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Tips For Doing Hard Things | DEEP DIVE | Episode 178

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[Music]

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all right but let's do a deep dive

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uh so i wanted to talk about this topic

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of

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tips for doing hard

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things

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and what's going to be different about

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this deep dive versus

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past deep dives is i'm not giving my

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advice for doing hard things i actually

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want to relay some advice

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that i saw in an interesting video that

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a reader sent to me from 2020

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of an author giving a talk about this

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topic and i recently wrote an essay

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about this talk and i publish it in my

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email newsletter

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which if you don't

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get you probably should you can sign up

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for that at calnewport.com but i figured

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i just wrote that this morning before we

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started recording i said i want to talk

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about this on the show so i brought in

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some of my notes from it so here's the

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setup

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the video is from 2020 it's from the

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fantasy novelist brandon sanderson

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who wrote a bunch of best-selling series

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i've read some of his books i read name

1:01

of the wind

1:02

and whatever the second book was in that

1:05

particular trilogy and it's really good

1:07

and i'm actually now one of the books

1:09

i'm reading right now as i decided i

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wanted to read some

1:13

ursula k gwen

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and i was going back and reading some of

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her earth c chronicles which has

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that's from the 60s but it has some

1:21

ideas about the true names of elements

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being critical to the magical system

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that

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sanderson plays with anyways think

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big successful fantasy

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novelist and he gives a talk in 2020

1:35

that was titled

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we have it here the common lies writers

1:39

tell you but this was not really what

1:41

the talk was about

1:43

the talk was about doing hard things

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and sanderson comes right out and

1:49

you know i'm going to appreciate this he

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comes right out up front and says he

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dislikes the fact that the media keeps

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telling young people

1:57

that you can do anything you want to and

1:59

you should follow your dreams

2:02

and he said look that is way too

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simplistic that's not the way it works

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that's not going to help anyone to say

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that

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it's definitely a

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perspective you would hear for example

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in my book so good they can't ignore you

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and he says okay here is the more

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realistic claim

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i'm quoting him here

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i can do hard things doing hard things

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has intrinsic value and they will make

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me a better person even if i end up

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failing

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he said that's the right way to talk

2:29

about

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ambitious goals

2:32

is there's value in doing hard things

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you're able to do hard things and you're

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going to get value out of it no matter

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what actually happens whether it makes

2:39

you a famous novelist or not

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or whatever that dream happens to be and

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that this is better than telling people

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no of course you'll succeed you can do

2:46

whatever you want

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and then for the remainder of his talk

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he said so let's talk about doing hard

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things and he gave three

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tips

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three tips for the reality reality-based

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tips for dealing with hard things

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so i thought what i would do here is i

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want to go through these three tips i'll

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tell you what he said and then give a

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little bit of my own

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commentary on each

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so the first tip he gave was

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make

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better

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goals

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so when it comes to doing hard things he

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thinks we are

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not good at setting the right goal so we

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don't help people set better goals

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so he mentioned for example that

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in an ap

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literature class in high school he won a

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minor contest for a story he wrote and

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decided oh my goal is to be a successful

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novelist and he said that was not a good

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goal

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it was way too

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long-term

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vague and grandiose how do you make

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progress on that particular goal in

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particular what are you supposed to do

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tomorrow

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to make progress towards that goal

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become a successful

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writer he said what you should do

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instead is make goals that you have

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control over and what sanderson ended up

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doing was writing 13 manuscripts before

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he actually had a book he could sold and

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he said his goal should have been

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focused on

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producing a certain number of

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manuscripts as an act of practice and

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having a

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commitment with each manuscript to be

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more ambitious

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than the last to push and develop his

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skills because that's a goal he could

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make progress on

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i could write another manuscript i can

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for sure make this next manuscript be

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even more ambitious in this way this way

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or that way those are achievable goals

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saying be a successful author that was

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too vague

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all right now my take on this is i write

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about something similar

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in my book deep

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work in that book deep work i talk about

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this methodology this business

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methodology called 4dx the four

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disciplines of execution and i i talk

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about how this methodology which was

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designed to help teams and companies do

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better

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gives us some insight

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into accomplishment when we apply it to

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individuals and one of the core ideas

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from that methodology is lead versus lag

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indicators

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a lag indicator is the the big goal you

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eventually want to accomplish

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i want my next academic paper to get

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into a

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top-tier journal

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the problem with lag indicators

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according to 4dx is that it doesn't give

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you a clear action

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so they said instead you should focus on

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what they call lead indicators which are

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things you can track and do and control

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and they should be chosen such that if

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you do well with those lead indicators

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you're likely to have successful lag

