The Dark TRUTH Behind 6/7 (It's NOT a MEME!)

Be not deceived. God is not mocked. For

whatsoever a man seweth, that shall he

also reap. Galatians 6:7

67. I know you have heard it. The most

viral trend of this year, and most

people have no idea what it means. But

the true power of 67 lies not in what it

means, but in what it does. Welcome to

Hidden America, where magic meets

cybernetics and the code behind reality

reveals itself.

67 isn't simply an innocent meme. It is

a chaos magic sigil. It is an extremely

risky and unpredictable informal

invocation of Sania forces by initiated

Santo. What do I mean by an invocation

of Santoria forces by an initiated

Santo? 67 originates from the song Duke

Doot 67 by the Philadelphia based rapper

Skrilla who grew up in Kensington better

known as Zombie Land. Skrilla is a

self-admitted Santoation about Skrilla's

religion given the sacrificial practices

he has posted on Instagram. So up next,

we are actually going to step inside his

godfather's home and learn about the

Yoruba based religion called Santaia and

some of the gods that they worship.

>> Yo, I'm about to I'm about to take y'all

in my godfather crib so he can show

y'all some [ __ ] about my my religion

with my religion.

>> Yeah.

>> Yeah. My godfather right here. Yeah.

>> Yeah. Hey, nice to meet you, brother. I

would love to learn about like, you

know, the religion in the background,

everything.

>> Yeah, no problem. Follow me for which is

the path open.

[clears throat]

>> What what do these figures mean in the

religion?

>> This is an ancient religion. It comes

from Africa. These are what times of the

slaves. They used to practice this

religion. They wasn't allowed to. So

they had to disguise it. They used to go

in to church with the Catholics and pray

to their gods, but in reality they were

praying to the African.

>> You could put Yeah. Like you could put

bad spirits on people, too. Like you

could put a person's name.

>> Mhm. And like they birthed things and

[ __ ] like that inside the you could put

them in inside the aon pot

>> and

like you basically

sending a like metal like they could get

shot stabbed something could happen to

him.

>> So it would be something in metal that

would that would kill him like oh that's

crazy. It's there's different ways you

could do things, but like you can

actually put somebody's name in your

shoe and keep and when you and keep and

keep it or in the bottom of your soccer

shoe like like bad [ __ ] happen to him

like Yeah.

>> You you mentioned your religion. [sighs]

>> What What religion exactly do you

represent?

>> I'm a Santo. I do Paulo. I'm a Santo.

>> What's that mean exactly?

>> All that sacrificing goats and all that

[ __ ] That [ __ ] not just for like that's

that's real life. You're You sacrificed

a goat.

>> You seen that [ __ ] bro? That's real

life, bro. I sacrifice goats, chickens,

mice. Like, I do [ __ ] for certain [ __ ]

though. Like, I'm not allowed to explain

it.

>> Skrillaa is a santo. He practices

Santaia, an African center tradition

rooted in Yorba cosmology.

Sometimes you will hear stoia referred

to as the worship of the saints. Santo

is Spanish for saint. But the Santo is a

mask. It is not the face. Under Spanish

colonialism, enslaved Yorba, Fawn, and

Congo people were forced to convert

[music] to Catholicism.

But instead of abandoning their gods,

they hid them in plain sight. They

assigned Risha, a corresponding [music]

Catholic Santo. Shango was assigned to

St. Barbara. He symbolizes lightning,

fire, war and the color red. Oh shan was

assigned [music] to la cabradad del

kabri. The sweet water beauty gold.

