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Finally, a reference headphone done right!

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0:06

Outside of Herman, the Chinese headphone

0:09

market has been pretty hit and miss in

0:10

the past. Some brands have made

0:13

fantastic sounding headphones, but those

0:15

same brands have also made some pretty

0:18

average sounding headphones.

0:23

[music]

0:25

Of course, I don't think I could name a

0:27

single brand from anywhere in the world

0:29

that's hit the bullseye every single

0:31

time, but I'm talking about some wild

0:33

swings between amazing and not amazing

0:36

when I'm talking about most of the

0:38

Chinese headphone brands.

0:41

[music]

0:43

And so, when Linsol asked if I would

0:46

review the new Cipher headphones from

0:48

the Audio, I didn't really know what to

0:50

expect. I said yes, obviously, or you

0:53

wouldn't be watching this video. but

0:55

with the normal understanding that they

0:56

have no influence over this video and

0:58

there's no guarantee that it's going to

1:00

be a positive review. [music] And it's

1:02

lucky I did that, too. It allowed me to

1:04

tell you that my first impressions of

1:06

the the Audio Cipher [music] were just

1:08

okay.

1:14

They certainly looked great and they

1:17

were undeniably comfortable at first,

1:19

but even accounting for the $399

1:23

price tag of these, in other words, not

1:25

expecting them to behave like a true

1:27

flagship level headphone, I was still

1:29

underwhelmed.

1:31

[music]

1:34

Of course, first impressions can change.

1:36

So, I continued listening to the ciphers

1:38

while I did some editing, listened just

1:40

casually to some background music while

1:42

I got on with other tasks. But it was

1:44

only later when I picked up a pair of

1:46

Meza Audio 105 AERS and the Hyman

1:49

Edition XV that things started to turn.

1:53

Along the way, though, something else

1:54

happened too. It's quite warm here in

1:57

Australia at the moment. And I did find

1:59

on the hot afternoon when I was doing my

2:01

initial just first impressions and

2:03

casual listening that the snug and cozy

2:05

fit of the Ciphers did start to feel a

2:08

little bit hot on my head after a while.

2:10

Every other time that I've worn the

2:12

Ciphers during this review process,

2:14

which has been a lot, they've been

2:16

nothing but comfortable. But if you are

2:18

living in a location where it's hot and

2:20

humid and you don't have access to air

2:22

conditioning where you're listening to

2:23

your headphones, they might be a little

2:25

bit warm for you. And I mean warm

2:27

physically, not tonally. Their tonality

2:30

is definitely not warm. But we'll get to

2:33

that. First though, let me clarify that

2:35

unless you're in a hot, humid situation

2:38

when listening to these, the the Audio

2:40

Ciphers are nothing but wonderfully

2:42

comfortable. I found the headband

2:44

padding to be absolutely perfect, and it

2:47

never even drew attention to itself, let

2:49

alone become uncomfortable. The velour

2:51

pads feel soft and plush on the head,

2:54

and they seal really nicely around the

2:56

ears. And they also attach with this

2:59

wonderful magnetic system that means

3:01

they're going to be super easy to change

3:03

should you ever need to change the pads

3:04

in the future. And if you happen to look

3:06

underneath the pads, you'll see this

3:08

absolutely gorgeous design. What you'll

3:11

also see is the very specific damping

3:13

approach used in front of the 50mm

3:15

dynamic driver of the cipher. And the

3:17

result of that very specific damping

3:19

approach using the paper in front of

3:20

most of the driver, but the cutout hole

3:22

in the middle is a very linear and

3:25

natural sounding frequency response.

3:27

That's the reason that the ciphers

3:29

didn't impress me. They don't play any

3:31

tricks with the music. Instead, they

3:34

just deliver it with supreme honesty.

3:36

Once my brain adjusted to that and

3:38

started to have some points of reference

3:39

around the same price, I realized just

3:42

how brilliant these actually are.

3:44

They're not quite perfect, as we'll

3:47

discuss, but I do think they're amazing.

3:49

First though, a little tiny bit more

3:51

housekeeping. The Ciphers come with this

3:54

unique carry bag, and it is a bag more

3:57

than it's a case, but I like that it's

3:59

got a firm molded section down the

4:01

bottom, which is going to securely hold

4:02

the cups in place while they're in the

4:04

bag and stop them from banging together.