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indicators but it gives you something

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concrete to focus on and so for that

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example the right lead indicator might

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be

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i'm going to do 15 hours of deep work

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per week

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on the paper i'm writing

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well that i can track

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that creates friction i can push back

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against now i can actually make real

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changes in the intentional application

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of my energy cancel things move things

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wake up early progress can happen

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so i like sanderson's idea there and

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i've talked about variations of that all

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right his second tip

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learn how

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you work

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so sanderson when it comes to writing

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thinks it's a real disservice

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when he hears people say things like

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real writers have an overwhelming

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compulsion to write

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and that if you don't have that

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compulsion you should do anything else

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and only people who just can't help but

6:28

write and that's all they can do should

6:29

be people who should be writers

6:31

he thinks that's nonsense he says

6:33

writing is hard and it's hard work to

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figure out how to get yourself to do it

6:37

he is a professional writer and i'm

6:38

quoting him here i love writing

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but i have a hard time sitting down and

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writing

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so even for this very successful

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professional writer

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says writing is hard so his advice is

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when it comes to doing hard things

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you have to put in a lot of effort to

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figure out what works for you

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to basically get yourself to do that

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type of effort and it could differ from

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person to person sanderson uses

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daily word count tracking in a

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spreadsheet it's like a game for him he

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likes that but he says other people

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thrive under the social pressure of a

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writer's group other people need a

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deadline

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now i talk about this a lot in my own

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work

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i talk a lot about how

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deep cognitively demanding efforts are

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unnatural

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it uses a lot of energy

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more ancient parts of our brain cannot

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immediately see what benefit they're

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going to get from this energy what's the

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threat we're escaping

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where's the food or mate source that

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this thinking is going to give us right

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away and it doesn't have an answer for

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that

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you try to convince your brain for

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example that your 460 000 word

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epic

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fantasy novel is going to help you in

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mate selection

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your brain's not going to buy it

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it's going to see that you're talking a

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lot about wizards with names like

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gargamel who are passing

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wind spells on elves and it's going to

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say this is not going to get us

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children this is not going to get us

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food

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why are we doing this and this is

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generally true when it comes to doing

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cogly demanding work it's unnatural

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so a lot of effort is required to trick

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yourself into doing it so i like what

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sanderson talked about i would also add

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scheduling philosophy and ritual that's

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why this plays such a big role

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get rid of any decision your mind has

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about when you're going to do this work

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instead you have a philosophy it's

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always these days at these times or at

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the beginning of the week i put it on my

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calendar and it's right there in the

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same color

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as meetings i know i can't skip that

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time is protected

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i don't always feel like i want to go to

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a meeting but it's on my calendar i go i

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don't always feel like i want to

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write but it's there on my calendar

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that's what i'm doing next

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this is also why ritual matters

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writers will build out these spaces that

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seem over the top or go to weird places

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like i wrote about in my my new yorker

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piece last summer about working from

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near home

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where riders will leave perfectly nice

9:03

and good homes to go to weird

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eccentric locations to write just

9:08

because they associate that transit they

9:10

associate that new environment just with

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writing

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that's why peter benchley left his

9:16

bucolic carriage home

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on east welling avenue there actually

9:20

he's on curless avenue carlos avenue

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there in pennington new jersey to work

9:24

in the back room of a furnace factory so

9:27

steinbeck would balance a

9:29

legal pad on a boat

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in sag harbor it's why maya angelou

9:34

would go to hotel rooms

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and take everything off the walls so

9:38

there was zero distraction and wright

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laying down on the bed propped up on an

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arm doing this so often that she built

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up deep calluses on that arm that she

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was supporting herself because it's hard

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to do this work you gotta figure out how

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to get your mind into there so

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scheduling philosophies and rituals

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especially over the top rituals

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play a big role

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and i'll say when it comes to writing

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there's a quote

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i i've said a few times has bounced

10:02

around a few times which is basically

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what some people call writer's block by

10:07

some people i mean amateurs is actually

10:09

just the physiological feeling of what

10:11

it writing the writing experience is

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that feeling of i don't know what to say

10:15

i don't wanna i i don't feel inspired i

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don't know what to say i'm stuck it's

10:20

like great now you've started writing

10:21

that's what it feels like

10:23

all right sanderson's third tip break it

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down

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maybe it's most prosaic tip out of the

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three but basically if you have a big

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goal break it into manageable pieces so

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you have something to go after he noted

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that the book he was writing at that

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time

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was

10:37

longer than the entire hunger games

10:40

series put together

10:42

so he's saying that's such a big

10:44

hairy epic goal because he'll write 400

10:47

000 word plus books which is crazy

10:52

by comparison my books are usually

10:54

70 to 90 000.

