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How To Make a TRAVEL VIDEO - 10 Tips you need to know

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testing testing how we doing how are we

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looking I think the audio levels are

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good we're ready to roll

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today's video will give you the top 10

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filmmaking tips to make your travel

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videos the best that they can be right

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off the bat so whether you're just

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starting or you've been making videos

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for years this video is for you my name

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is Christian and for the past three

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years now I've been making travel videos

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and by some crazy chance it has become

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my full-time job now the first tip is

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something you're not gonna hear anywhere

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else and that's where I pride myself on

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giving people insider information and

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that is to actually turn your camera on

0:29

there's a little power switch right here

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did anyone find that funny it seemed

0:35

funny in my head you left ok that's all

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that matters

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alright number one for real this time is

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understand your equipment and when I say

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understand your equipment I mean know

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how the focal lengths how the camera

0:47

that you're working with will impact the

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image that you're getting but let's go

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through a couple examples if you're

0:52

shooting with a GoPro it's a fantastic

0:54

travel camera one thing that you should

0:56

know is that it's waterproof so all of a

0:57

sudden you have that upper hand of being

0:59

able to achieve and tell a unique story

1:01

that most cameras will not ever be able

1:03

to do another thing that you should know

1:05

with a wide-angle lens you're not gonna

1:06

be able to tell what's going on in the

1:08

distance so even though something may

1:10

only be 20 feet away from you it's gonna

1:12

show up like a speck in the video shot

1:14

with a GoPro on the other hand if you

1:16

invest it in let's say like a t5i rebel

1:19

camera something that has the ability to

1:20

change lenses well you need to

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understand how those different lenses

1:24

will allow you to achieve different

1:25

shots boom just like that we now have

1:29

two lenses this lens right here allows

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me to get wide-angle shots kind of like

1:33

the GoPro but not quite as wide and this

1:35

lens right here allows me to get extreme

1:37

close-ups not only does that mean that I

1:39

can shoot things further away but it

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also means that the subject will now

1:42

appear closer to their background so if

1:44

I have somebody standing in front of the

1:46

mountains the mountains now become

1:48

humongous whereas if I shoot with a

1:50

GoPro or a wide-angle lens like this one

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well what it's going to do is the exact

1:54

opposite it'll make the mountains in the

1:56

distance seem really small and the

1:58

subject will seem big and up front so

2:00

understand how your different lenses how

2:03

your equipment will affect the shot and

2:05

shoot accordingly and if you're shooting

2:07

with a cell phone that has two lenses

2:08

that same logic applies and one other

2:10

implication is stability if I was to pan

2:13

with my GoPro I would have a much more

2:15

stable shot than if I just panned with

2:17

my camera with this lens on the shake

2:19

will be much more noticeable with a very

2:21

distance telescoping lens travel tip

2:23

number two is to understand the

2:25

difference between slow motion fast

2:27

motion and when to use them so a lot of

2:29

people when they first pickup their

2:30

cameras they're all excited because for

2:32

the first time just like this they're

2:34

able to feel at like five times slower

2:36

than real life if you've got one of

2:38

those new GoPros you can shoot ten times

2:40

slower than real life and it's such a

2:42

cool effect but it's not to be overused

2:45

slow motion should only be used to

2:46

emphasize a story if it doesn't add to

2:49

the story

2:50

don't use slow motion the same can be

2:52

said with doubling up the speed or

2:53

quadrupling the speed sometimes I see

2:56

people using drone shots and they just

2:57

go times 10 on the speed and then all of

3:00

a sudden they're rushing through the air

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and it feels really weird because you

3:03

can see the shake being caused by the

3:04

drone moving around being pushed by wind

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you can see the waves are moving 10

3:08

times faster and it doesn't look natural

3:10

it really takes away from the moment so

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if you're gonna speed something up with

3:14

fast motion at least make sure it's part

3:16

of the intended effect personally when I

3:18

do fast motion I typically like to cut

3:20

up my clip so that it's more of a

3:22

gradual up and then a gradual down so in

3:25

other words if I had the clip right here

3:26

I would make maybe five cuts here I

3:29

would have normal speed right here I

3:31

would have times two and in the middle I

3:33

would have something like times four

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what that does for you is it gives you a

3:35

bit of like a pyramid effect where it's

3:37

more gradual it's not this jarring speed

3:39

up stop effect it feels natural more of

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a flow to it and I need to say that if

