

45:33

a feather flock together

45:34

>> most of the time

45:35

>> I think they thinking alike

45:36

>> most of the time

45:37

>> even if they ain't

45:38

>> you Got it. They got it. They got it.

45:39

>> Even if she ain't figured out how to fly

45:41

yet, if they flying, she she's trying to

45:42

get off the ground.

45:43

>> Oh, she know she can fly, but she

45:46

ground. She staying grounded.

45:47

>> Like if [ __ ] play with me, you know I

45:49

could fly, right? Right.

45:50

>> Fly out this [ __ ] on this [ __ ] ass

45:52

[ __ ] right here.

45:53

>> Right off this roof.

45:53

>> [ __ ] You think these wings don't work?

45:55

>> These wings work.

45:56

>> [ __ ] ass [ __ ]

45:56

>> I believe that

45:57

>> [ __ ] me. I believe that

45:58

>> y'all [ __ ] is what?

46:01

>> Y'all just went through something just

46:02

now.

46:02

>> What happened? you [ __ ]

46:05

>> No, we was elaborating on vibing.

46:07

>> We elaborated on this on the

46:08

>> It was like cursing somebody out.

46:10

>> No, we was just elaborating on the birds

46:12

of a feather flocks together. Um but

46:15

yeah, it became a moment just now.

46:16

What's that moment?

46:18

>> No, I don't think it was a moment. We

46:19

just agreed

46:20

>> like y'all agree all the time. Some

46:22

Brooklyn [ __ ]

46:23

>> It's not a always agree.

46:25

>> We don't always agree. Like he

46:27

>> The only thing y'all didn't agree on is

46:28

the Bentley GT.

46:29

>> Yeah, that was bad. I'm gonna prove

46:31

>> that a go that ain't go to Brooklyn

46:32

weight right there

46:34

answer the question what what was it the

46:36

the what

46:37

>> what low is a woman's value

46:39

>> um I mean it's like y'all said a bunch

46:41

of things could but I think for me the

46:44

the major one is like mindset like how

46:46

you how somebody thinks and I and I get

46:48

that we all think and you know we all

46:53

are different people you know what I'm

46:54

saying so some people's mindsets is in

46:56

different places but I think that is one

46:58

of the like major things that can

47:01

devalue somebody from, you know, me

47:04

looking at them one way and they mindset

47:06

or how they talk or thinking is is

47:09

different from what I shift.

47:11

>> So, what about she has the mindset you

47:13

love, but her hygiene is off.

47:16

>> Yeah. Hygiene is one of the one of the

47:18

things, man.

47:19

>> You can't get around hygiene. You can't

47:21

get around it.

47:22

>> You can't trade it. You know what I'm

47:23

saying? It's like it's I got mindset,

47:26

though. My personality is great, but my

47:28

[ __ ] stink. You can't you can't

47:31

>> you can't trade that.

47:32

>> I don't even know how to have that

47:33

combo.

47:34

>> It's scary. Trust me.

47:36

>> Cuz I feel like if I can smell it, you

47:38

smell it.

47:39

>> You had you had to have this combo.

47:40

>> A fire crotch. Oh my god.

47:42

>> Anything I can smell, you can smell.

47:45

>> Like,

47:45

>> so,

47:45

>> but was her mindset right? And you had

47:47

>> it shouldn't it should never go.

47:48

>> Was the scenario the same as Fab is

47:50

talking about or what is is

47:51

>> My mindset wasn't right. I was like,

47:54

what? Do you you don't smell that? What

47:56

the hell?

47:57

>> It was in the air.

47:58

>> Damn. I ain't had a heart to say it, but

47:59

I was just thinking it was damn

48:01

>> going so it was going off so crazy.

48:04

>> Did you continue?

48:04

>> This is I I didn't this I didn't even do

48:06

nothing yet. This is that it was booming

48:09

like that. How did you get out of that

48:10

situation?

48:11

>> I got out, [ __ ]

48:12

>> To

48:14

>> How do you tell someone they have bad

48:16

hygiene? How you break that down to the

48:18

to the to the Gaza

48:20

>> or to the or to the or to the to the

48:22

shorty? How you how you

48:23

>> Now you Now I got a method. Now I'm just

48:26

like

48:27

>> I figured out ways with the bros. Like

48:30

>> it's the way how you approach people.

48:32

>> It's ways with [ __ ]

48:33

>> embarrass people.

48:34

>> Girls I be I feel bad with a girl and

48:36

then be like damn I don't really know

48:38

how to express this.

48:40

>> You mean when you doing something with

48:41

her?

48:42

>> No, no, no, no, no, no, no, no.

48:43

>> What you talking about?

48:44

>> Just just period.

48:46

>> It's a funky person.

48:47

>> Just a p a funky person. You got to just

48:49

tell them, [ __ ] you stink.

48:53

[ __ ]

48:53

>> y'all [ __ ] talking about. What's up

48:54

with these [ __ ]

48:55

>> If you tell a stink [ __ ] like that,

48:57

nine times out of 10 they want to fight

48:58

you cuz they know they stink and now you

49:00

done put them on

49:00

>> blast bros and they want to fight. You

49:03

mean

49:03

>> we must not be really bros.

49:05

We must not be really bros then. If you

49:07

want to get mad cuz I told you you

49:08

stink, [ __ ] You stink, [ __ ]

49:10

>> [ __ ] you stink.

49:11

>> Bro, you stink.

49:12

>> Bro, you stink, [ __ ]

49:13

>> Bro, you stink.

49:14

>> Yo, you stink, bro.

49:15

>> You want to fight because you stink.

49:18

>> Think about that.

49:20

>> I'm not fighting nobody,

49:21

>> right? Because if you fight,

49:22

>> what if they hug you? You're like,

49:24

>> you're going to stink. That's what I'm

49:26

saying.

49:26

>> If we fight,

49:27

>> that's what I'm saying.

49:28

>> You want to fight me cuz you [ __ ] ever

49:30

leave a coat on your couch and his coat

49:32

stink? Like

49:32

>> absolutely

49:34

>> the coat stink is crazy, bro.

49:37

>> I been through mad mad different stink

49:39

[ __ ] Like [ __ ] house stink.