10:57

so it's like five deep works

10:59

uh he said you gotta break that down

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that can't be your goal i'm writing this

11:03

book it's no no i'm trying to

11:06

finish the chapter cycle

11:08

that establishes the back story

11:10

for

11:12

the wizard gargamel that passes the win

11:14

spells on the elves or whatever it is i

11:16

obviously know a lot about fantasy books

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so i think that's good work um

11:21

i think the key part about this final

11:23

tip is that he says in figuring out what

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those goals are

11:26

that's where all the that's where all

11:28

the uh magic happens is that we don't

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give people enough training especially

11:33

in creative fields to figure out what

11:35

those smaller goals are he said this is

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a particular problem in writing where if

11:39

you talk to a professional writer and

11:41

say look i really want to do what you do

11:42

what's your advice they'll just look at

11:44

you and say well you gotta write

11:46

is that's too vague no no what you need

11:48

to tell me is it's gonna take about six

11:51

manuscripts

11:52

before you get your chops down and those

11:54

manuscripts have to be successfully

11:55

harder in this way and here is the level

11:58

type and source of feedback you need on

11:59

each to make sure that you're gaining

12:01

particular skills you do one on your own

12:03

you do one with two with a writing group

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for the fourth maybe you want to hire an

12:07

editor

12:08

a day of their time to like come back

12:10

and give you harsher the fifth you want

12:11

to submit and get notes from the the

12:13

publisher that you submit to we need

12:15

that type of detailed roadmap it's

12:17

non-trivial and it's not obvious you

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don't just tell people if you want to

12:20

write write if you want to be a musician

12:21

play music you want to be an artist

12:23

paint no these are big hairy goals that

12:25

you need to break down and it's not

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obvious how they break down

12:28

the thing i talk about a lot on this

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show in particular

12:33

is that if you're going to get this

12:35

information you have to go get it and by

12:38

what i mean by that is you have to go to

12:39

people who know what they're doing and

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don't just say what's your advice

12:43

because they'll just say write they'll

12:44

just say paint

12:46

say i want to hear your story

12:49

how did you get there what was the first

12:51

thing then what was the next thing oh

12:53

oh sanderson you wrote 13 manuscripts oh

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i didn't realize that so you mean i

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can't just do national novel writing

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month

13:00

and have the name of the win be the book

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that comes out of it oh okay now i get

13:03

that i don't like that that's reality

13:04

but that's really okay i have to write

13:05

13 manuscripts how long is that going to

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take you know maybe i'm going to need

13:08

much more time on this and i think you

13:10

get the reality not what you want to be

13:12

true you get the reality of what

13:13

actually matters for the endeavor you

13:14

want to do you get that reality from

13:16

people who came before not by asking for

13:18

advice but asking for their story

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you look at that and you find out what

13:24

really matters i talked about this if

13:26

you want to see a more

13:27

extensive conversation about this when i

13:29

was on the tim ferriss podcast

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earlier

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in whatever this was january i guess i

13:34

was on his podcast we get into how i got

13:37

started in writing

13:39

and they go into detail the story about

13:40

how

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through connections with my family i got

13:44

in touch with an agent a literary agent

13:46

who i promised i'm not going to try to

13:48

sell you a book

13:49

and i had that agent walk me through

13:51

step by step

13:52

what exactly would a 20 year old need to

13:54

do to get a book deal with a major

13:56

publisher and she walked me through

13:57

here's what matters here's what doesn't

13:58

here's the process here's the steps

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it was not at all what i would have

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guessed and it's not at all what most

14:03

young people have met who say i want to

14:05

write a book do

14:06

but it was the reality

14:08

and it took me two years but i followed

14:10

that plan

14:11

and sold that book

14:13

and wrote that book as a senior and

14:14

everything else unfolded from there so

14:16

that's my advice there is yes you need

14:18

to break down your goals the more

14:19

manageable goals it's not always obvious

14:22

how to do that

14:23

ask the experts but not for their advice

14:25

but for their story and you can extract

14:26

from their story the reality of what

14:29

matters

14:31

all right so sanderson

14:33

uh thank you for giving that talk

14:36

excuse me for my

14:37

my wizard elf jokes

14:40

uh obviously you're very good at what

14:42

you do and i am of great awe but that's

14:44

good advice

14:45

don't just follow your dreams

14:47

focus on doing hard things for the the

14:50

meaning of doing hard things and treat

14:51

doing hard things like a complicated

14:53

endeavor that requires a lot of nuanced

14:56

nuanced feedback

14:57

[Music]

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