4:07

They also come with a very pro style

4:09

headphone cable. I say pro style

4:13

because it's terminated with a 3.5 mil

4:15

plug at the amp end and a 6.3 mil

4:19

adapter. Most Progeear doesn't use 4.4

4:22

mil or 4 pin XLR balance connections.

4:26

And so this is a nod to the fact that

4:27

when the Audio say that this headphone

4:29

is designed for professional mixing and

4:31

mastering style use, they're maybe not

4:34

joking. Of course, it's also intended

4:36

though for audio files seeking a

4:38

reference tuning, and we will get to

4:40

that in just a moment. Of course, if you

4:42

would like an alternate cable to use the

4:44

ciphers with balance connections, they

4:47

have just the regular 3.5 mil

4:49

connections on the bottom of each cup.

4:51

And that means you could easily set

4:52

yourself up with any of the ensemble

4:54

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4:56

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4:59

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5:02

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5:04

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5:06

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5:08

clutter created by having lots of

5:09

different cables around, but also at

5:11

reducing the cost of having multiple

5:13

different cables for multiple different

5:15

headphones. Their replacement range of

5:17

headphone pads and earphone ear tips is

5:20

also worldclass and huge. And then

5:23

they've got things like headphone carry

5:25

cases and their Magdac accessory to help

5:28

protect your precious audio gear when

5:30

you're out and about and you're on the

5:31

move. These days, I can't really imagine

5:34

living without their modular cable

5:35

system or their headphone carry case. I

5:38

use them regularly on a daily basis. And

5:40

as I said, I can't imagine life without

5:42

them anymore. And then even better than

5:44

that is that you can have 10% off any of

5:47

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5:49

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5:52

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5:54

the checkout. That's going to give you

5:56

10% off anything and everything from the

5:58

Ducone Audio site and you can use it

6:00

over and over again if you want to. I'll

6:02

put all of the information that you need

6:04

in the description box down below,

6:06

including a link to donia adio.com and

6:08

the discount code passionforound 10. But

6:10

for now, let's get back to the review. I

6:13

think it's time that we talk about the

6:14

sound of the ciphers now in a bit more

6:16

detail. I should also explain in a bit

6:19

more depth why these didn't initially

6:21

impress me. I've already mentioned that

6:23

they don't play any tricks with the

6:24

sound to try to impress. And that's a

6:26

good thing in my opinion because

6:28

auditory tricks almost always end in

6:31

auditory fatigue once the brain realizes

6:33

that things don't sound exactly natural

6:36

and starts to try to compensate. But we

6:38

should also talk about the one thing

6:39

that I think prevents the ciphers from

6:42

being absolutely perfect, and that's

6:44

their soundstaging. The width of the

6:46

sound stage from the ciphers is good.

6:48

I'd go so far as saying it's excellent

6:50

at the price. It just doesn't really

6:52

extend out in front of you as the

6:54

listener. And what that means is that

6:55

everything tends to be a little bit

6:57

inside the head. However, as I listened

7:00

more and more to the ciphers, I started

7:02

to understand their soundstaging a

7:04

little bit better. Whilst everything is

7:06

delivered in a fairly intimate sound

7:09

stage, there is depth and

7:11

three-dimensionality to the overall

7:13

sound. Some headphones, like the Herman

7:15

Edition XS, deliver a very wide sound

7:18

stage, but one that is completely flat.

7:20

It's like all of the musicians have

7:22

lined up along the front of the stage

7:24

with their toes right on the front of

7:26

the stage. Or in the case of some

7:28

instruments like piano and drums, the

7:30

drums and the piano might be the thing

7:32

at the front of the stage. With the

7:33

ciphers, you don't get that sense.

7:36

Despite not creating a huge expansive

7:38

sound stage with the ciphers, it never

7:41

felt like everything was flattened out.

7:43

Instead, the sound stage, whilst

7:45

intimate, was naturally shaped, meaning

7:47

it was more spherical and very cohesive.

7:50

You can hear each individual sound very

7:53

distinctly with the ciphers, but they're

7:55

not broken apart excessively. As I've

7:58

already said, the tonality of the

7:59

ciphers is very natural, but the sense

8:02

of clarity and detail within that tuning

8:05

is, I think, exceptional at the price.