49:41

>> You go to a [ __ ] crib, it stink. You

49:43

leave out of there, now you stink.

49:44

>> Start smelling some [ __ ] She be like

49:46

>> that [ __ ] be in your coat all in your

49:47

wife beater.

49:49

>> [ __ ] might get in your hair. But you

49:51

don't smell [ __ ] start smelling itself

49:53

like you start to think it's you.

49:55

>> You think it's you but it's it's your

49:56

environment.

49:57

>> What about the [ __ ] that that when he

49:59

talk?

50:00

>> Yeah. You want to exit? You want to exit

50:02

>> around here? Stink. The air is stinking.

50:05

>> Stay there for a second.

50:05

>> It lingers like

50:06

>> you got to bust a move out of there. You

50:08

got to do some crazy [ __ ]

50:09

>> You talking about fight [ __ ] I want to

50:11

fight.

50:12

>> Yo, it was a [ __ ] with us at Allstar

50:15

weekend. Breath stinking so bad, man.

50:18

>> Really?

50:19

>> Really? I didn't come across

50:20

>> I ain't come across that [ __ ] real.

50:23

>> I'm glad I didn't come across this

50:25

>> f with the [ __ ] hat on. F

50:27

>> had some had some mints for [ __ ] Let

50:30

me get one man

50:32

up. I don't even like had the

50:33

conversation right now.

50:35

>> I almost flew home early cuz of that.

50:38

This [ __ ] was I'm like I got to deal

50:40

with this the whole weekend.

50:41

>> I know it wasn't me cuz I left the next

50:42

day.

50:43

>> I'm a firm believer when it come to

50:45

hygiene, you smell everything first. So

50:49

you know your you know your breath sting

50:51

like you like all right my [ __ ] ain't

50:55

>> you can taste you can

50:56

>> do one of them little h

50:58

>> and know you know you know if you a

51:01

little musty like damn that's mean

51:03

tighten up let me get up out of here you

51:05

know if you you just know that. So if

51:07

you take all of that what you know

51:09

>> no

51:10

>> and get next to people

51:12

>> and speak with that mouth that you know

51:14

>> need to wash they ass nasty words.

51:17

>> You're underestimating something.

51:18

>> No [ __ ] is just nasty.

51:20

>> I understand you don't know when you you

51:22

got a little

51:22

>> I do because I'm not usually stinking.

51:24

But a [ __ ] that's already

51:26

>> that stink already

51:27

>> used to stinking.

51:28

>> He will never know.

51:29

>> Does not know because that's the smell

51:31

that he used to. You understand?

51:33

>> That's his fragrance. That's his body.

51:35

This is what I'm trying to tell you.

51:36

This craving [ __ ] up the whole vibe.

51:38

>> This is what I'm trying to tell you.

51:39

>> This is me. That's like this [ __ ] like

51:41

this is me. I smell like

51:43

>> that's Yeah, basically you got to So

51:45

it's a it's a different thing. But how

51:47

do you

51:47

>> wash your ass, man? Brush your teeth.

51:48

>> If a [ __ ] your brother,

51:50

>> wash your face.

51:51

>> If he if he your dog, you tell you

51:54

should be

51:54

>> got to put him on cuz you won't want

51:55

your dog out here with you moving around

51:57

and grooving around and this [ __ ]

51:59

smelling like ass. Like that's crazy.

52:01

>> Boy, you smell crazy.

52:02

>> You smell wild for the night. walking

52:04

around like, "Yo, that [ __ ] that be

52:05

with Jim smelled foul.

52:08

>> You don't want to be the [ __ ] that you

52:09

don't want to be that nigga."

52:12

>> I had a security. Yo, bro. I a saying no

52:14

names. I had a security one time. I'm in

52:16

my car.

52:17

>> He's sitting in front of me in the car

52:19

and I kept smelling [ __ ] I'm like,

52:22

>> "It's Doo, babe. I'm checking my shoes,

52:26

bro. I'm checking everything."

52:27

>> I know them [ __ ] I know them type

52:29

[ __ ]

52:30

>> The [ __ ] vest. The nigga's vest.

52:31

>> His vest smell like [ __ ] I smell like

52:33

[ __ ] Like, yo, bro. Yo, bro. Yo, bro. I

52:37

never allowed that [ __ ] back in my car

52:38

ever again, bro.

52:41

>> Shitty vest.

52:43

>> Got a shitty back off a shitty vest.

52:45

That's crazy.

52:45

>> [ __ ] know they stink.

52:47

>> No, that's all.

52:47

>> It take a bold [ __ ] to know you stink

52:49

and still just pull up and be in the

52:51

spot.

52:51

>> He don't He doesn't know.

52:53

>> I know my [ __ ] No, you He know that.

52:56

>> At some point, you know that, man. You

52:57

know that.

52:58

>> If you used to smelling like that, bro.

53:00

This is what I'm trying to explain to

53:01

you. If you stink in the cold, you

53:03

stink.

53:03

>> It's not stink no more. It's

53:05

>> cold outside, you stink.

53:06

>> Hold up. I got one.

53:07

>> It's a different level.

53:08

>> You ever went into the bathroom after a

53:10

lady just left and the [ __ ] smelled

53:11

wild? Like

53:13

>> [ __ ] smell wild.

53:16

Female's bathroom though.

53:17

>> No, it's not a female's bathroom. You

53:18

ever been in the house? And in house

53:20

came out the and went in the bathroom.

53:22

>> Smelly cat.

53:24

>> Yeah, basically smelly cat.

53:25

>> Yeah, we all smell

53:28

after the bat. like you going to the

53:29

bathroom and and they just came out and

53:31

they

53:31

>> Absolutely. It's a lot of stinking

53:32

[ __ ] out here. We got to be honest.

53:35

It happens. And now for our commercial

53:38

break.

53:39

>> New York is in Milwaukee this Friday.

53:41

What's your thoughts on Koozma in

53:43

Milwaukee? And you know his fists go

53:45

hard, but is he going to really come to

53:46

play or is he going to be in New York?

53:48

>> He coming to dress like

53:49

>> he coming to dress.