Yamaya was assigned to our lady of

regula who symbolizes ocean motherhood

in the color blue. Allegua was assigned

to Nenina Deatcha who symbolizes roads

the crossroads the trickster archetype

and Oun was assigned to St. Peter and

St. George symbolized iron war and

tools. Now many see this as a form of

synratism but more accurately it was a

cult camouflage. This was comparable to

cryptojews who would outwardly convert

to Christianity or Islam but inwardly

still practice Judaism. To them this was

a spiritual survival mechanism. A santo

is a cover identity. It's a literal mask

for the orisha. It is a mimemetic decoy

or a proxy. Santoria literally means the

way of the saints. But behind every

saint, the Santo, the mask is an orisha,

which is the real force. So to be clear,

a santo is a mask worn by a spiritual

current, a front-facing persona for a

deeper force for the orisha.

This makes it identical to what western

occultists call an egregor. A

constructed identity that is fed by

belief, emotion, memory, ritual, and

repetition that eventually becomes self-

sustaining. In Santaia, the orisha is

the archetypical core, but the santo is

the social persona, the public friendly

facade. And this is what modern mimatics

reinvented. Pepe isn't a frog, he's an

egregor. NPC meme isn't a joke, it's a

behavioral sigil. Kirkification isn't a

meme, it's a hypers sigil. And 67 isn't

a number, it's a code, it's a mask. Just

as in the digital world, egregor hide

behind memes, the orisha are hidden by

the Catholic saints. So in a way,

Santoria is one of the oldest systems of

mimetic magic. The Santo is the mimedic

mask that makes the spirit palatable,

transmissible, and camouflaged. And now

the same spiritual technology is

resurfacing in real time online. In

Santaia, when someone becomes initiated

or made a priest, they receive their

Santo. That santo becomes an active

spiritual ally, their governing entity.

The Santo is both the orisha and the

calibrated version of that orisha

specifically tied to the initiate. This

means your santo is a personalized

living spiritual program. It has a

vibration, a temperament, a mission, a

color, a pathway, and a governing sphere

of influence. Like Skrilla said in the

video, O gun is metal like a knife or

bullets. In essence, this is like a

custom spiritual operating system

installed into the initiated astral

architecture. So when Skrilla says that

he is [music] a Santo, it means that he

has completed karaocha the full

priesthood initiation.

This is a major right [music] lasting

seven days during which the initiate is

reborn under their ruling orisha. They

receive blessed necklaces, warriors, the

crowning of their head orisha. After

karota they become an [music] aayorisha

or a baba lorisha, a female priest or a

male priest. [music] This grants them

spiritual authority and they can make

santo or initiate others. Only a santo

can perform drumming ceremonies. Only a

santo can open the way for the orishas,

[music]

conduct initiation,

divine with the cowaries, prepare ritual

foods, cleansings, [music] and

offerings. The santo serves as a medium

between the [music] spirit world and the

physical. They are accountable to their

godparents, their lineage, their oisha,

[music]

and their ancestors. Meaning they do not

simply dabble. They live within the

ritual calendar, the prohibitions,

[music] the food taboss and the

spiritual maintenance required by the

orishas. Oftent times a santo leads or

belongs to a allay, a house temple. This

is a community of initiates and

non-initiates under the guidance of the

[music] santo. The host temple is where

divination, cleansings, rituals,

drumming [music] and initiations happen.

As Sananto works with both Oisha and

ancestors, [music]

they deal with the cosmic archetypical

forces, the orisha, [music] the

ancestral spirits or gun and other

spiritual mediums. Santia is not [music]

a closed system. It's a cosmology of

interconnected spiritual [music]

technologies.

Only Santos are trained in this ritual

technology. A Santo must learn the

pakitis or the myths, the divination

systems, [music] animal offerings,

herbal baths, ritual protocol, the

sacred [music] rhythms, songs and drum

patterns, and the spiritual possession

procedures. To be clear, this is

technical, dangerous, [music]

and precise work. So when Skrilla says

that he is a [music] Santo, he is

telling you, he is not guessing at

symbols. He is using a real active

spiritual technology. He knows that

[music] six is the number of Shango.

He knows seven is the number of Yumo. He

[music] understands how sound, rhythm,

color, and repetition interface with

spirit. Thus, the 67 meme isn't random.

