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How Typography Elevates Design from Good to Great (Masterclass Part 2/3)

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FULL TRANSCRIPT

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this video is going to dive into the

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second skill that you as an aspiring

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designer must Master to go from good to

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great and we're going to learn it at the

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hands of Emmy award-winning designer

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Christo in the second part of this

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master class series if you missed the

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first part go back and watch that now

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but for those of you that already

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watched it we're going to do a deep dive

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on topography and why that's such an

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important skill for you to master we're

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talking about designers right so you

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said how do you go from being an average

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designer to a great designer and I'm

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going to tell you right now you are like

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Superman or Superwoman there's not a lot

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that you can't do but you do have one

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Kryptonite and if this is your

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Kryptonite you're gonna fall apart and

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your Kryptonite is typography you know

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I'm gonna say it typography

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there are some misunderstanding about

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what typography is people who design

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logo types sometimes refer to themselves

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as typographers that's not correct in

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typographers are not logo type designers

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these are very different skill sets so

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logo type designer is concerned about

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the individual combination of very

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specific number of letters together to

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create one expression they're not

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worried about if the letters were

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reversed or in different order whatever

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it is they don't care about that and so

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they'll spend a lot of time designing

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the perfect alphabet for five or six

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letters that's it and in that exact

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sequence a typographer in contrast

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doesn't design the typeface what they do

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is they manipulate the arrangement and

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layout of type it's Point size its color

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its weight in order for someone to

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understand ideas it's arrangement of

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letters and words on a screen or on a

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page or an app or something like that to

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communicate ideas and sometimes the idea

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is to just capture your attention and so

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some of the traditionalists who don't

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understand expressive typography say

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like well I can't read that if it's

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concept if it's purpose is not for you

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to read but it's stopping your tracks to

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get you to decipher it then it's met its

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goal so typography at least in my

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instance has taught me everything about

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design and they're so famous Massimo

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vignelli quote that says if you can

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design one thing you can design

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everything and I really believe that so

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if typography is your Achilles heel is

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your Kryptonite it means that you're

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uncomfortable with this there's good

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news for you here the good news is if

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you go through a series of rigorous

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exercises things that we teach and

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things have been taught to many

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designers many generations before from

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the Basel School in Switzerland then you

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will learn this thing and it's painful

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to learn but once you learn it you can

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master design and if they say that

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content is King which a lot of people

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say well then contrast is Queen learning

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about how to manipulate contrast in

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point size like big and small in texture

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smooth and rough in weight like extra

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bold and thin understanding these

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relationships a lot of negative space

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and deep heavy concentration of type on

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a page learning how to use this

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translates into every facet of design

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not just 2D design with type but also

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three-dimensional design once I learned

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how to design a poster I could design a

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room I could do interior design I could

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design furniture and all these things

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I've done anything that I can think of

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because I understand the formal

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relationship that exists when you start

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to put things on a page or on the screen

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and this to me is a ginormous unlock you

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cannot in my opinion be a great designer

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if you don't understand typography what

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I love about what you just said and my

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key takeaway around this is you said the

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manipulation of the arrangement of

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letters and words for people to

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understand the message at the core of

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that for me is you are not just making

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something pretty you are making

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something that effectively communicates

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what you're trying to convey what you're

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saying is if someone misses that Mark

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they're probably just good and not great

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am I hearing that right yeah in my

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opinion you cannot be a great graphic

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designer if you're not a great

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topographer too and in fact if you look

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through the design annuals in topography

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and other International design

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competitions you almost always see the

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people who win are the best typographers

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in the bunch they understand space they

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understand color and texture and

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contrast in creating tension and

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releasing tension they know how to

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create primary secondary tertiary reads

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and they also know how to do very

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beautiful expressive typography as well

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we recently had James Victoria on her

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show and he does something totally

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different which is something that many

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of you are going to say well Chris I

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watched an episode now you're

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contradicting yourself no you my friend

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are not paying careful attention enough

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right if you think it's a contradiction

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James does hand-drawn letter forms and

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he takes it to an art form where his

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scribbles his brush marks and his

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personal handwriting become so beautiful

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that they become art itself just the way

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that somebody is able to put ink on a

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page I kind of draw a parallel to

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Chinese calligraphers and if you've seen

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them work it's a thing of beauty they're

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using ink on a page and they don't have

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two shots at this there's no white

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there's no building up they just draw

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with The Strokes and calligraphers

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master calligraphers an artist can

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recognize the skill level from one

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person to another who's put in 10 20 30

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000 hours of practice versus someone who

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just starting they can see that so James

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primary communication thing isn't about

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whether you can read this easily or not

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he wants you to work at it to decipher

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the meaning or the words that he's drawn

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is not illegible but it does require

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some work but in that instance you stop

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and you try to figure it out and when

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you can figure it out a smile happens at

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least in your mind now James is not

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writing the Declaration of Independence

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from the Bill of Rights he's usually

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using one or two words or an expression

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idea and that's all that's on his

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posters and his design and he's

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designing this for book covers he's

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designed this for posters he's not

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designing this for you to read a

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manuscript because it would require too

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much mental labor you know it's too

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intellectually demanding for you to

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figure out on any kind of long-term

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consistent basis so you have to kind of

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weigh what is the intention and the goal

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of what it is I'm designing and mix that

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with the right approach for the most

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part 80 to 90 of what you do is going to

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be legible functional typography but if

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you follow all the rules it's going to

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be really really boring even Massimo

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vignelli will talk about this one of the

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same quotes is something like grids are

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like underwear they're meant to be used

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but not seen so so many people like put

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grids on everything and it's like yeah I

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get it you understand Swiss design

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boring you have to learn how to use all

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the notes and sometimes the space in

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between the notes is the music I'm

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borrowing from Massimo again damn that's

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a hell of a quote about the unders he's

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good at quotes I mean there's a whole

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mass of finale Canada that I hope to

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learn all of them I love that it's a

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conversation and what tools and methods

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non-verbally or verbally like I think of

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things in communication are you using to

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convey the message like with James it's

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the whole design is meant to be a mind

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game once it clicks you're like oh my

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God I'm in the know this is no longer an

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inside joke right versus what you're

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talking about where you're doing book

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covers or manuals or whatnot and there's

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like you have to guide the person with

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the type and I think that's just

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incredible that concludes part two of

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this and I hope you find this to be

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enlightening in terms of how important

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typography is to you as a designer if

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you want to upscale I highly recommend

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you watch this video right here where

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you can actually see me working through

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the design problem and see how these

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principles apply in real time I hope to

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see you sometime soon take care

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everybody

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foreign

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