Judwaa Episode 35

[Music] I'm leaving. Wait a s

econd, I need to talk. Look,

I'm not going to bring you th

e moon. But if you ever need

me, I can definitely turn on

the front camera and show you

. Boy, you won't improve. The

re's plenty of time to improv

e. You can improve. Just stay

like this for now. I'm going

inside. What if you go insid

e one second? You two are in

a similar situation. If someo

ne sees you, then what? True,

you have some sense. Wow, yo

u've been hanging out with yo

ur brainless Sara. Since when

do you need to use your sens

es? Sir, I just explained to

you, Sara is very dear to me.

Don't talk about her like th

at. Take care of her, friend.

She gets scared. She even hi

ts me. I remember hitting her

. Oh yes. By the way, she tol

d me, "It's good that it happ

ened to you. I had these expe

ctations from her." Now, wait

a minute. [Music] Oh, it's g

ood that Zara called. I shoul

d thank her. Hello, Zara, you

know you're really nice. You

came here and fixed everythi

ng. You know Papa loved me. A

nd Pho thought you thought I

was you. You know she came to

Baba, and instead of scoldin

g me, Baba scolded her. What?

You come out, Sara. Out. But

why? Because I have to come

in. So, Zara, everything's se

ttled now. So, aren't you goi

ng to Hyderabad? Everything's

not settled yet, Zara. I jus

t met your aunt. I know she's

plotting to kill you. Look,

get out of this house decentl

y now. Otherwise, you won't l

ive until tomorrow to experie

nce your Baba's love. What's

going on? Everything was just

fine. Everything isn't. This

uncle is gone. Don't fix him

. No, no, it's important to f

ix him. You're right. If he d

oesn't get better, then I won

't be able to stay with Baba.

I'll be back in two minutes.

Okay. Good girl, come out qu

ickly. What's the matter with

Pappu? Why don't you get bet

ter yourself? You're after hi

m. [Music] Oh, hello, what's

wrong with you? Why are you l

ooking at me like that? Are y

ou looking good? Yes, I know.

But sir, this is the last ti

me I'm saying this. Seriously

, yes, sir, it means a lot to

me. Please take care of him.

What you said is done. So if

he comes out quickly, I've a

lready prayed. Strange, just

like us. [Music] What's going

on? I saw it myself. How is

it possible that she left the

house and then left again? [

Music] So many missed calls f

rom Rashi. God bless you. [Mu

sic] Hello, Mom, where were y

ou? Hey, I was changing cloth

es. What happened? Are you al

right? Anwar hasn't come home

yet. What are you saying? Di

d you call him, and where is

your mother-in-law? Tell her.

She came and sat with me for

a while. Then, she had to go

, so she left. Oh God! You sc

ared me. If she comes, hold h

er tight. And keep her away f

rom your breath as soon as po

ssible. A mother-in-law is as

close as she is, either she'

s there to create distance. Y

ou haven't seen your grandmot

her? She was holding your fat

her until mid-sentence. Mothe

r, what are you saying? So, I

'm telling you the truth. I'm

not lying. Okay, just leave

it. Tell me where you were? W

hy weren't you attending my c

alls? Oh, I'm telling you, de

ar. I was changing my clothes

. Listen. Naaz and I saw Sara

getting into a jeep with a b

oy. Mamma, for God's sake, pl

ease let him go. How can I le

t him go like that? I'm telli

ng you the truth. And today,

Bhaijaan crossed all limits.

I mean, I told Sara to make a

cup of tea. Bhaijaan said, g

et it made by Naaz. Mamma, I

don't want to hear this right

now. Munawar hasn't come her

e, and your story isn't endin

g. And pamper your husband an

d mother-in-law. Those who pa

mper their husbands, they jus

t walk away with their heads

down. They go crazy. Mamma, I

'll talk to you later. Why di

d I call them? It's a strange

situation. [Music] [Music] H

ey, where are you going? Yes.

You plan to run away from ho

me again. Yes. No, Papa. I'll

tell you, I'll kill you. No,

Papa, what's this, this, thi

s, what have you got up to? W

hat did your father say to yo

u? Your father took a few thi

ngs of yours? You've started

to play tricks on us. Tell me

straight. Who was that guy i

n the jeep? Papa. [Music] Wha

t's wrong with you, Sara? You

were absolutely right, but P

ho is trying to kill me. Why?

I don't know, Pho said somet

hing to Baba, and they were t

rying to teach Baba some tric

ks, but Baba didn't say anyth

ing. They took my side. She w

as saying, "You're not at hom

e, you're out. I didn't do an

ything." Now I understand. Ho

opoe must have seen me. [Musi

c] You two leave now. I'm goi

ng inside. I'll see what's go

ing on. No. How will you go?

