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Black Panther Poster Analysis

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0:00

hello rob vane here and in this video

0:02

going to be texture analyzing the poster

0:05

for

0:06

marvel studios black panther

0:09

so the first thing we have to consider

0:11

is what is the purpose of a film poster

0:15

film posters are promotional material

0:17

they exist to promote the film to the

0:20

target audience to persuade the target

0:22

audience to go and watch the film

0:25

they're there to advertise the film

0:28

to make audiences a way that the film

0:30

exists in the first place but also to

0:32

use

0:33

various elements to entice the audience

0:35

to come and see the film

0:37

now someone like david hesmergelch would

0:40

talk about the idea that

0:44

film producers are going to want to

0:47

minimize risk and maximize

0:50

profit

0:51

and one of the ways they're going to do

0:52

that is through

0:55

using

0:56

things like stars

0:58

and genres and

1:01

franchises

1:02

to appeal to the audience

1:05

it's basically using a set of

1:08

recognizable and

1:10

standard

1:12

elements that will entice the audience

1:15

it's like saying you know these other

1:17

films you've seen before you don't like

1:19

those well this one's going to have all

1:20

that stuff in it as well

1:24

now traditionally one of the biggest

1:26

things that's been used to sell films is

1:29

the film style

1:31

this goes all the way back to the 1920s

1:35

before then they didn't tend to film

1:37

students didn't tend to advertise the

1:38

name of the film stars because they

1:40

thought if they got too big they'd be

1:41

too big for their boots and expect too

1:43

much money

1:44

but they found out that film stars were

1:46

actually an attractive thing for

1:47

audiences audiences got to like them

1:50

so

1:51

throughout the golden age of hollywood

1:52

and even into the 1990s and early 2000s

1:55

stars were a big deal

1:57

this is less true today now that's not

1:59

to say the stars aren't important for a

2:01

film they are

2:03

but what's become more important

2:04

nowadays is the franchise the franchise

2:07

is a bigger selling point for audiences

2:10

i mean no one really cares who's playing

2:12

spider-man really

2:13

spider-man is the draw not andrew

2:16

garfield or

2:17

whoever else happens to be playing at

2:19

the time tom holland or whatever it's

2:21

spider-man that's the draw

2:24

so film stars have become less important

2:27

but that's not to say they're not

2:28

important

2:31

the second thing is genre

2:34

genre has also been traditionally very

2:36

important steve neal is the person we're

2:38

going to be talking about as our main

2:40

genre theorist

2:42

and we talk about the fact that

2:45

genres

2:47

are defined by their common ingredients

2:50

their generic conventions their generic

2:52

characteristics or tropes

2:54

there's another word we can use for it

2:57

these tropes are repeated

3:00

they become codified

3:02

and they become

3:05

easily recognizable to the audience

3:09

they've been making batman films since

3:11

the 1940s a batman film today is not

3:13

radically different from a backfire film

3:16

in the 1940s in many ways in other ways

3:19

they are radically different

3:21

but still recognizably batman

3:26

in the case of

3:28

the superhero genre the superhero genre

3:31

has become very codified

3:33

in a relatively short amount of time

3:36

um they first started to become popular

3:38

with like

3:39

superman in the late 70s early 80s

3:41

christopher reeve once

3:43

and you know in the 1990s we got the tim

3:46

burton batman's and it was but it was

3:48

with this new cycle of marvel ones in

3:51

the early 2000s that they become the

3:54

cultural juggernaut that they are today

3:58

so the marvel

4:00

franchise in particular is the one

4:02

that's taken over so whilst genre is

4:05

important today franchises are more

4:07

important

4:08

franchises is not a new thing

4:10

obviously the ultimate franchise

4:13

is probably james bond

4:15

which has been making money since the

4:17

late 1950s

4:20

star wars came along and reinvented the

4:22

film industry in the 1970s

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since then we've had loads of them

4:27

whether it be hunger games or harry

4:29

potter or

4:32

anything frankly but marvel do it better

4:34

than most

4:36

in terms of their success and appealing

4:39

to their target audience

4:42

so

4:44

let's

4:45

first of all consider the stars

4:50

now what's interesting about black

4:52

panther is that whilst

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many of the people who are in black