8:07

Listening to piano from the ciphers

8:09

sounds just right and completely natural

8:12

from the lowest key to the highest key.

8:14

And then the details of a soloist's

8:16

breath, or the percussive sounds of the

8:18

piano keys being hit are all perfectly

8:21

rendered from the ciphers as well.

8:23

Because these don't play any tricks or

8:26

do anything that jumps out at you

8:27

though, I needed comparisons to properly

8:30

understand how they were performing. The

8:32

Meza 105 AERS are a very similar

8:35

headphone to the much more expensive 109

8:38

Pros from Mesa Audio. That means they've

8:40

got a slightly more V-shaped tuning than

8:42

the Ciphers, and it does serve to push

8:44

the mid-range back from the listener a

8:46

little bit and give the 105s overall a

8:48

slightly deeper and larger sense of

8:50

sound stage. However, I also noticed

8:53

that it robbed the 105s of the sense of

8:55

immediacy and energy that the ciphers

8:58

are able to deliver. And when I talk

9:00

about energy and immediiacy, that's not

9:02

a way of saying that the ciphers are

9:04

somehow bright or aggressive, because

9:06

they're definitely not. It's actually a

9:08

little bit hard to describe. Somehow,

9:11

the ciphers just convey the inherent

9:13

sense of energy in the music better than

9:16

the 105 AERS can. If there's a sense of

9:19

urgency in the track, the ciphers will

9:21

deliver it. If the track is laid-back,

9:23

the ciphers will deliver that, too.

9:25

They're not artificially enhancing the

9:27

sense of energy and immediiacy. They're

9:29

just delivering it as it's in the

9:31

recording or as it's in the piece of

9:33

music. Another way to put that is that

9:35

they're not adding to the music. They're

9:37

just revealing it to you. And it's very

9:39

impressive. And I have to say that none

9:42

of this was at all what I expected from

9:44

the the audio ciphers. That goes back to

9:47

what I said earlier about the range of

9:49

variability that I've heard in a lot of

9:51

the different headphones coming out of

9:52

China. And that's not a knock against

9:54

Chinese-made products. It's just a

9:56

different approach to tuning, I think,

9:58

in the past. Whereas the Ciphers have

10:00

really nailed it. Back to the 105's

10:03

comparison, though, and it's the 105

10:04

AER, not the 105 Silver from Meza Audio

10:07

that we're talking about here. The 105

10:09

AERS do have a fuller sounding bass than

10:12

the Ciphers. But what was interesting as

10:14

I went back and forth was that even

10:16

though the 105's bass is enhanced, it

10:19

didn't leave the bass from the ciphers

10:21

feeling lacking when I went back to

10:23

them. Whilst the ciphers I would

10:24

describe as being very linear and

10:26

neutral in the bass, they've still got

10:28

good weight and presence. And so what

10:31

you hear as you go between the 105s and

10:33

the ciphers is that the 105s have

10:35

enhanced bass, but the ciphers don't

10:38

lack bass. In other words, both sound

10:40

great in different ways. What the extra

10:43

bass from the 105s does do for them

10:45

though is make the mid-range sound

10:47

relatively less weighty and present. The

10:49

ciphers therefore offer more sense of

10:52

presence and weight through the mids

10:54

because it's not being overshadowed by

10:56

the bass or the treble. It means that

10:58

all instruments have a greater sense of

10:59

presence within the mix at whichever

11:02

frequency they sit. And I think it makes

11:04

the ciphers sound like the more balanced

11:05

and natural headphone by comparison. At

11:08

this point, I was now definitely

11:09

impressed by the the Audio ciphers, but

11:13

I deliberately left the other comparison

11:15

headphone that I took out for last.