It's a coded ritual. Skrillaa has been

trained in how to channel, invoke, and

engage these forces. He himself is a

vessel for the orisha. Aanto is

considered a priest, not a lay person,

meaning his symbolic choices carry

weight. He has a spiritual obligations

and connections the average person does

not. As I mentioned, Santoria truly is

the oldest form of mimetic magic. Thus,

Skrilla is in effect a cyber centro.

So why did Skrilla choose 67? In Lukumi

numerology, [music] six belongs to

Shango, the arisha of lightning, fire,

vi, and righteous force. In Skrilla

intuitively tapped into that current.

His use of six wasn't random. It was

Shango's strike, the volcanic salv that

[music] cracks the stagnant

consciousness. Seven belongs to Emoia,

the eternal mother, the womb of waters,

memory, tides, and binding. In the

traditional matrix, Shango erupts and

breaks. Yosia receives [music] and

combines salvate E2 coagula, fire and

seed, impact [music]

and absorption. Skrilla didn't rely on

visual numerology alone. He layered

sound as sigil. The repetition rhythm in

beat patterns act like digital bata

[music] drums invoking Shango's

electrical charge while collapsing the

listener [music] into Yosoa's hypnotic

undertoe.

That's why it works across age and

cognition. The meme hits first like

lightning six and then flows into the

psyche like tide water seven. This is

the hidden mechanism behind modern

mimeic magic. Numbers, symbols, and

sound acting as orisha coded triggers

that the audience doesn't consciously

recognize but still respond to. The

creator Skrilla acts as the maggus who

launches the sigil into [music] the

collective unconscious, but its potency

is crowdsourced. Using the Duke Duke

from Baby Shark is genius level chaos

magic. [music] Its childish absurdity

serves as a cognitive bypass mechanism.

It disarms the prefrontal cortex, the

critical analytical mind, and allows the

symbolic payload, the 67, to embed

directly into the lyic system, the

emotional symbolic mind. This is the

difference between arguing an idea and

failing it. Skrilla layered sound as

sigil embedding effective triggers

across cognitive and age boundaries.

Baby sharks doot doot is a psychological

vector. The repetition mirrors ritual

incantation embedding patterns [music]

into the subconscious. Simplicity

bypasses analytical cognition, opening a

direct channel to emotional resonance.

The cultural saturation is globally

familiar, lowering resistance to the

symbolic processing. And this is all

done by design. This childlike [music]

auditory cue doesn't just appeal to

children. It also disarms adult

perception as well, creating an oceanic

[music] flow that dissolves habitual

cognitive structure. Paired with 67, the

song becomes a conduit for archetypical

absorption, a playful tide carrying the

iron strike safely into consciousness.

It must be fully understood that

engaging the orishas is never a one-way

transaction. It follows the law of

reciprocal exchange. To ask Oan [music]

to clear a path, you must offer

something of value. To invoke Yamoa's

dissolving waters, you must make a

sacrifice. In this digital ritual, the

offerings are twofold. First is the

creator's offering. Skrilla offers his

time, creativity, and the reputational

risk in launching such a bizarre

concept. This is his initial investment

to open the energetic circuit. Second is

the audience's offering. The audience

pays with their time, mental bandwidth,

and emotional energy. By engaging, they

fuel the sigil's power, but also

potentially expose themselves to the

Orisha's influence without their

traditional protections.

And this is where the operation becomes

dangerous. An invocation [music]

invoking these forces not through the

proper channels is like wiring a house

without a circuit breaker. The blowback

could manifest as chaos in the lives of

those heavily engaged like the 67 kid.