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you're shooting with a camera that

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doesn't do fast motion or slow motion

3:47

don't take that as like a disadvantage

3:49

sometimes the best stories are just told

3:51

by shooting 30 frames a second in other

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words like normal speeds I understand

3:55

your equipment and how to make the most

3:57

of it travel tip number three change up

3:59

your angles when you're shooting with

4:00

your cameras doesn't matter if you've

4:01

got a GoPro or if you've got a 70 to 200

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equipped on a 1 V X mark - whatever

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you're shooting with make sure that

4:08

you're telling a different story than

4:10

just the stand and shoot there was an

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example I watched in another YouTube

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video is like you see most people

4:14

posting a photo of their dogs is

4:16

typically just by standing up because

4:18

people are lazy they don't want to get

4:19

down on the dog's level but if you want

4:21

to take the better photo you need to get

4:23

down on your knees you need to be

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willing to climb up a tree to get the up

4:27

Shaw you need to be willing to do

4:28

whatever it takes almost whatever it

4:31

takes don't kill yourself but go the

4:33

extra mile in order to get that unique

4:35

story that is what separates a good

4:37

travel video from a masterpiece of a

4:38

travel video the masterpiece will always

4:40

have those unique shots that has the

4:42

audience asking themselves oh my gosh

4:44

how did they shoot that that's why when

4:46

I fly my drone I actually like to risk

4:48

it to get the biscuit once in a while

4:49

sometimes I'll fly between an archway

4:51

sometimes I'll fly right under a tree

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because I love to give my audience that

4:55

scare factor of like oh my gosh you

4:57

really changed up the angle in a way

4:59

that I never would have done get used to

5:01

your equipment and once you feel like

5:02

you've mastered the equipment then you

5:04

can start pushing the boundaries trying

5:05

new things and one more thing that can

5:07

be said about changing the angle

5:08

changing the angle doesn't simply have

5:10

to be altitude based it's not just about

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getting on the ground or getting up high

5:14

it can also be about how close your

5:16

subject is so if you're shooting with a

5:17

lens like this it causes a beautiful

5:20

background blur purely based on how

5:22

close you are to the thing that you're

5:23

shooting you can achieve different

5:25

results of the SHA this took me a good

5:27

year two years to really perfect but I

5:30

believe it's something that can come

5:31

with time as long as you're aware of it

5:32

and willing to learn it can make a huge

5:34

difference in your travel videos tip

5:36

number four and this is probably one of

5:38

the biggest ones and that is to pick

5:40

your music

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[Music]

5:50

[Music]

5:52

[Applause]

5:53

[Music]

5:56

music music music it makes all the

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difference

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what kind of music choice you have you

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will have the control to evoke emotions

6:03

in the audience based on the song you

6:05

choose so if you're trying to tell the

6:07

story of a beautiful tropical beach

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don't use the hardcore EDM song because

6:11

they're completely clashing unless

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that's your intended effect if you're

6:15

trying to tell a really high pace energy

6:17

story that's where you can look at like

6:19

the high BPM electronic music that gets

6:22

the blood flow going there is no wrong

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genre of music to use but it has to

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complement the scene in the story you're

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trying to tell now with that being said