11:17

[music]

11:22

I knew that it would be the tougher

11:24

battle here. The first thing I noticed

11:26

with the change of track to delete and

11:28

fast forward was the insane levels of

11:30

detail and clarity that the ciphers are

11:32

able to offer. I'm not suggesting here

11:34

that they're giant killers, but I am

11:36

suggesting that for the money, I think

11:38

they're amazing. What makes them amazing

11:40

to my ears, though, is that they deliver

11:43

excellent detail and clarity without

11:46

pushing anything specific at you. And I

11:48

mean that both in terms of frequencies,

11:50

but also just overall the balance they

11:53

deliver in the music is perfect. Or

11:55

maybe perfect's too strong, but very,

11:57

very good. In contrast, whilst I still

12:00

had the Meza 105 AERS around, they came

12:03

undone a little bit on this track. You

12:05

could specifically hear their upper

12:07

treble spike because of the way it

12:09

shifted the tambber and made the sounds

12:11

of some instruments a little bit less

12:12

than natural. And then the Hyman Edition

12:15

XV was different again. It delivered a

12:18

crisper and more detailed sound than the

12:20

Cipher. In doing so, its delivery of

12:22

sibilent sounds like s and t were right

12:25

on the edge of being a little bit

12:27

uncomfortable for me. The ciphers never

12:30

had me sweating the treble like that.

12:31

Another thing I noticed is that the

12:33

addition XV from Hyerman also creates a

12:35

greater sense of separation of sounds,

12:38

but in doing so, it started to produce a

12:40

sound stage that was less coherent than

12:42

the cipher. That's something I hadn't

12:44

noticed specifically about the Addition

12:46

XV before, but when I compared these two

12:48

together, the incredible cohesiveness of

12:51

the image and presentation of the sound

12:53

from the ciphers highlighted the fact

12:55

that the Addition XVS are a little bit

12:57

artificial in that regard. They're not

12:59

bad, but the sound didn't sound like I

13:02

expect from say a live performance. And

13:04

I think a lot of this comes down to the

13:06

fact that I think the ciphers have a

13:08

supremely natural and balanced tonal

13:10

response to my ears at least. They have

13:13

a very natural treble rolloff that

13:16

doesn't present the upper treble spikes

13:17

present in so many other headphones. And

13:20

it means they're not trying to highlight

13:21

details by having boosted treble. And

13:24

then because they don't have boosted

13:26

treble, there's nothing getting in the

13:28

way and masking all of the wonderful

13:30

details and nuance that the ciphers are

13:32

able to deliver in the mid-range area.

13:35

There are so many amazing subtle details

13:37

and textures produced by all the

13:39

different instruments that live in the

13:40

mid-range, which is most of them. And

13:43

the ciphers deliver all of that to you.

13:46

I am normally a fan of headphones that

13:48

produce larger, deeper sound stages, and

13:51

it obviously would have been better if

13:52

the Ciphers could do that, too. But as

13:55

it is, even with that in mind, the

13:57

Ciphers are comfortably my favorite

14:00

headphone in this price range now. And

14:02

that's not to say that the others, like

14:03

the 105 AERS and the Addition XVS,

14:06

aren't great. And we all have different

14:08

tastes and preferences in how we like

14:09

our music. But what I'm saying is that

14:12

if you gave me $400 to spend on a brand

14:15

new pair of headphones today, [music]

14:17

the ciphers are absolutely the pair I

14:19

would buy. What's even better than that

14:21

is that at the time I'm releasing this

14:22

video, the ciphers are available on a

14:25

Kickstarter campaign. It's being used

14:27

like a pre-launch. They are, as I

14:28

understand it, already a finished

14:30

production model. So, this is [music]

14:31

more of a pre-order campaign rather than

14:33

a Kickstarter where you're paying to

14:35

help produce the product. But what that

14:37

means is that while they're in the

14:38

Kickstarter campaign, your money will go

14:41

further by either getting them at a

14:42

reduced rate, a reduced price I should

14:44

say, or by having extra bonuses thrown

14:47

in for the $400 price tag. And so, if

14:50

that sounds good to you, check out the

14:51

link in the description down below to go

14:53

and buy yourself a set of ciphers. And

14:55

also, don't forget to use the code in

14:57

the link in the description to get 10%

14:59

off anything and everything from

15:00

doneyia.com.

15:02

And [music] then if you want an amazing

15:03

device to plug your headphones into,

15:06

actually the device that I used for a

15:07

lot of my testing of the ciphers, then

15:10

you'll also want to watch the video I

15:12

pinned here at the end next. But until

15:14

next time, peace, love, and music, and

15:16

I'll see you again soon. [music]

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