TRANSCRIPTAUTO

HOW I DRAW HAIR

10m 32s2,013 words290 segmentsAUTO

FULL TRANSCRIPT

0:02

So, how do you draw hair? See, hair is

0:05

very complicated to draw, but there are

0:06

techniques and guides that will help you

0:08

understand hair. And this is how I do

0:10

it. Before we get to drawing the actual

0:12

hair, most beginners overlook this

0:14

important step, which is [music]

0:18

if you still don't know how to draw a

0:20

head, I'll give you a quick

0:21

introduction. First, draw a circle. Add

0:25

two lines.

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The intersection is going to be the

0:28

center. Next, draw four lines with equal

0:31

spaces in between. Those are going to be

0:33

the level for the chin, below the nose,

0:36

eyes, and finally the hairline. And from

0:38

there, [music] you can continue on with

0:39

the facial features. Before we can

0:42

continue, a quick word from our sponsor.

0:44

This is Opera GX. You probably heard

0:46

about it already if you're a hardcore

0:48

gamer like myself since it is a gaming

0:50

browser. Well, they reached out for a

0:51

collaboration, and I'm going to be

0:53

drawing a really cool illustration for

0:54

them. So, stick till the end for the

0:56

process. But first, let's check it out.

0:58

This is my first time trying it out and

1:00

I got to say it's pretty interesting.

1:01

I've only heard about the name and

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haven't actually tried it before and

1:05

it's very far from your normal browser.

1:07

There's this feature called GX mods

1:09

where you can literally mod your browser

1:10

which sounds impressive. So, let's check

1:13

it out. I was kind of expecting a simple

1:15

customization where you can just change

1:18

the theme from light to dark. Well, it's

1:21

actually not. Just see it for yourself.

1:25

There's a lot of good stuff in here, but

1:26

I think this one's the best. So, let's

1:28

download it real quick and see what we

1:30

have. Bro, how does this have 600

1:33

installs already? So, first we have a

1:35

really nice theme going on here and then

1:37

the chill background music. Then we also

1:40

have some pretty [music] cool tab sound

1:41

effects

1:44

and then of course the awesome wallpaper

1:46

which looks really good. Shout out to

1:48

whoever made this. And then we have the

1:50

keyboard sounds

1:53

and even more sound effects. This mod is

1:56

pretty awesome. Make sure to check it

1:57

out. You can also customize and combine

2:00

this with other mods as well, which is

2:02

pretty cool. Also, if you're planning on

2:04

switching browser right now, there's a

2:06

quick import tool that will help you

2:08

transfer your settings and bookmarks

2:09

real fast along with your browsing

2:11

history, cookies, and all that stuff.

2:14

It's also compatible with pretty much

2:16

all of the Chrome extension.

2:20

Right. So now let's make that wallpaper

2:22

illustration. Starting with the ideas, I

2:24

wanted to focus more on, of course, the

2:27

gaming theme, like a video game style

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character illustration, the one that you

2:30

would see on League of Legends, like the

2:32

awesome splash art stuff. The first idea

2:34

that I had for the character is a knight

2:36

with a really cool sword. After I'm done

2:38

with the sketch, I started with the line

2:40

art, added the base color. I went with

2:42

the pink hair and then rendered the

2:44

armor, added some shadows, and then I

2:46

experimented with a bunch of effects to

2:48

really capture that cool sword. And

2:50

there we have it. You can support me by

2:52

downloading this wallpaper on the Oprah

2:54

GX store. If you don't have Opra GX, you

2:57

can download it through my links in the

2:59

description and the pin comment. Big

3:00

thanks to Oprah GX. Now, back to the

3:03

video.

3:05

The head is mostly overlooked because

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most of us are not planning on drawing a

3:09

bald character. So we just jump straight

3:12

into drawing cool hair without actually

3:14

studying the foundation of the head. And

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it's really crucial because if the head

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is not proportionate or follows proper

3:20

anatomy, the hair cannot be built

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because the structure is not placed

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properly. So the hair is bound to fail.

3:26

So I highly suggest drawing some head

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studies first because the hair is the

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least of your worries.

3:33

Right, let's get to the actual hair. So

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the first thing that we will be learning

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is [music]

3:41

the hair is comprised of any single

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strands. But if we did draw every single

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strand, it's not going to be very

3:46

efficient. So instead, we have to focus

3:48

on what's important, which is overall

3:50

shape. We'll get to the details later.

3:53

Drawing the outline of the hair as

3:54

simple shapes when you're starting is a

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good way to set up the hair since now we

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can tell how the hair is going to look

4:00

like and we can feel whether the hair is

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proportionate or not which is really

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important. So combining that with the

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proper head shape and the proper form of

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the hair, we can easily draw a simple

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but effective head without over

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complicating it. And from there we're

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going to add the hair strands which

4:16

we'll cover in a bit. For now focus on

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overall shape and outline. [music] When

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studying references, I always recommend

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starting with real hair because it's

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very difficult. But if you can

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understand how real hair works, then you

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can draw hair however you like since you

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already started with the hard one. I

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would even recommend tracing over

4:34

references just so you can see the

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shapes easier. This will also speed up

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the process and avoid examining every

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single strand of hair and just draw the

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basic shapes that you recognize. I think

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the form of the hair is like 50% of the

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problem. So once you solve that, you're

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already 50% done.