53:50

>> Coming to dress or he coming to play?

53:52

>> Coming to put a fit on.

53:53

>> I mean his last games he had a little

53:54

light 14. He had, you know, little four

53:57

rebounds, two assists.

53:58

>> That ain't going to be enough for this.

53:59

>> So, what y'all think? Oh,

54:00

>> um I'm I'm going to go fashion more, but

54:03

I I'm going to go less as far as uh

54:05

>> points.

54:07

>> Yeah.

54:07

>> Yeah. I'm going less. He don't look like

54:09

his his he he needs some more points to

54:11

[ __ ] with Brunson and

54:12

>> Yeah,

54:13

>> they balling.

54:14

>> Cuz my dog, I'm I'm I'mma go more since

54:17

everybody

54:17

>> more than 14.

54:18

>> Yeah.

54:18

>> I thought you was a Knicks fan.

54:21

>> I am. We talking about Koozma though. I

54:23

[ __ ] with him.

54:24

>> Thoughts on the on the point guard, man.

54:26

My guy

54:27

>> Jaylen, what's up?

54:28

>> Oh, you know how he moving?

54:29

>> Post Allstar. Jaylen is going to lock

54:31

in. He going to show up. How y What's

54:33

up?

54:34

>> Right after the Allstar, what's going

54:35

on?

54:35

>> I think Jaylen was just coming back, so

54:38

you know, Allstar actually probably was

54:40

like a good little run just to get him

54:42

back in his groove and [ __ ] like that.

54:43

So, I think he going to be ready to

54:45

ball.

54:46

>> Definitely more more and more. I'm going

54:48

more with with with with Brunson.

54:50

>> Absolutely. Way more.

54:51

>> I'm going more. I'm going more too.

54:53

>> I'll take the more. Definitely more

54:55

100%. What's your thoughts on Cat post

54:57

the Allstar break? You know what I mean?

55:00

I think Cat is um also like I always

55:05

feel like Cat in one of them one of them

55:07

like

55:08

>> like if he don't get traded though like

55:10

>> I feel like he always like prove itself

55:12

kind of like

55:13

>> right

55:13

>> like you know always questions around

55:15

him is he going to get traded like you

55:17

said or you know I don't think he can't

55:19

get traded anymore but I think you know

55:20

he people always be up and down. I think

55:23

he's a a solid player so I think he

55:25

going to come out the play. He did good

55:27

last last game. I think 21 know he not

55:29

getting traded. I think he going he

55:31

noticed he he got to you. I mean he

55:33

home.

55:33

>> Who you go with? He did 21 last.

55:35

>> I'm go more. I'm going to go more with

55:36

cat.

55:37

>> More.

55:37

>> I'm going go more. He got to go more.

55:40

>> I also think the kind of person you is

55:43

like trade talk can make you you know

55:46

mean the kind of person you is. You

55:47

might oh y'all was going to trade me

55:49

like that shift. Like you some people

55:51

will be like they was about to trade me

55:53

man. I ain't even off that. So it's just

55:56

the kind of person you is too that'll

55:57

make you

55:58

>> So do seem like he going harder.

56:00

>> I think he going I think he is. I think

56:01

he's one of those kind of players that

56:04

he going he this just the oh y'all want

56:06

to talk you know what I'm saying? He

56:08

going to show up.

56:09

>> Yeah. What's your thoughts on the Knicks

56:11

guard? Um you know Jose Alvaredo.

56:15

>> I love Jose

56:17

and he in New York. He

56:19

>> Alvarado.

56:20

>> Alvarado. That's not what I said.

56:22

>> No you said Alvaredo. He can shoot.

56:25

>> And I just think I think his energy just

56:27

being from New York, I think I think he

56:29

excited to play the I mean to put that

56:32

Nick uniform on.

56:33

>> You know what I mean?

56:34

>> His family probably at them games and

56:36

[ __ ] like that.

56:36

>> A dream to play in the city.

56:38

>> That's also like a a childhood dream for

56:40

you.

56:41

>> Absolutely. Where you from?

56:42

>> What part of the city you from?

56:43

>> From Brooklyn.

56:44

>> You from Brooklyn?

56:45

>> Yeah. From what?

56:46

>> Y'all would claim him real quick like

56:47

that, right?

56:48

>> Even if he not. We just did.

56:51

>> He from Brooklyn.

56:52

>> Brooklyn now. He from Brooklyn now.

56:53

>> Okay.

56:54

>> Definitely.

56:55

>> Alvarado from Brooklyn. That's right.

56:57

You win.

56:58

>> Big shout out to Prize Pix, man. Coming

57:00

in clutch for all my New York hoops.

57:02

Download the Prize Pix app today and use

57:05

code less rap to get $50 in lineups

57:08

after you play your first $5 lineup.

57:10

That's code less rap to get $50 in

57:13

lineups after you play your first $5

57:15

lineup. Prize picks. It's good to be

57:18

right. Spears, if if if one of one of

57:21

the baby boys decided

57:24

I'm about to put pop chain on today,

57:26

like that's how I feel. Like I'm going

57:28

to school with this [ __ ] on. They don't

57:30

they don't say nothing to you. Sleep,

57:31

you get up, they they might have tucked

57:33

it in their book bag and then they they

57:36

break out that that that that street fan

57:37

piece at school.

57:38

>> They flexing.

57:39

>> They How you feel about that? Like like

57:41

like what would that bother you or or

57:45

>> I mean I get the motive. I get why he

57:47

would do it. You know what I'm saying?

57:49

Like we've all been a kid in that in

57:51

that space before,

57:52

>> right?

57:53

>> Um

57:55

>> I wouldn't I wouldn't I wouldn't respond

57:59

to it like too negative. I would just

58:01

kind of give him some some game on it

58:03

and like

58:05

even so like he could be putting himself

58:07

in danger. You know what I'm saying? You

58:09

>> doing that. Right. Right. You never know

58:11

what come with come with doing that. So

58:13

that's all I would just give him some

58:15

game on what he's doing and um

58:19

but I I understand the motive like you

58:22

to flex and do you know what I mean?

58:23

Even just even to have that opportunity

58:25

to do that I that's why I get it.