You're wearing a different dr

ess, right? Yes. So. I just c

ame back from inside. I'm wea

ring different clothes. You'l

l go in now. If you change im

mediately, they'll know there

's two of us. Wow, you're so

smart. Where did you go to un

derstand this? Dude, I'm actu

ally Sara right now, right? T

hat's why I can't think clear

ly. This is Zara, that's why

she's acting like a jerk. Are

you both making fun of me? N

o. By the way, Sara, I love y

ou very much. If anyone in yo

ur life troubles you, I'll ma

ke their life miserable. That

's why you came and called me

with such intent. Yes, to sa

ve you. Okay, sir, don't worr

y about it now. Okay. " I hav

e to keep her. She's my cousi

n now. No, Zara, your cousin

is perfectly fine. I'm fine w

ith Zara. Well, right now is

not the time to talk about al

l this. I want to see what's

going on inside before someon

e sees us. Okay. Zara, let me

do one thing, you'll be doin

g me a favor. Tell me, what's

wrong? You're already gettin

g Rakshi married. Why don't y

ou get Pappu married too? It'

ll make things a lot easier f

or me. Yeah, it's not a bad i

dea. We can try it. I'm leavi

ng now. Okay. Bye. Bye. Shall

we go? Come on. Come on. Com

e on. [Music] Everything is f

ine with you here right now.

I don't understand. Munawar h

asn't even gotten home yet. W

hat do you mean? She could ha

ve stayed right now. Where ha

s he gone? Maybe I'll go and

see. Oh, no, no, you don't ne

ed to go, but what kind of be

havior did you have? He left

his new bride at home and wen

t off with his friends. You'r

e talking about friends. You'

ve scared me. Mom, friends do

this on such occasions. Thes

e people are just crazy about

their friends. They remain c

razy about their friends thei

r whole life. Now look at you

r father. All his life he's e

ither crazy about others or h

is own family. And what nonse

nse are you talking about at

other people's houses? This i

s my brother's house. Mom, pl

ease, I want you to stay away

from Rakshi's house. If she

gets separated between that h

ouse and this house, then bot

h of them will leave the hous

e. What are you saying? This

is her house, and that is her

house. This house is Uncle's

. And that house is his. The

sooner you understand this, t

he easier Rakshi's life will

become. Yes, yes, why were yo

u and Uncle fighting? There's

no point in telling you. Sar

a was with some guy. Naaz saw

it with her own eyes. And wh

en I tried to tell Bhaijaan,

he got angry at me. [Music] [

Praise] Sara was with some gu

y. It must have been me or Un

cle. Maybe you're tired, Mom,

you should go and sleep. [Mu

sic] No one is coming after u

s. You know Pappho was very a

ngry. A lot of anger, yes. Bu

t she will see him. She won't

come after us from behind. B

y the way, I was thinking the

same thing. Don't think abou

t it, I know. Because thinkin

g requires a brain, which you

don't have. Are you making f

un of me? I'm making fun of y

ou. Right now, I have to go d

rive the jeep. I've already r

eceived a call from my grandf

ather. Look at the time. I do

n't know what will happen whe

n I get there. By the way, fr

iend, there's one more thing.

Yes. You look even more like

the exact same coffee. Yes,

yes. You're right. We're exac

tly alike. But he's very brav

e, and I just get by. Yes, ye

s. [Music] You know, Pupa, I

was getting very angry too, b

ut I didn't let it happen. Le

t me tell you one thing. From

today, you're neither a frie

nd nor an enemy. Why enemy? L

ook, whatever Zara told me, I

have to do it, so friend. An

d if something bad happens to

Zara, then I'm an enemy. God

bless her, why would anythin

g happen to her? She's so bra

ve, she can protect herself,

and she's my friend too. That

day, when you slapped me, it

was very harsh. I'm sorry, S

armat. I didn't know what to

do. I didn't like what you sa

id at all. How did I know you

were Sara? But let me tell y

ou one thing. No matter what

anyone says to Zara, she will

never say sorry. It's always

the other person who says so

rry. That's Zara's nature. [M

usic] And when you came to me

, I understood that you were

nervous. There must be someth

ing wrong. Just make sure no

one at home gets suspicious.