6:30

there's one place I get all of my music

6:32

from and when I say all I mean it's my

6:34

go-to every single day I've actually

6:36

partnered with them to create my own

6:38

album I feel like Kendrick Lamar right

6:40

now it's the exact same thing except I

6:42

didn't make the music I just picked a

6:44

song but if you want to check it out I

6:46

actually have my own loss LeBlanc album

6:48

on epidemic sound right now it's got 16

6:50

tropical travel adventure songs that it

6:53

will be amazing for any of your travels

6:55

coming up and the awesome thing is not

6:57

just the fact that they have great music

6:58

but it's the fact that I can use this

7:00

music on YouTube on Facebook on any

7:02

social platform and not have to worry

7:04

about legal consequences it's so crucial

7:07

that I know that every single song I use

7:09

in my video will not be struck down by a

7:11

copyright or by another artist and the

7:13

awesome thing is they actually have a

7:14

free one-month trial so no commitments

7:17

see if you like it and they've been kind

7:19

enough to reward team get lost the

7:20

people here on this channel by using the

7:23

coupon code loss LeBlanc you'll actually

7:25

save 15% on your first six months so

7:27

check it out number five this is a huge

7:29

tip especially for beginners who often

7:31

overlook this and that is the importance

7:33

of stabilizing your footage now there's

7:36

two ways you can stabilize it you can

7:37

stabilize it in a software I'm not gonna

7:40

talk about that you can figure that out

7:41

by whatever video editor you're using it

7:43

can sometimes help it can sometimes do

7:45

bad things to your footage so use that

7:47

with caution but the thing that I will

7:49

focus on is creating the most stable

7:51

video inside of the camera so that you

7:53

don't have to do that extra step

7:55

at least rely on it in post-production

7:57

whether you got a cell phone whether you

7:59

got a GoPro

8:00

they now have gimbals automatic

8:02

electronic stabilizers that allow you to

8:04

achieve incredibly buttery smooth

8:06

footage you can buy stabilizers for

8:09

believe as affordable is like $300 and

8:11

it will be a game-changer in your

8:13

footage now if you're shooting with a

8:14

heavier camera they also have those

8:16

gimbals I personally use a big

8:18

heavy-duty one but there's some pretty

8:20

easy strategies that you can do without

8:22

even having extra equipment so let's

8:24

talk a bit about that this right here is

8:26

my backup camera and I'll show you one

8:28

of the easiest ways you can stabilize

8:30

use your camera strap put it against the

8:33

back of your neck and simply keep your

8:35

camera as extended as possible so that

8:37

tension is being applied on the camera

8:39

strap and by doing this what you're

8:41

actually accomplishing is you're

8:42

creating more stability on the camera

8:44

when you pivot when you turn your camera

8:47

is not going to be freely moving in your

8:49

hands it's gonna stay nice and stable by

8:51

having more points of contact against

8:53

your body if you're gonna do walking

8:54

shots then you know this will still help

8:57

you but at the end of the day nothing

8:58

will replace an electronic gimbal or a

9:00

Steadicam which is just a counterweight

9:03

system but it does an amazing job but

9:04

one other kind of getaway that you can

9:06

get away with creating a moving

9:08

stabilized shot if you have a flat

9:09

surface you're working with is a

9:11

skateboard or a Rowley chair that way

9:13

you're not getting that motion that

9:15

comes with every step instead you just

9:17

kind of roll around and it'll give you a

9:18

much more stabilized shot and one last

9:20

little bonus tip because I'm all about

9:22

value here on this channel

9:23

if you haven't already subscribed go

9:24

ahead and hit that sub button if you're

9:25

shooting with a drone you can actually

9:27

walk around with your phantom with your

9:29

Mavic you've got yourself a Steadicam

9:31

number-6 the storyline what you want to

9:35

do with your travels with your videos

9:37

that you're filming and editing is you

9:38

want to have in mind what is the story

9:40

I'm trying to tell I like to have things

9:42

in chronological order where they kind

9:44

of show the travel that's been going on

9:46

over the past month or over the past

9:48

week don't just insert random travel

9:51

Clips all together over music you know

9:53

that's going to get you a C or a B gray

9:55

but you will not be best of class by

9:56

putting a videos together that way what

9:58

will help you though is let's say you're

10:00

traveling with your friends and this

10:01

video kind of follows the day in the

10:04

life through a cinematic eye maybe it

10:06

shows your start of the day hitting the

10:08

alarm clock to wake up maybe it shows

10:10

you putting on your pants with like a

10:12