58:27

>> I'm living through I'm living

58:29

vicariously through future son cuz I

58:30

wish I had a father to take some [ __ ]

58:32

from to go to school with.

58:34

>> Well, how old is future son?

58:35

>> He was six. I think six is a little you

58:39

>> pulled up with some [ __ ] on like [ __ ]

58:41

y'all talking about

58:42

>> for me to

58:43

>> What grade you doing in that six years

58:44

old?

58:44

>> First first

58:45

>> that's first grade.

58:46

>> That's first.

58:47

>> He's [ __ ]

58:48

>> Word up.

58:48

>> Yeah. [ __ ] you talking about? I I I get

58:51

that. I don't know if I want I don't

58:54

know I don't know if I want my child

58:55

that caught up in materialism that

58:57

early.

58:58

>> But

58:59

>> it's really not materialism. It's what

59:00

they I feel like kids move on what they

59:02

see.

59:03

>> So I never saw my father in jewelry. I

59:05

saw rappers and hustlers and jewelry. My

59:07

pops wasn't no

59:09

>> jewel jewel. Damn.

59:10

>> I can remember in first grade my man

59:12

Omar came to school in a deodoras with

59:15

the switch tongue. Remember the hot top

59:16

used to have the switch the tro tongue?

59:18

He had those on and his mom brought him

59:21

the dappa dan feli leather [ __ ] with his

59:23

name in the back and then he had the

59:25

Gucci dappa jan like

59:26

>> bro we was in awe.

59:29

67 like so I believe that

59:31

>> [ __ ] you never saw but I feel like

59:32

>> but we we we see what we what's around

59:35

us like I get that from the perspective

59:37

of the child but as a father I I I would

59:40

kind of I don't think I would want that

59:43

for him this is too early let's let's

59:46

work to that

59:47

>> it's there though man

59:48

>> I get it I get

59:49

>> and that's all they see

59:50

>> but anytime they see you you got your

59:52

[ __ ] on

59:53

>> I get it but I don't want him growing up

59:54

in a world where he feel like that's

59:56

what it's all about is because it's more

59:58

to That's the results of a hard journey.

60:01

See, everybody see the the results of

60:03

the journey, but what about the the the

60:05

the sleepless nights and the work that

60:07

it took to get those things? So,

60:09

>> that

60:12

I hear that. But as a as a as a culture,

60:15

>> kids six, seven years old,

60:16

>> we buy our kids everything we we wear at

60:19

a young age. We buy them little jewelry,

60:21

buy them little watches, little chains.

60:23

We put little drawings on them. Same

60:24

things we wear, we try to buy in the

60:26

kids version. Like, so h how do you how

60:29

do you separate that?

60:30

>> You're right. We do do those things

60:32

because we either didn't have it or

60:33

that's all we saw. So, I feel like

60:38

balance is needed because when you when

60:40

you only give them and show them

60:42

materialism, that that's all they start

60:45

to value. I believe like, you know what

60:47

I mean? So, I just feel like it need to

60:49

be a little bit more balanced with that

60:51

and not just materialism. Why are we

60:53

putting so much emphasis on materialism?

60:55

Why does it mean so much to us? Like,

60:57

you know what I mean? So, I don't want

60:59

to just start giving that to my child

61:01

that early. Spear's sons is older. His

61:04

oldest son is older, so it's a little

61:05

different. He took a chain out. He He

61:08

understands he a little more older. So,

61:09

>> but what if man, I agree with you a

61:12

thousand%, bro. But what if they seeing

61:14

both? What if they not

61:16

>> six years old?

61:18

>> Yeah. But that's six years of you seeing

61:20

your father being an entertainer and

61:21

being at home without all them jewels

61:23

on. What if the convos they having at

61:25

school and I believe in convos at school

61:27

at six years old,

61:29

>> seven years old. I think they talking at

61:31

school with with their peers. I think

61:32

they they hip.

61:33

>> They are.

61:34

>> And and you got to understand with the

61:36

with the Tik Toks and the roadblocks and

61:38

the iPads and the they more hip than we

61:40

ever was at six.

61:42

>> 100%.

61:42

>> You know what I'm saying? So no matter

61:45

no matter no matter what you showing

61:49

>> it it's not materialistic but that might

61:51

come up in a convo at school like

61:54

let me see that [ __ ] your dad got and a

61:56

[ __ ] might and your son might be like

61:58

let me let me snatch this ring or this

62:00

bracelet

62:01

>> I get it or this chain

62:03

>> it's a flex like we was talking about

62:04

flex earlier in the episode with us

62:06

that's like a flex to them cuz they know

62:08

they the the the the other kids in

62:10

school they parents

62:12

>> might not be us. They might not be in

62:16

the lifestyle that we living where they

62:18

got the jewelry or the cars and all

62:20

that. They might be making money, but

62:21

they might not be in the same lifestyle

62:23

we in. So, that might be a flex to the

62:25

to the to the kid amongst their peers

62:27

like that don't even that don't mean

62:29

they materialistic. They might just been

62:31

a front

62:33

>> for that moment. Right.

62:34

>> But that's why I said that I understand

62:36

the motive of it because even like we've

62:38

been in that same position of wanting

62:42

to, you know, even just wanting to flex,

62:44

but at the same time is like what

62:46

Maine's saying, there's a lot that comes

62:48

along. You got to still have a

62:50

conversation. He came when he come home.

62:52

You still should have a conversation

62:54

with him about why he did that, why he

62:56

>> wanted to do that to impress you. It's a

62:58

lot of little things that that a child

63:02

that age wouldn't even don't even

63:04

understand what they're doing. Like I

63:05

said, he could be putting himself in

63:06

harm way. What if he put on a chain?

63:08

Your son is is 10 or 12. He go to junior

63:11

high school with the you know what I'm

63:12

saying? He could be putting himself in

63:14

harm way. He could be, you know, even

63:16

just like what you were saying, just the

63:17

materialism. All of those kind of things

63:19

come into factor when you talking about

63:20

a kid. Cuz like you said, they seeing

63:22

what they seeing, but they they still

63:24

kids. You're the just cuz they see you

63:27

do a kid can't do everything.