Those making six seven memes. This could

result in mental confusion, [music]

irrational impulses, or in general

destabilization of their spiritual

equilibrium. The meme [music] is a

gateway, and not everyone is prepared

for what might fall through it. It's not

a blood sacrifice. The blood of the meme

is metaphorical. It's replaced by

psychic and social energy and this

mirrors the traditional principle of

Santaia. Energy must flow in exchange

for [music] influence. The meme becomes

a modern altar with creators and

consumers unknowingly participating in

the ritual ecology. Beyond the orisha

numerology 67 is a nod to the sixth and

seventh book of Moses. Two grimoirs of

seals, divine names and magical

formulas. The sixth book of Moses

describes summoning and commanding

spirits [music] akin to Shango energy,

the fierce strike. The seventh book of

Moses describes petitioning divine

forces [music] for blessings. This is

akin to Yamosia energy, the receptive

flow. Now in Hudoo, Obi and Santaia

adjacent traditions, the psalms

functioned as spoken sigils. The meme

operates [music] on the same principle,

language, symbol, and rhythm as tools

for transformation now embedded in

digital media. 67 bridges [music]

command and creation, iron and water,

blood and blessing. Now if A equ= 1, B =

[music] 2, C = 3, all the way to Z = 26,

then Satanic equals 67 or 67. This is

known as the simple cipher. [music] And

remember this song is called Doot 67.

Duke Doot equals 36. [music]

666 is the 36th triangle number. So

therefore, doot doot 67 could literally

mean 666 satanic.

And of course, there is more. Blood

sacrifice equals 67 or 67 in the

reduction cipher. Thus 67 is a sonic

sigil, a numerical spell in a mimedic

offering cast into the algorithic ocean

of Yamaja. The 67 meme was engineered

for viality and cognitive subversion.

This is high fidelity, low bandwidth

sigil [music] magic. Two numbers, a

slash and a simple loop ensures

replication without corruption. But

above all, this is a psychic Trojan

horse. Its playful and absurd [music]

exterior hides the hidden occult

payload. The innocence of the doot doot

lowers defenses. So the symbolic command

penetrates [music] unnoticed.

Furthermore, the clash of the childish

song in the ominous [music]

numbers triggers meaning making. The

mind interprets 67 as a kid's meme. Kids

make videos screaming 67, further

charging the sigil. But it's a Trojan

horse in another way. The ultimate goal

of any sia is not [music] to entertain

but to predispose, soften and control.

The primary strategic objective of the

67 meme is demoralization and [music]

disorientation

by successfully propagating an

irrational [music]

aultbased concept through mainstream and

dissident channels alike. It

demonstrates [music] the vulnerability

of the targets population's critical

thinking. It proves that emotional

resonance trumps logic. This softens the

audience, [music] making them more

susceptible in the future. More direct

narrative programming. On a tactical

level, the spread of the meme acts as a

reconnaissance tool. The people who

engage with it most fervently are

identified. [music]

They are the most suggestible, the most

open to nonrational influence. They are

mapped [music] for future operations.

But most importantly, the long-term

strategic victory [music] is the

normalization of a cult symbolism within

the popular discourse. It breaks down

the secular [music] materialistic

world view and prepares a population

[music] for a paradigm where reality is

seen as malible through symbolic

manipulation and belief. This doesn't

favor one ideology. It favors the

mindset of the magician, [music]

specifically the chaos magician, over

that of the loician. It creates a

population easier to lead through

symbols and emotions than through facts

and reason. You see, the human mind

seeks to resolve dissonance. And the

easiest way to resolve it is to confer

deeper meaning onto the numbers, thus

fulfilling the sigra's purpose and

further entrenching the means hold upon

the psyche. So, let's be clear. 67 is

not just a meme. It's a psycho [music]

spiritual sigil, a symbolic altar. It is

a chaos magic operation, masked

childlike media. It is a digital

continuation of Arisha worship, the

original form of mimedic magic. Through

67, Skrilla has transmuted cultural

material into symbolic energy, fusing

ancient sacred systems with the viral

architecture of the modern mind. It is

simultaneously playful and potent,

humorous and hazardous, trivial and

transformative.

And as I started this video with a Bible

verse, I'd be remissed not to cover this

from an Abrahamic standpoint as well.