4:51

You might think that hair is very

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unpredictable and complicated or even

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abstract. Well, it is. On top of that,

4:57

there's also a bunch of hair types, but

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to keep this video simple, we're only

5:01

going to be diving in with straight hair

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and a bit of wavy type. Hair can be

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predictable as long as we're not drawing

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actual hair. What I mean is we're only

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going to imitate hair using the concept

5:12

of [music]

5:15

at the natural state of hair. Even

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though there are hundreds of thousand

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strands, you only need to draw some of

5:21

them. And the hair always follows a

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constant principle, which is gravity.

5:25

And which also makes the hair flow

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downwards. The top of the head would be

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the base of the hair. At its natural

5:31

state, most of the hair would be coming

5:32

from this part. So, we're going to get

5:34

this kind of downward flow. Also, try to

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avoid using the same lines next to each

5:39

other. Try to randomize a bit so it

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looks natural and not stiff. Now, of

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course, there are other hairstyle and

5:46

hair types, so it doesn't always flow

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down. And in some instances, like this

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for example, when the hair is wavy, some

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ends will sometimes point to a different

5:54

direction, and this will create

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interesting hair flows. But nonetheless,

5:59

it still follows the general direction.

6:01

The majority of the hair still flows

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down with a few exceptions, and those is

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what makes it interesting.

6:11

Let's now move on to a technique that we

6:13

can use. The

6:18

thing that makes hair look like hair is

6:20

of course the hair strands. And there's

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a way we can oversimplify this. And this

6:24

is by grouping the hair strands

6:26

together. If you look hard enough, the

6:28

hair can actually look like a banana. I

6:31

think the trick here is not to make it

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look like a banana,

6:34

>> but instead more like a hair. There are

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also variations. There are thick, thin,

6:40

short, long, and make sure to combine

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different sizes and variation to make it

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feel more random because hair is very

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random. Also, I would suggest having

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quick lines with line weights instead of

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just thick and consistent lines. This

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will save you from having a boring hair.

6:56

After adding the big bananas, you can

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start adding some smaller strands when

7:00

you add the base color.

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So, there are levels to this. At some

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point, you're not going to be drawing a

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banana. The banana is only a support to

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help you understand the flow and shape,

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but it's also going to help with the

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rendering later because it will serve as

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a guide on where to put the shadows and

7:16

lighting. Another concept that you can

7:18

apply is layering. Imagine it as leaves.

7:21

The top part would always be above the

7:23

hair below. Hair is not just a single

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leaf. It has multiple layers that adds a

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lot of depth and detail. You can do this

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by drawing multiple strands and then

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erasing the ones that are below.

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We'll now move on to render.

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Rendering now is so much easier since we

7:43

know exactly how the hair works. Well,

7:45

not completely. We're at least on the

7:47

surface level. In this phase, managing

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our layers is really important. If

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you've been watching my videos, you

7:52

probably already know how I do my

7:54

layers. But if not, then it's very

7:57

simple.

7:58

Here, we already have the body and the

8:00

head. This is going to be in a separate

8:02

folder. And then above that would be the

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hair folder. The line art would be at

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the very top. And then at the bottom we

8:09

have the base color. And then above the

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base color there's going to be clip

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layers. Okay. Now let's start rendering.

8:15

First thing we'll do is add shadows. So

8:17

for that we're going to add a clip layer

8:20

above the base layer. And then we'll set

8:22

that as a multiply layer. For this pick

8:24

a color for your shadow. Don't use black

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or gray. I mean, you can, but for this,

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I'm going to use blue because it kind of

8:31

reflects the sky, so it adds a bit of

8:33

realism. The main thing that we'll do is

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block in the main shadows, areas that

8:37

the light won't reach. I prefer using

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solid lines to really establish the

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shadows. This might look messy, but we

8:43

can leave it like this. We'll fix that

8:45

later. Next, we'll move on to the mid

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tones. Add another multiply layer. Here,

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we're going to choose a value that is

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lighter than the shadows. So, this time,

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let's pick a warmer color. Start

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painting the mid tones on the parts that

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are not in shadow and then smudge them

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to avoid some consistency.

9:02

We'll also add a variety of midtones

9:06

here. We can also erase some areas to

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add the highlight or the shine of the

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hair. Imagine it as a ball when adding

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your highlights. So, it's like going

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around the head. Next, we'll add a

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slightly dark lines and erase some parts

9:18

for the hair strands.

9:21

Remember to follow the flow. In this

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case, the hair is divided into three

9:24

parts, and they all have different flow

9:26

direction.

9:29

After that, we'll go back to the shadow

9:31

and add a bit of flow. So, we're going

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to be adding some darker shadows and

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adding some flow lines. I would then go

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back and forth within the layers and

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repeat the process of adding brush

9:40

strokes until it looks like hair. It is

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also really important that you have some

9:44

references that you can rely on. So,

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here I'm not guessing on the whole

9:48

drawing. Instead, I'm trying to capture

9:50

how a real hair would look like. This

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takes a lot of skill and experience. So,

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take your time to truly observe and

9:56

apply painting techniques.

10:02

After that, I added some highlights

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using an overlay layer. Now, this is

10:06

important. I then added a color burn

10:09

layer. Using a brown color and an

10:10

airbrush, I slightly painted over the

10:13

hair. It is important not to overdo it

10:15

because too much contrast and saturation

10:17

can ruin the painting. At this point, it

10:19

still needs a bit of work, but I decided

10:22

this looks good enough. And that's it.

10:24

Hopefully, you learned something useful.

10:26

And as always, God bless and I'll see

10:28

you in the next one. Peace.

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