POV shot but you know try to keep it

10:14

below a certain point and then maybe it

10:16

shows you getting into the bus heading

10:18

to the kayak station where you then get

10:20

in your kayak all of a sudden you've

10:22

diff

10:22

angles you've got an angle that shows

10:23

your paddle going into the water you've

10:25

got a wide angle that shows you leaving

10:27

the shore you've got another even wider

10:28

angle that's been shot with a drone

10:30

these are the things that you can

10:31

accomplish when you expand your

10:33

equipment arsenal of course that doesn't

10:35

happen at first but you could do it with

10:37

any camera you can always change up the

10:39

shot you can always tell different

10:41

stories with different perspectives but

10:43

I really think it's important that

10:44

there's a bit of a continuty a flow that

10:46

shows what's going on in this video and

10:48

that will definitely be a key if you

10:49

want to take your video from it to

10:51

uh-huh número

10:54

how do you say 7 in Spanish no lesense

10:56

number 7 here we go a goal in French

10:59

alright so number 7 is movement so if

11:02

I'm going to shoot a cinematic sequence

11:04

I see this all the time with beginner

11:06

sorry I'm just throwing all the

11:07

beginners under the bus like this is

11:08

this is getting a little graphic there's

11:10

just too many people under that bus

11:11

right now what you want to do is you

11:13

want to think of movement as one

11:14

continuous motion so if you're shooting

11:16

a nice pan then the pan should look

11:19

something like this but then not of a

11:21

sudden jerk back I mean there's a few

11:22

exceptions but for the most part you

11:25

want to do it with one continuous motion

11:27

either uniform meaning it's just like

11:29

this or an exponential acceleration

11:31

maybe it can be like this but what you

11:33

don't want is random and sporadic

11:35

movements is what I'm trying to get out

11:36

here don't go like this then like this

11:38

again this is going back to shake it'll

11:40

be horrible to watch but another key

11:42

example that I see beginners doing is

11:44

when they're flying their drones they

11:46

tend to use a clip of their drone where

11:48

you actually see the drone readjusting

11:50

so if you watch any of my travel videos

11:52

almost without fail the only shots I use

11:54

my drone are the shots that are

11:56

continuous if I'm moving forward with my

11:58

drone and tilting the camera up if my

12:00

camera stops tilting up that is the end

12:03

of the shot even though my drone may

12:04

still be moving forward that is a stop

12:06

in continuous motion the worst is when I

12:09

see somebody use a drone clip they speed

12:11

it up in the null scent it just turns

12:12

left as somebody who's made a lot of

12:14

videos that is one of the most horrible

12:16

things I can see what's much better is

12:18

if you want to do a turn have it a nice

12:20

gradual turn now building on the

12:23

importance of getting the right shots is

12:25

actually making that shot match with the

12:27

music so once we've headed over to

12:28

epidemic sound we've picked out our

12:30

amazing songs from the loss LeBlanc

12:32

album what we're going to do is we're

12:34

going to of course want to tell that

12:35

beautiful story with that song when I'm

12:38

putting together the story I take my

12:39

videos I take my song of choice and I

12:42

make everything based around the song

12:44

[Music]

12:50

your video needs to build around the

12:53

song because the song cannot be altered

12:55

cannot be changed at least not easily

12:57

but you have the ability to move your

12:59

clips around find the song that has the

13:01

right mood the right tempo the right

13:03

amount of beats per minute

13:04

when there's a well-defined beat in the

13:06

song it's very easy to cut to it so

13:08

every time you get that very audible

13:11

sound where it's like either a

13:12

percussion or it's a drop that is a

13:14

great indicator that this might be a

13:16

good time to cut to the next click and

13:18

what I like to do is based on the beats

13:20

per minute the speed of the song that is

13:23

what kind of indicates how many Clips

13:25

should I be using so for example if the

13:27

song is very mellow I'll probably let

13:29

each clip draw on for anywhere from

13:31

three to seven seconds each whereas if

13:34

it's a high paced song then you're going

13:36

to be going through a lot more Clips

13:37

individual cuts every time you hear that

13:40

that's an indicator that is probably

13:42

time to move to the next clip now

13:44

sometimes you can have two or three or

13:46

even four of these beats within every

13:48

cut but try to keep it uniform it's

13:50

completely up to you but it's about

13:52

training your ear to hear that little

13:54

here's a couple of examples of mellow

13:59

[Music]

14:04

versus high-octane

14:15

[Music]