63:29

>> You got to lay down what's going on. You

63:31

never watch Ferris Buer Day Off.

63:33

>> Yep. That's one of my favorite That's

63:35

one of your favorite movies. Not one of

63:37

my favorite movies, but

63:38

>> he took his pops whip.

63:39

>> I get it.

63:40

>> Everything about that was was like like

63:42

>> we talking about a six-year-old. So that

63:44

that's context of what is being said.

63:46

>> I'm not even on just the age, but I feel

63:48

like just kids in general cuz they if

63:50

that's the case, any age will do it.

63:52

They'll just grab and do whatever they

63:53

want to do. Most kids know not to even

63:56

touch. They do. So, you know what I

63:58

mean? It had to be something in him.

63:59

That's why I said it's still a

64:00

conversation to have because it had to

64:01

be something in him to even risk doing

64:03

that. He know you know that's not even

64:05

like you just said was your fault. You

64:07

ain't grow up and just take something

64:08

that was your mom's and go take it to

64:10

school.

64:10

>> Bro, my pops used to say my pop zapped

64:12

on me over over lotion.

64:16

>> Like rushing out the out the crib in the

64:17

morning and happened to take that [ __ ]

64:19

little coco little Palmer's cocoa butter

64:21

[ __ ] I ain't going to lie. I was one of

64:23

them kids like who touched my lotion. I

64:25

was one of them kids that was taking a

64:27

change. So I couldn't even imagine

64:31

taking my uncle Ricky [ __ ] to school

64:33

100%. I I was one of them kids that was

64:35

taking [ __ ] out the house and bringing

64:36

it to school like I was way way grown

64:38

than I was and this is early 8 n 10 took

64:41

>> my cousin [ __ ] my conse was it a

64:44

consequence though if your uncle was

64:46

going if your uncle would have caught

64:47

it. Was it a consequence though? Huh?

64:49

>> Was it a consequence if your uncle catch

64:51

you with [ __ ] Uh,

64:53

>> yeah, probably. My mom's probably beat

64:55

me. He wasn't allowed to beat me. They

64:56

saw you in it. Uncle Ricky wasn't

64:57

allowed to beat me. But

64:59

>> you was catching a beat down over the

65:00

over the over the

65:01

>> If I stole Uncle Ricky and took that

65:03

[ __ ] to the to to the school or to

65:04

>> It was worth it though. It was worth the

65:06

beat down%. I was one of them kids. Kids

65:08

need to be going to school. I thought I

65:11

>> I flex on y'all [ __ ] all day. I catch

65:13

this beat down when I get back. that I

65:14

think a kids need to be allowed to be

65:16

kids and not rush to be grown and do

65:19

grown up things. The chain and the flex

65:21

and all this a little too early for

65:23

that. I think that like like

65:25

>> but what if they own it? What if they

65:26

seeing it, man?

65:27

>> They seeing it, but just because they

65:29

seeing it don't make it right. Just

65:30

because like because these come with

65:32

conversation because the habits that you

65:33

pick up now become who you are later. So

65:35

it's like listen, I don't want you to

65:38

understand that this jewelry that I'm

65:39

wearing is for a reason. So, you saying

65:41

you can't you can't fault them for what

65:43

they doing, but you got to explain to

65:44

them in my case. Did it work? Did what

65:47

work? That you was taking a jury and uh

65:50

going to school too early at 7 years

65:52

old.

65:53

>> Look at you.

65:55

>> Look at you.

65:55

>> Look at me.

65:56

>> I did. I did pretty

65:58

>> successful man.

65:59

>> You know what I'm talking about.

65:59

>> Look to each his own.

66:01

>> I had to I had to experience it.

66:02

>> But everybody but everybody don't turn

66:04

out that way. And then a lot of times

66:05

kids find themselves in situations where

66:07

they can't get something%

66:09

>> they may do things. So it it comes with

66:11

responsibility. Everything comes with

66:13

responsibility. Trinkets, materialism,

66:15

it come with responsibility. So I think

66:17

that that has to be explained. 6 years

66:19

old, 7 years old, 8 years old. I ain't

66:21

trying to hear that. That's way too

66:22

young for me.

66:23

>> Every every kid not future son. Every

66:26

kid not your son. Every kid not

66:29

>> You get what I'm saying? So I I I

66:31

understand that part of it too. You know

66:33

what I mean? Like future son could do

66:35

that.

66:35

>> I would take in my cousin sneakers. I'm

66:37

wearing these to school too. Y'all

66:38

[ __ ] is crazy. What? You just was a

66:41

little thief.

66:44

>> What the [ __ ]

66:44

>> Uncle got to lock.

66:46

>> Everybody had to lock this [ __ ] up.

66:47

>> Uncle had pain. Let me get all that.

66:49

>> Is there a cultural responsibility that

66:51

comes with flipping a legendary record?

66:55

>> I think that depend on I think that

66:56

depend somebody record. Does it do you

66:58

owe responsibility to them to do

67:00

anything? Some people when they let you

67:02

sample their record though, they they

67:04

have requirements or they tell you what

67:06

you can or can't do.

67:08

>> It want to hear prove it.

67:10

>> Sexy Red's version of um Mike.

67:12

>> I didn't really listen to it.

67:14

>> Eat it.

67:14

>> I just saw a clip.

67:16

>> I thought she was remixing Weird Al

67:17

Yankovic's record.

67:19

>> No, she wasn't.

67:20

>> He has to eat it.

67:21

>> But it was different.

67:22

>> But that's still That's Michael That's

67:23

if you That's Michael Jackson record.

67:26

Yeah, be easy with that over there.

67:28

>> That's Michael Jackson. All all of this

67:31

weird eye talk over there.

67:32

>> That's Mike. That's Mike. That's Mike.

67:35

That's Mike. That's Mike. That's Mike

67:36

right there.

67:37

>> You got the button over there.

67:38

>> I think you know what with that I think

67:39

it depends on

67:42

who you are to the culture like like you

67:45

you you owe a certain type of uh respect

67:48

or certain type of vibe to it. If don't

67:50

nobody know you, nobody going to hear

67:52

it. But if you know everybody in the on

67:54

[ __ ] earth is probably going to tap

67:56

in or click that or hear that,

67:58

>> I think you do owe a certain respect

68:01

>> to to what she's saying with the record.