And also, take care of that p

atch of hair. Oh, yes, good,

you reminded me. Okay. Cousin

friend Just friends. Okay. I

like that as well. [Music] H

ey, How did you feel the need

to scare me? How dare you co

me into my room? I came here

to ask you, if you saw correc

tly, and I was with a boy, th

en yes, Dad, you saw correctl

y, and I was with a boy, so w

hy didn't you tell your fathe

r about it? I'll tell him, he

's my father, this is his hou

se. So I don't see your point

. This is my house. This isn'

t your house, this is my fath

er's house. There's a big dif

ference between your brother'

s father's house and your bro

ther's house, Pappu. A brothe

r's house is a sister's house

. No, no, I didn't do anythin

g. Please, don't hit me, I di

dn't do anything. No one can

save you. Is there anyone? Pl

ease, don't hit me. I didn't

do anything. Please, please,

no, no. I didn't do anything.

No one will save me. This ho

use is mine. So it's you. Who

is that? You know, I used to

have a dream when I was litt

le, and I still do, that a wo

man is trying to kill me. Sin

ce I came here, that dream ha

sn't been coming, but I defin

itely thought that if I find

that woman, I will kill her.

Let go of my hand. She held m

y hand, so I let go. If she h

ad grabbed my neck, she would

never have let go. But you s

hould learn some basic ethics

. Next time you come into my

room, knock first. Get out of

here. Are you leaving, or sh

ould I throw you out? [Music]

So you were the one who used

to beat Sara. You wanted to

kill someone who had never ev

en bitten me in her life. And

then I came into your life.

The one who doesn't spare any

one. [Music] [Music] [Music]

[Music] [Music] [Applause] [M

usic] When did you come? Yes.

I'm quite late. Why didn't y

ou wake me up? How could you

wake me up? You looked so bea

utiful while sleeping. I didn

't feel like waking you up. [

Music] It felt like a beautif

ul angel sleeping. Sleeping b

eauty. What, Munawar? [Music]

How long did you stay awake?

Waiting for you. How many ca

lls did you make? I must have

made 200 calls to you. Your

phone was also switched off.

It was a wedding affair, the

phone was dead. Now I've been

sitting with you for quite a

while. Friend, my back has b

ecome stiff from sitting so l

ong. Oh, yes, I showed you my

face. Look, friend, how forg

etful I am. It's fine for yo

u. [Music] It's not prettier

than you, but if you wear it,

it'll enhance its beauty. Th

ank you so much, Munav. It's

very precious to me. My fathe

r gave me ₹2 lakh, where is i

t? What are you talking about

at what time? Is this the ti

me to talk about this? My fat

her gave me that money, and I

have to return it. What can

I tell you? I had to pay so m

any people, repay loans. I ma

de a lot of preparations. In

fact, I was about to thank yo

u, saying, You've helped me a

lot. What do you mean? If yo

u didn't have the money, what

would you have done? You've

spent ₹100,000. What's the ma

tter with you? ₹100,000 is fa

r more important than the rel

ationship between you and me.

You are my wealth. [Music] I

am your wealth. Don't waste

it like this, chasing these ₹

lakhs. But I am here. I will

always take care of you. Oka

y, fine. So if you answer my

call on the first bell, I'll

think about it. One bell. For

get one bell. I'll answer on

half a bell, but forget that

too. I'll be right there in f

ront of you. I won't leave yo

ur sight anywhere. Okay? She

finds you very lovely even at

night. This is a lovely chai

n. I know, not more than you.

If you want to wear it, brin

g it. I'll show you. [Music]

She looks so cute, doesn't sh

e? She's always worried about

Sara. Are all mothers like t

his? My mother also takes so

much care of me. She looks so

lovely. No one can say they

raised me. My real mother did

n't. The one who raises me is

greater than the one who giv

es birth. My mother is the be

st. [Music] When my mother le

ft me, it was my mother. If s

he hadn't been there, Bhuppa

probably would have killed me

. What's happened to me? Why

am I thinking about Papa like

this? He just scares me like

this. I fall asleep quickly.

I don't know what kind of th

oughts are coming. [Music] [M

usic] I fell asleep right her

e, fighting. You did this. I

must have been attacked by a

lion. [Music] Look how innoce

nt you look while sleeping. Y

ou only look innocent when yo

u sleep. I'll ask you when yo

u wake up. What do you want t

o ask, brother? How are you?

Look, you look like you've ex

hausted yourself for years. [

Music] You haven't come back

from moving mountains, Abba.

