Lost Civilization Maya 4 of 6
FULL TRANSCRIPT
some of these guys are are very very
gruesome
the god of decapitation for example is a
skeletal god
he very often uh is holding a
decapitated head either by its hair
or he has them the head in his palms
he is generally portrayed with having
large volutes of stench
coming out of him
for the maya the underworld was an
ominous place
but to our eyes many customs and rituals
in their daily lives
seem equally unsettling and bizarre
children's skulls were deliberately
deformed to create the flattened brow
line the maya found so pleasing
maya women had their teeth drilled
without known anesthetics
and then set with precious stones
the use of mind-altering drugs was
encouraged and condoned
powerful intoxicants were smoked
the maya got high the maya took
lots of drugs but i think their drug of
preference was fundamentally alcohol
and when they were so drunk that they
were throwing up
they were then taking it as an enema
which would be a
very intensive even more intoxicating
effect
to take balche or some kind of fermented
drink
as an enema they were getting incredibly
drunk
eric thompson was aware of such
grotesque and bizarre practices
but he refused to let them alter his
idealized vision of the maya
then american filmmaker giles healey
ventured into the jungles of mexico
in 1946 healy was led to a secret ruin
by a la condon indian named chan bore
there he made a discovery that would
expose a savage truth
and alter forever the world's utopian
vision of the ancient maya
chan brought healy and his camera to a
maya ruin the outside world knew nothing
about
when giles healey walks into this room
he's got a
whole form notion of what the maya are
like
he's imagining that they were priestly
time
keepers a few wonderful noble men maybe
like the
very yeah himself giles healey class
24 he imagines that they are going to be
men like him instead what healy found
painted on the temple walls was a
detailed depiction of the maya not as
peaceful stargazers
but as fierce warriors
devout believers and bloodthirsty
deities
devotees of bloodletting and sacrifice
it was a portrait of the maya that up
until that moment
seemed unimaginable
i think in fact there is probably no
more single
powerful painting of warfare and
bloodletting in the world
than this battle it's full of sound and
trumpets and screaming and guys who are
all painted and pumped up
some of them are already slaying the
decapitated head
this other hunk of flesh
and the key point is right over in the
corner of the paintings
where this guy is ripping out the
fingernails
of that particular captive and his face
is collapsing
he seems to be almost burbling something
out of his mouth
maybe it's blood dripping from where
they've ripped out a tooth or two
and the rest of these captives seem now
sunk right into their
labs their haunches they look at their
fingers
blood is spurting right out of them
this was an image of the maya neither
eric thompson nor the world at large
could easily accept
even these shocking scenes didn't
immediately overturn the cherished ideal
of the peaceful maya
it was like a parent overlooking some
obvious flaw in a child
when giles healey walked into this room
i'm not sure that he knew what to make
of it
but when thompson walked into this room
he didn't see warfare
he saw a nasty little raid in fact he
even wondered
what was going on the maya wouldn't rip
out fingernails he thought perhaps there
was some pot of red paint over here
that people were dipping their hands
into he was that
unhappy with it
giles healey eventually finished his
film
he focused on the lachondon indians who
had been his guides
descendants of the maya they too were
portrayed as peaceful people in total
harmony with nature
about the eerie scenes of violence not a
word
kyle's healey had cleaned the grime of
centuries from the bonham pack murals
but he could not bring himself to reveal
the truth
it would take years before thompson
would acknowledge his mistake
but a continent away another discovery
provided a new set of clues
by pure accident in a most unlikely
setting
a new chapter in maya history would
begin
may 1945 berlin has been invaded by the
russians
the national library is on fire
hitler would soon be dead and germany
defeated
from the thousands of books burning in
the ruins a soviet officer
casually plucks a random souvenir from
the flames
his name is yuri konorosov the book
reproductions of surviving maya codices
immerses himself in maya studies and the
alphabet bishop lander had attempted to
transcribe his great breakthrough
was realizing maya hieroglyphs were much
more than a simple system of numerical
signs
his work was amplified by another
russian
tatiana proskoryakov a superb
illustrator and archaeologist
her keen eye detected patterns and the
dates carved in stone
where others had seen only numbers and
signs
tatiana read the entire span of human
lives
based on her findings the code breakers
went to work
they began to read the carvings on
temple walls like tombstones in a
cemetery
much more than mere calendars the images
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