68:04

>> Do you think that she feels like she

68:05

disrespected Mike or she thinks she's

68:06

making one of her sexy red hits? That's

68:08

fire.

68:08

>> It don't matter what she feel is is what

68:10

the world feel.

68:11

>> I mean, yeah, but I'm talking about

68:13

>> that's that's somebody that that's

68:14

somebody that died. He's gone. He has an

68:16

estate.

68:16

>> Okay.

68:17

>> You got people that respect his whole

68:19

what he did. So you got people that's

68:21

always going to look at that like you

68:22

playing with that man legacy. Then you

68:24

got people that is going to turn up to

68:26

it

68:27

>> that don't know nothing about his

68:28

legacy.

68:28

>> So you go both ways [ __ ]

68:30

>> I was going to say too like the artists

68:33

of different times have different rules

68:35

too. I feel like the artists of that

68:37

generation the 80s the 70s 60s a lot of

68:40

those artists they music is from that

68:43

time. if Sexy Red was remixing one of

68:46

our records, we wouldn't have those same

68:48

restrictions because we growing up and

68:50

making music in a different time. But I

68:52

do think if you making if you sampling

68:55

Luther Vandross, if you sampling Michael

68:57

Jackson, if you sampling Anita Baker,

68:59

you know, some of the artists from the

69:01

80s, like they have that restriction

69:03

because kind of music they make, they

69:05

they kind of lifestying. They one they

69:08

also older now, so they don't want to

69:09

hear you talking crazy over their record

69:12

and stuff like that. So I I respect it

69:14

from that aspect because I know they're

69:16

from a different

69:17

>> you know generation of making music.

69:19

>> So you're saying you agree kind it is a

69:20

responsibility?

69:21

>> No I I I think that that responsibility

69:24

is there for those for those kind of

69:26

artists. I don't

69:27

>> So Mr. David, what if you you sample

69:29

Elvis Presley,

69:30

>> right?

69:31

>> Okay. And his estate had a problem with

69:34

you saying the word cracker.

69:36

>> For one, I I I never said cracker.

69:40

>> You never said cracker

69:41

>> on a record on a song. I don't that

69:43

ain't really even in my lingo. I don't I

69:45

don't say crackers. We talking about

69:47

keyless.

69:47

>> We talking about Yeah.

69:48

>> Yeah. We talking about

69:49

>> soup and crackers.

69:50

>> Yeah. [ __ ] like that.

69:52

>> That ain't in my lingo.

69:54

>> But I feel like I just feel like it it

69:56

it's based on

69:58

>> you know what I mean? Like you you don't

70:00

for one with me I don't I don't I don't

70:02

disrespect the dead like you know what I

70:04

mean? So

70:04

>> no you're not calling nobody that. I'm

70:06

saying you use it in your song. No, but

70:08

just in general,

70:08

>> they got to they got

70:10

>> I wouldn't use that. I wouldn't use that

70:11

on any record.

70:12

>> It don't have to be It don't have to be

70:14

an Elvis Presley record.

70:15

>> So, take the word crack out of Say if it

70:17

was just a word that Well, we ain't like

70:19

you using this word in it. Would you be

70:21

up to

70:23

>> uh changing the word? Would you be up

70:25

based on the state

70:26

>> you negative

70:27

>> and I'm in contact with the state of the

70:29

record?

70:29

>> They going to get in contact with you?

70:30

>> No, I'm I'm in contact with the state

70:32

that I that I sampled the record.

70:33

>> Yeah.

70:34

>> I wouldn't Yeah, I would have that's a

70:36

conversation. Y'all don't like this,

70:37

y'all don't like this word or y'all feel

70:39

like I'm being disrespectful.

70:41

>> Yeah, that if that if that's a record

70:42

I'm doing, why not?

70:44

>> We also in a time

70:46

>> we also in a time where people will see

70:47

that and now they like, "Oh, if somebody

70:50

could do that, then I could do this."

70:52

You know what I'm saying? And it just

70:53

starts a whole

70:56

>> effect. Respect the That's all I would

70:58

say. respect the dead. When artists get

71:01

vulnerable in their music, do listeners

71:03

see it as art or a cry for help? How

71:07

y'all feel about that?

71:09

>> When they get vulnerable?

71:10

>> Yeah. When they when they speaking their

71:12

truth and they going like the emo like

71:15

uh era rap and like it was a lot of

71:18

artists coming out in that time. I

71:20

couldn't tell whether like you know at

71:22

first of course it was certain guys that

71:24

was leading the way but then once it

71:26

became like a trend or like a style like

71:29

you just put the autotune and be singing

71:31

about how your life is so [ __ ] up or

71:33

whatever like that I couldn't tell which

71:35

artists were real or just hopping on the

71:39

trend if they really felt like this or

71:41

they really going

71:42

>> yeah just going this is what everybody

71:43

want to hear I want I'm you know what

71:45

I'm saying because at one point it

71:47

became the trend it was like emo rap or

71:49

something like that. Everybody has like

71:51

>> That's a fact. Rest in peace. Juice

71:53

World.

71:54

>> I feel like Juice World. I feel like he

71:57

I just feel like he he had a sound that

72:01

um

72:02

>> that a lot of people

72:04

>> took and kind of made their own.

72:06

>> What about XX?

72:08

>> He was he was Yep. That era that was

72:12

like that was like what's the name?

72:13

Trippy Reds. All of them. Like I feel

72:15

like they all kind of came in at that

72:17

time.

72:18

even if feeling a little bit maybe uzy

72:20

too like he going a little widow that

72:22

wave too but like I felt like it was a

72:24

time

72:25

>> that like a lot of guys was coming in

72:27

with that with that with that style like

72:29

it like that was the

72:30

>> So you think do you think is it a cry

72:32

for help? Yeah, because they saying that

72:33

uh shouts to RP little pop artist. He

72:37

just uh he was he killed himself. They

72:40

trying to say that it was suicide. I

72:42

don't know if that's exactly correct.