14:21

so it can be argued that there's no

14:24

right or wrong way to do this but if you

14:26

don't cut your clip on the beat you're

14:28

doing it the wrong way find the right

14:30

song train the ear make the cuts to the

14:32

beats and you will bring your video to

14:34

the next level tip number nine is

14:36

particularly important and I'll stress

14:38

it with a very well-known example and

14:40

that is the GoPro highlight videos every

14:43

year when GoPro releases their brand new

14:44

cameras you see this beautiful highlight

14:47

reel that shows the most incredible

14:49

shots extraordinary colors vibrancy

14:52

contrasts all this beautiful stuff

14:54

in these shots and you're like oh my

14:56

gosh my shots are going to be incredible

14:58

you get your GoPro or any other camera

15:00

for that matter and you start shooting

15:02

with it you're probably gonna find

15:03

you're a little disappointed your iPhone

15:06

photos didn't look like they looked on

15:07

the Apple website the reason the footage

15:09

you shoot doesn't look like their

15:10

footage is because there is so much work

15:13

put into the color grading color grading

15:15

is one of the most important ways to

15:16

tell your story you can literally take a

15:19

gray sky and make it seem like a

15:21

beautiful fiery red sunset if you know

15:23

what you're doing now color grading is

15:25

an art it's something that takes months

15:27

and years to get good at so you want to

15:29

make a WoW video versus a video then

15:32

learn to color grade because contrast

15:35

saturation the curves there's so much

15:37

you can do with your colors to tell that

15:39

story for me color grading is like

15:41

getting a set of play-doh you've got all

15:43

these beautiful colors and it's up to

15:44

you to mold them into the story that you

15:46

want to tell I think it's exciting it's

15:48

a lot more work though alright now I'm

15:51

gonna give you a bonus one because I

15:52

just thought of it so technically this

15:53

is a twelve tip video but you know again

15:56

that's the loss of long value you get

15:57

here on the channel so if you haven't

15:59

already stop when you're making travel

16:00

videos I want to show you some hand

16:02

motions that can be really fun for

16:03

transitions if you're doing a pan shot

16:05

on the beach what you can do is you can

16:07

actually end it off with a really quick

16:08

movement like that because you're

16:10

actually moving so quick at the end of

16:12

the shot the human eye can't keep up

16:14

with what's going on in the shot and

16:16

this is actually an opportunity when

16:18

you're cutting to cut the scene right

16:20

here when the camera moved really

16:21

quickly and transition to another shot

16:24

that's maybe panning in the same

16:25

direction the same can be said if you're

16:27

shooting upward if you're doing a slow

16:29

pan upward and then you're like whoosh

16:31

like that the viewer sees you panning up

16:33

to

16:34

the sky and then all of a sudden you

16:35

move really quickly they lose track of

16:37

the shot now take a drone shot it's like

16:39

all of a sudden you've transported the

16:41

viewer into the sky when you're going

16:43

underwater that moment right where it

16:45

goes underwater the viewer kind of can't

16:47

see what's going on because the breaking

16:49

of the waves gets in the shot cut that

16:50

shot with a beautiful underwater

16:52

swimming shot with like a dolphin and

16:54

all of a sudden it seems like this

16:55

magical thing so use those kind of

16:57

creative thoughts - like how can I make

17:00

a unique transition within this moment

17:02

that was not even a full tip that was a

17:04

nine point one now the tenth tip the

17:07

final tip is don't overdo effects

17:11

crossfades the wacky little drizzle

17:13

effect that brings on the next frame and

17:15

it's like it depends who your audience

17:18

is or what your goal is if you're just

17:19

trying to make a fun home video that's

17:21

nice go ahead use those but if you're

17:23

trying to make a like

17:25

professional-looking YouTube video that

17:27

you want to be proud of and be able to

17:28

share that with other people then these

17:30

are effects that will definitely make

17:32

your stuff feel a little bit beginner I

17:35

know some people that use effects and it

17:37

can be done very tastefully but

17:39

personally I don't use any effects in my

17:41

videos fine I'll do all my own effects

17:44

basically manually what that means is

17:46

I'm either doing stuff with my camera

17:48

like this or I'm cropping in on my video

17:50

using post-production but I'm not just

17:52

using a plug-in and dropping in the

17:54

effects be wary when using effects that

17:56

it might not have the intended effect

17:58

that you're looking for that has been 10

18:01

travel tips for your next travel video I

18:02

hope you enjoyed this video guys if you

18:04

want to see some of my travel videos how

18:06

I use my cameras my lenses very the

18:08

shots

18:09

well I'll link one of my videos that I

18:10

think does a really good job showing

18:12

that if you're looking for some tropical

18:13

vibes escape the cold weather check it

18:15

out and if you want to learn more about

18:17

my business how I actually run all of

18:19

this how I'm able to travel the world

18:21

stay in hotels for free and get paid

18:23

doing it then check out my patreon

18:26

community I actually post weekly behind

18:28

the scenes videos just recently posted a

18:30

couple videos like how to beat the

18:31

algorithm on YouTube how to make money

18:33

as a freelancer how to game Instagram

18:35

Facebook they all the behind the scenes

18:37

to how I'm running this I will not plug

18:39

it anymore but I do have an album on

18:41

epidemic sound the best way to get music

18:43

for anyone who plans to do YouTube

18:45

Facebook Instagram etc so if you

18:47

want to check it out it's also in the

18:49

link down below guys without further ado

18:51

let's get lost again in the next one

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