The orishas of Santaia are seen [music]

as begine archetypes or not neutral

spiritual currents. According to the

Abrahamic tradition, the risha are

fallen spiritual [music]

entities, principalities and powers

operating under the dominion of the

prince of the air or Satan. [music]

To Christians, the synretatism that

masked Oun as St. Barbara or Yamosia as

our lady of Regula is not cultural

adaptation. [music] It is a demonic

inversion and infiltration and

corruption of the veneration of holy

figures to redirect [music]

worship to themselves. This is the

ancient pattern warned against in

Deuteronomy 12:30-31. [music]

Taking the forms of worship destined for

God and offering them to demons. And in

this [music] light, the numerology of 6

and 7 takes on a far darker

significance. Biblically, six is the

number of man, imperfection and

rebellion, culminating in the [music]

ultimate archetype of defiance, the mark

of the beast 666. The number seven

represents divine completion, perfection

in God's covenant. Thus, 67 in this

viral sigil could be seen as a demonic

inversion, an attempt [music] to harness

the power of divine completion through

human and fallen spiritual agency.

[music] But the danger of 67 is not that

it is demonic. The danger is that it is

[music] effective. It works and it works

on a scale with efficiency that should

frighten any practicing [music] magician

who understands the first rule of magic.

Now when you are invoking be prepared to

pay the [music] price. Skrillaa is a

Santo. He is trained. He has godp

parentents a lineage. He operates within

a closed spiritual ecosystem with

built-in [music] fail safes, taboos,

offerings, cleansings, and the guidance

of his elders. His actions [music] are

accountable to a hierarchy. When he

invokes Oun or Yumosia, he does so with

reverence, protocol, and a clear

understanding of the reciprocal exchange

required. [music]

The millions engaging with 67 have none

of this. They are untrained,

uninitiated, and utterly exposed. They

are pouring their attention, [music] the

most valuable psychic currency into a

sigil linked to powerful immoral forces

they can't hope to control or even

[music] comprehend. It is like giving a

loaded weapon to a child. The blowback

[music] isn't divine punishment. It is

the natural mechanistic consequence

[music] of the law of reciprocal

exchange operating on a mass [music]

scale without any ritual containment.

Shango does not care [music] about your

intentions. He is a force of violent

separation, a cosmic scapold. When you

invoke [music] him, even unknowingly,

you invite that cutting energy into your

life. Relationships fracture,

opportunities [music] are severed, chaos

erupts. Yamosia is the great mother, but

she is also the ocean that drowns. Her

energy [music] can dissolve ego

structures leading not to enlightenment,

but to a form of psychic drowning,

dissociative states, [music]

emotional overwhelm, and a loss of

identity. You see, the Abrahamic

tradition correctly

>> [music]

>> identifies the symptom, a population

being softened for control, [music] but

their diagnosis of Satan is a folktale.

The real mechanism is far more clinical.

The meme is a mascale [music] psychic

conditioning tool that bypasses the

rational mind to implant symbolic

[music] triggers. It is creating a

latent network of individuals whose

subconscious [music]

has been primed to respond to specific

numerological and auditory [music]

commands. This isn't about leading

people to Satan. It's about making them

pliable to any symbolic command that

[music] follows the same archetypical

pattern. The ultimate irony is that the

Bible [music] verse that opens this

video, "Whatsoever a man seweth that

shall, [music] he also reap." Galatians

6:7 is the most potent magical truth of

all is the immutable law of cause

[music] and effect. Those sewing

attention into the 67 sigil are [music]

sewing chaos. They will reap a harvest

of confusion and stability and spiritual

[music] vulnerability. The true

magicians understand this law and work

with respect for its power. [music]

The 67 phenomena shows what happens when

that power [music] is unleashed on a

world that has forgotten who they are.

It is not an [music] evil plan. It is an

uncontrolled ritual experiment leaking

into the biosphere of the collective

unconscious and we will all [music] reap

what it sws.