72:44

So, I want nobody to quote me, but he's

72:46

passed away and they trying to say um

72:48

and some of these artists or you think

72:50

how do you how do you find if a artist

72:53

is crying for help and to know that he's

72:55

going down that that that that steep

72:58

hole?

72:58

>> That's a good question though. Do you

73:00

ever I think his team should be more

73:02

than people fans who are just listening

73:04

to the music cuz like I just said you

73:05

don't know whether they crying for help

73:07

or just making a hit song. So take your

73:10

team should be around the person. They

73:12

can see what you doing on your dayto

73:14

day. They can see how you living. They

73:15

can see if what you saying in the song

73:17

is what you really living. So your team

73:20

should

73:20

>> Who made that song Teen Spirit? Uh Kurt

73:23

Cobain.

73:23

>> Kurt Cobain.

73:24

>> Mhm.

73:24

>> You killed yourself.

73:25

>> Yeah.

73:26

>> Yeah. But how do you see? Sometimes it's

73:28

hard to tell if a person is depressed or

73:30

going through something cuz they carry

73:31

it regular every day.

73:33

>> That's right.

73:34

>> Not if they saying it in the songs. If

73:36

you saying in the songs and then

73:38

>> you see them and they look, you know

73:40

what I'm saying? Like like you said, if

73:41

you they could be crying out for help in

73:43

the songs. If you around them, you going

73:45

to see what kind of lifestyle they live

73:47

or what's going on with them from what

73:49

they even saying in their songs. If he

73:51

if he if he every day and he he feeling

73:54

great and looking great and but in the

73:56

songs he said you could see that too.

73:58

You could be like oh yeah

73:59

>> he going through something.

74:00

>> So that might be something though

74:01

because people people function like

74:04

[ __ ] that function on a high level

74:05

maybe going through depression but they

74:07

only

74:09

>> get to release how they feel on the

74:11

song. So it might be a cry for help

74:12

though. I could relate to that.

74:14

>> You know what I I agree with what y'all

74:16

saying but like what Spear said, I think

74:18

it's more internal. If I go in the

74:20

booth, right, all the music I didn't

74:22

made and whatever I didn't recorded, if

74:24

I go in the booth and I start speaking

74:25

suicidal or I start speaking like

74:29

I don't want to be here or I'm or what

74:31

I'm dealing with is too much. Like I got

74:34

homies that'll pull me to the side after

74:36

we playing that back and be like, "Yo,

74:37

bro, you all right?"

74:38

>> Mhm.

74:39

>> Anything good? Like you you rapping a

74:41

little different on this one. Like

74:42

what's that about? Like I got people

74:44

around me that will hear

74:46

>> Yeah, but that's you.

74:47

>> I'm speaking. That's what I'm saying.

74:48

What about these [ __ ] that just do

74:50

that music?

74:50

>> No, it's internal. It's who's around

74:52

those [ __ ] Like, whoever's around

74:54

them [ __ ]

74:55

>> that don't want them to go off the ledge

74:58

should have enough influence around them

75:00

if they didn't watch that happen.

75:01

>> That's their style of music anyway.

75:03

>> Yeah, that's what I'm trying to say.

75:04

It's tricky. It's tricky.

75:05

>> You want your man to die cuz that's

75:07

their style of music.

75:08

>> It's hard. It's hard.

75:09

>> You don't know if he making

75:10

>> It's hard to read sometimes, man.

75:12

Sometimes you can see

75:13

>> I can only speak from my perspective. I

75:14

mean, sometimes you can see somebody's

75:16

that's obviously going through

75:17

something, right? and you like, "Damn,

75:18

this [ __ ] got to be going through

75:20

something." And then sometimes it's hard

75:21

to read people like you.

75:23

>> My [ __ ] might know how to just cover it

75:25

where that [ __ ] went.

75:26

>> My cousin killed himself, right? And I

75:29

never understood like

75:31

how he got to that point because it was

75:34

like like he just said, you never know

75:36

what somebody going through

75:39

because you you you still trying to

75:41

function. So maybe if he had music,

75:45

maybe we would have saw some signs in

75:46

the music. You see? So,

75:48

>> but he wasn't making music. So, he

75:50

didn't he didn't make

75:51

>> He had no outlet. So, you you couldn't

75:52

really read him.

75:53

>> Couldn't Right. I I didn't know that you

75:55

was going to so much,

75:57

>> right? That you was ready to do that.

75:59

>> See,

76:00

>> so you know,

76:01

>> you never know what a person's going

76:02

through. Say that.

76:04

>> You don't you don't absolutely not.

76:07

>> It's pretending not to know someone a

76:09

new marketing tactic. So, I guess uh one

76:13

of the streamers, the I think his name

76:15

is Rakai, right? He must have seen um

76:18

>> Yeah, they seen um Jana Ike.

76:20

>> Yeah. And act like they

76:22

>> So I'm See, I could be 100%. Yeah. It's

76:25

like the W thing. Like I always felt

76:28

like

76:28

>> How old is Ra?

76:29

>> I don't know. How old is he?

76:31

>> How old?

76:31

>> 16.

76:32

>> 16.

76:32

>> You might not know Jana Aiko. You got to

76:34

look at [ __ ] like that.

76:35

>> You know what the big deal of that is?

76:36

Like everybody's different generation.

76:39

You don't know. I don't be knowing them

76:40

little [ __ ] either. I don't know. I

76:43

just say what's up. You know what I

76:44

mean? I don't know all the streamers.

76:45

They might if they ask me about the

76:47

streamer or if I seen a streamer

76:48

somewhere and I don't know who that is,

76:50

>> they might get footage of that and be

76:52

like is you know what I mean? Like I

76:53

don't be knowing every last one of them.

76:55

Like

76:56

>> that's a fact.

76:56

>> We got a 15 to 20 year gap in just in

77:00

life. Like [ __ ] music and and all of

77:02

this. Just in life our gap is that far

77:05

apart.

77:06

>> No, I I respect you what I'm saying. So

77:08

>> I wasn't sure if you might not know her.