People certainly didn't come

here after crossing mountains

. Someone, someday, has defin

itely come here after crossin

g mountains. When you wake up

, don't ask her anything. You

go and rest. I'll definitely

ask what time she came. Hey,

just because she came isn't

enough for you. [Music] Baba,

are you alright now? Yes, I

was feeling a little suffocat

ed inside, son, so I said, le

t's get some fresh air. Hey,

where's Amma? I can't see her

. Are you alright? No, no, so

n, she must be in the kitchen

. Yes, of course. And no one

likes to go into the kitchen

here. No, son, she does it fr

om her heart. She does it hap

pily. And Pappu must have tol

d you this. I feel that ever

since you came, you've become

more vocal about everything

than before. Baba, there are

still so many things left to

discuss with you. [Music] And

you know Nana Mian says that

parents shouldn't get too cl

ose to their children. Otherw

ise, the lessons taught by ou

tsiders can prove costly. Nan

a Mian is your friend, isn't

he? Yes, take me to Qasim's g

rave. I want to meet my broth

er. Brother, women don't go t

o the graveyard in our place.

What is she talking about? P

lease explain to her. Baba, w

hen someone close to you pass

es away, you should visit the

ir grave. It makes you think

of them and also brings fear

of the afterlife. I haven't a

sked you for anything, but I'

m asking you this because I w

ant to meet my brother. Pleas

e, Baba, let me do one thing.

I'll get ready and come. Lis

ten, take the sheet, covering

your head properly. Don't yo

u go to the graveyard like th

at? Yes. [Music] Brother, I h

ave to take breakfast to Raks

hi's house. Didn't you hear?

Sara has to go to meet her br

other. So we're going there.

Don't mind, brother. But ever

since Sara got used to the o

utdoors, she's become very ru

de. You're right. Sara has be

en out of the house, so yes,

she's gotten used to the outd

oors. What do you think about

Rakshi? She's been indoors a

ll her life, right? [Music] I

f I had killed Sara in the in

cubator that day, I wouldn't

have had to see this day. I t

hought she was weak and would

die on her own. But she turn

ed out to be a stubborn jerk.

She would have been better o

ff than the one Shahzia kille

d with her. I wish she had be

en in that place. It would ha

ve been a relief, but ever si

nce she came, she's become a

real pain in the ass. [Music]

She was four years old, a li

ttle girl. She was very fond

of playing hide and seek. She

used to play with me a lot.

I used to hide anywhere. Ba

ba would never find me. Then

I came here and lay down. I

tried very hard. I told you

a thousand times to get up wi

th me. Then there's no game.

We both did this our whole

lives there. Saying Fatiha o

n our loved ones, on our love

, on everyone. Can I talk to

Bhai? Come on, son. [Music

] Brother, someone here still

loves you very much. With in

tensity Maybe even intensity

is too small a word. [Music]

Baba loves you so much that

he has forgotten his own Sara

. Brother, I can't be you, b

ut I can be Baba's support. I

will be. [Music] Don't worr

y. [Music] So, in time, we'l

l all come to you and talk to

you a lot. Don't say that,

son. Papa, believe me, we ha

d no idea that our arrival he

re would lead to so much. [Mu

sic] He left without even mee

ting us. [Music] His departur

e distanced us so much. So fa

r that it took me so many yea

rs to finally meet you. Where

is my mother's grave now? [M

usic] Shazia Majal's. [Music]

Come on, it's getting late.

[Music] Rakshi, how will you

live here? So tell your fathe

r to get your sister a house

now. Amma, leave this aside,

tell me Uncle hasn't come. Wh

y would he come? He's taken h

is daughter to the graveyard.

What? Why the graveyard? Wha

t should I say? And that brot

her is falling so much in lov

e with his daughter. Hey Raks

hi, you know I saw Sara getti

ng into the jeep with my own

eyes. But when I went downsta

irs, she was at home. Hey, sh

ut up. Is this a place to par

k? But what does she mean? As

salamu Alaikum. Assalamu Alai

kum. How are you? Fine. How a

re you guys? Just fine. You g

uys brought so much. Let's ta

ke it back. Oh, yes, Munawar

and I have already had breakf

ast. But we haven't. Munawar,

Son, give them breakfast. I'

m going to my room. You guys

sit down. I'll prepare breakf

ast for you all. I'll do it.

Sara. Rakshi, your mother-in-

law is so rude. [Music] How w

ill you live here? I've also

lived with your grandmother.

What can I say? This is nothi

ng compared to what she was l

ike. [Music] Why are you so q

uiet? Did your mother-in-law

say anything? No, what will s

he say? But then again, she d

oesn't leave Munawar alone ei

ther. Did she keep Munawar wi

th her at night? [Music]

तुम्हें क्यों चुप लग गई है?

क्या सास ने कुछ कहा है?

नहीं वो क्या कहेंगी?

लेकिन फिर मुनववर को भी तो नहीं छोड़ती

हैं वो।

कहीं रात में उन्होंने तो नहीं रोक लिया

था मुनववर को अपने साथ।

[संगीत]