77:10

Yesterday in the gym, one of the little

77:12

white kids that be working out in there,

77:14

he like, "Yo, I saw the I saw the

77:15

Parkers. That [ __ ] is mad funny." He

77:17

like, "Yo, all them other guys with you,

77:19

yo, they're rappers, too." I'm like,

77:20

>> "Yeah, right."

77:22

>> Very big rappers.

77:23

>> But then it's like, you got to take it

77:24

like, "Yo, he don't mean no disrespect,

77:26

but

77:27

>> it's a whole different generation going

77:28

on out here and [ __ ] There's a big

77:30

disconnect also." So, it's like it

77:32

depends on how you take [ __ ] like that.

77:33

You could be

77:34

>> When they put it up when they put it up

77:35

on social media, are they leaning more

77:37

into it? Because I was I was never sure

77:40

if Kasnot actually didn't know who we

77:44

was or he was kind of leaning.

77:46

>> I think he genuinely didn't know who was

77:48

>> Yeah. I don't I don't from from looking

77:51

at it. You heard I don't think it was

77:52

premeditated. I think he genuinely

77:54

didn't think that person.

77:57

>> I wasn't sure.

77:58

>> Here's the thing though. Looking at what

78:00

the internet is now, I do believe that

78:02

could be a thing that somebody will do

78:04

because it's going to generate talk.

78:06

make it go. makes people talk about it

78:10

and that's what the purpose

78:17

more viral than you saying.

78:18

>> That's just how the internet is now.

78:19

>> Big fan.

78:20

>> So if you engage about it now

78:24

that it could be it could be a play or

78:27

we just don't know.

78:28

>> That's a nice marketing play.

78:29

>> So what I'm saying it could be because

78:31

>> that's a foul state of mind though. Like

78:33

I know who we living in a viral time.

78:36

Everything is about builds a hell of

78:37

awareness.

78:38

>> I'm going act like I don't know who that

78:39

is cuz we about to it's going to

78:41

>> it's like because it's like I don't know

78:42

you. I'm look at look at the awareness

78:44

it builds. You know what I mean?

78:45

>> But then that creates other it creates

78:48

more of that.

78:48

>> It it go like it's just you just said

78:50

that creates a lot more virality than it

78:54

does you just dapping a [ __ ] up.

78:57

>> Dapping a nigga's not Janeo. I mean you

79:00

know Jana AO that's how you say your

79:01

name.

79:02

>> Jane AO. So, it's safe to say disrespect

79:05

is way more viral than respect

79:06

>> cuz think about it. When they made the

79:08

video, they was like, "Oh,

79:10

>> we don't know who that is." But

79:12

>> she sings songs and but we don't know

79:14

her. They kept emphasizing we don't know

79:17

you. You know what I mean?

79:18

>> Is everybody with is every You got to

79:19

think about it like this. Is everybody

79:20

with the [ __ ] 15?

79:22

>> Is everybody is within his crew? Is is

79:25

all of them 15 16y old don't know who

79:27

you is?

79:27

>> Why president 15y old?

79:29

>> That's what I say,

79:30

>> right?

79:31

>> My son he's 16. And he don't know mad

79:34

people. He know y'all cuz he met y'all,

79:36

>> right?

79:37

>> But if it was a a a like thing like he

79:40

was tapped into what was going on, he

79:42

probably would not be hip to none of

79:43

this [ __ ] Like

79:44

>> he be in the gym with you. He he met

79:46

y'all. So he Oh, all right. I met them.

79:48

>> When I run into the generally don't know

79:50

what's going on, everybody is

79:51

respectful. I, you know, I show them

79:53

love. I, you know, tell them keep going.

79:56

If they ask me anything, I give them

79:58

whatever spell that I could give them at

80:00

the moment. But that's really like I

80:01

don't know they world either. You know

80:03

what I'm saying? And I don't I didn't

80:05

grow up in a different world out there.

80:07

>> When we did when I went to Kasa [ __ ]

80:09

that I that day I saw I said, "Oh,

80:12

>> I'm out this loop. I got to tap in

80:15

what's going on." Cuz that's a whole

80:16

another

80:17

>> whole different loop out there

80:18

>> and it's and they rocking.

80:20

>> Of course they rocking

80:21

>> rocking and rolling. So it's like, "Oh,

80:23

all right. Let me tap in what's going

80:24

on." But I never saw that or knew that

80:27

>> prior to that. Like you know what I'm I

80:29

had to be in that space to see that.

80:31

>> We got the new segment. Uh, shouts out

80:33

to King Streets. He was our first person

80:35

to jump inside of the booth. He actually

80:37

went walk that damn. So,

80:40

>> big shout out to King.

80:41

>> This week we are going up. Uh, thanks to

80:43

everybody that been tuning in, like you

80:45

said, you got any questions for the uh,

80:46

relationship guru, please put them in

80:48

the comments and we'll get back with you

80:50

next week. This is Let's Rap About It.

80:52

We going to holler at you.

80:55

>> Let's rap about ABOUT IT,

80:57

>> [ __ ] WHAT? LET'S RAP ABOUT IT.

81:04

Made a my got a check about it. Walk in

81:07

the building. I made a trap around it.

81:09

Not installers. Them [ __ ] cap about

81:11

it. Never trust no playing clothes. My

81:13

eyes went fad.

81:15

These [ __ ] out here dancing in the

81:16

hitch. Me and a ro. I stamp it. [ __ ] I

81:19

ain't caught it back. They like a man.

81:21

[ __ ] camping. Give me the throat. I

81:23

can manage. You know a [ __ ] stashing

81:25

low key. But when a [ __ ] dig up in the

81:28

stash now low key I just straight

81:29

through B in my bag they know me they

81:31

know a [ __ ] pay out that t straight O I

81:34

put on my man she too bad and joking

81:36

I'mma make her my friend I'mma smash it

81:38

low key show them boys it's all out

81:41

motion they came up rapping [ __ ] think

81:43

I'm joking had to tell her pay a fee she

81:45

know I'm chosen had to text her just for

81:47

sex show that [ __ ] I'm focusing

81:50

I showed that [ __ ] that I'm nextig

81:56

Let's rap about it.

81:59

Let's rap about it.

82:01

Let's rap about it.

82:04

Let's rap about it. About it.

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