4:57

panther have gone on to become

4:59

massive stars whether it be

5:02

uh chadwick boseman or michael b jordan

5:04

or the p nyong'o or

5:07

um any of those characters they weren't

5:10

especially famous when they were in this

5:12

film although they have become massively

5:14

famous since

5:18

the more famous and well-known actors in

5:21

this film were more the secondary

5:23

characters

5:25

people like

5:26

martin freeman

5:28

was well known for being in things like

5:30

the hobbit movies

5:32

but he was probably better known for

5:34

you know the work he did on british

5:36

television in things like

5:38

um

5:40

you know

5:42

the sherlock holmes tv series right

5:45

sherlock

5:47

you've got people like

5:49

um

5:50

andy serkis who of course was again well

5:53

known from the lord of the rings playing

5:55

gollum and was better known for his

5:57

motion capture work on things like the

5:59

plan of the apes films of being an

6:00

expert on that kind of thing and

6:02

being godzilla and all this kind of

6:04

stuff i'm not called sorry king kong and

6:05

all this kind of stuff

6:07

but the other big actors in it were

6:10

actors who were famous in the 80s and

6:12

90s so you've got angela bassett here

6:15

and we've got

6:17

um forest whitaker

6:19

frost whitaker burst off the scene in i

6:22

think it was 1988 with platoon a vietnam

6:26

war movie

6:27

um became one of the most respected

6:30

black actors of his generation again

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angela bassett oscar winner

6:35

well-respected actors

6:38

yet they're not the ones that dominate

6:39

the posters

6:40

they're actually

6:42

relatively small in fact they're some of

6:44

the smallest figures on the poster

6:47

obviously the poster is dominated by

6:49

chadwick boseman

6:52

who wasn't especially famous at the time

6:54

he'd been in other stuff but he wasn't

6:56

the mega star the black panther turned

6:58

him into

7:00

michael b jordan

7:01

also came massive having been in this

7:03

film but

7:05

wasn't the big story he is today

7:09

so

7:10

yes as you would expect from

7:13

a film the main star is going to be the

7:16

biggest element of the poster

7:19

and yet

7:21

compared with other superhero posters

7:24

he's not quite as large in the frame or

7:28

essential or as important in the frame

7:31

as we might expect from

7:33

other characters

7:35

from you know the earlier in the

7:36

franchise whether it be captain america

7:38

or

7:39

iron man or four or any of those

7:41

characters he seems relatively small

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compared with some of them

7:46

he also looks relatively

7:48

passive

7:50

he's not in a wide legged action pose he

7:53

doesn't look like he's ready for the

7:55

fight

7:57

he is staring at us with this direct

8:00

gaze looking right at us he looks very

8:03

strong he looks

8:05

proud

8:07

but he's a bit

8:09

blank

8:10

for someone who's supposed to be the

8:11

hero

8:12

if anything michael b jordan looks more

8:14

heroic and he's supposed to be the

8:15

villain

8:17

so

8:19

that strikes me as a little bit unusual

8:23

obviously when it comes to the cast the

8:24

first thing that immediately jumps to

8:26

mind in this one

8:28

is the fact that

8:30

of the 10 characters that are on this

8:32

poster seven of them are people of color

8:34

they are black actors

8:36

this is exceptionally unusual obviously

8:38

in a mainstream hollywood blockbuster

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unless it's a film that is specifically

8:44

aimed at black audiences you don't

8:47

necessarily get that very often

8:50

so that is unusual but of course this is

8:53

a film that was

8:55

consciously and specifically designed

8:58

to

8:58

speak to

9:01

the

9:02

kind of what was perceived as being the

9:04

non-traditional audience for superhero

9:06

movies which was stereotypically seen as

9:09

being white

9:10

men

9:12

16 to

9:13

25

9:15

or roughly around that anyway

9:20

in terms of franchises the one that's

9:22

always done best with people of color

9:24

traditionally has been the fast and

9:25

furious franchise because that film has

9:28

a very diverse

9:30

cast

9:30

of all sorts of death different

9:32

ethnicities and genders

9:34

it's appeal to a much wider audience

9:36

than the marvel franchise usually had

9:38

and that's important it's important in

9:40

terms of being seen

9:43

when

9:44

you know

9:46

whether it be people of color or women

9:49

ironically considering

9:51

50 of the population

9:54

they're not used to see themselves being

9:56

represented as the hero

9:58

and that's why films like black panther

10:00

and um you know dc's wonder woman and

10:04

captain marvel and all these kind of

10:06

films for marvel and like black widow

10:08

and stuff like now that's why they've

10:10

become so important

10:11

it's important for people to be seen in

10:14

ways that historically they haven't been

10:17

so this one was a major

10:19

big deal culturally

10:21

for

10:23

black audiences because they've never

10:25

really seen themselves being represented

10:27

as a hero and quite this way before

10:30

so that's obviously the first thing that

10:33

jumps out at us

10:36

the other thing is the sheer number of

10:38

characters that are on this

10:41

poster like i said there are 10 of them

10:44

it's actually quite difficult to

10:46

distinguish which ones are meant to be

10:48

the heroes and which ones are meant to

10:49

be the villains

10:51

um

10:53

possibly andy serkis down here is

10:55

looking a little bit more villainous

10:58

but other than that there's nothing much

11:01

to distinguish between the heroes and

11:03

the villains in this poster which is

11:04

quite unusual

11:09

in terms of

11:11

the generic conventions

11:13

of

11:14

the poster

11:16

it is less obviously a

11:19

superhero

11:20

film than many others in the marvel

11:22

franchise

11:24

possibly because black panther is a

11:28

relatively minor or at least was

11:30

relatively minor marvel property

11:33

certainly nowhere near as famous as his

11:35

big hitters

11:37

to be fair though the disney marvel

11:39

films

11:40

didn't really deal with their biggest

11:42

characters which of course the

11:44

uh the x-men and the fantastic four

11:48

and spider-man

11:51

so they've always had to deal with

11:52

lesser-known characters whether it be

11:54

thor or the hulk or captain america

11:57

all of which were still pretty big to be

11:58

fitted but not in the same kind of

12:00

league of spider-man

12:02

now all of this has been brought back

12:03

under the control of

12:05

disney again but you know

12:08

they've had they've really got to be fit

12:10

they've been scraping the bottom of the

12:11

barrel when it came to characters

12:13

you know especially when you're like

12:14

kind of starting with something like

12:15

black panther and guardians of the

12:17

galaxy these were very

12:19

minor characters

12:21

only really known to the most

12:24

hardcore comic book nerds

12:27

so

12:27

the fact that black panther became such

12:30

a massive hit

12:32

is a testimony to the power of the

12:33

marvel brand

12:36

so in terms of generic conventions this

12:39

looks

12:40

much more like a science fiction movie

12:43

than it does a superhero movie

12:46

and i think this comes

12:48

very much from its

12:50

futuristic looking

12:53

cityscapes that we've got down here

12:54

these

12:56

are like panther

12:58

statues i assume they are but they kind

13:00

of look kind of like robots

13:03

um

13:05

all this steel and metal

13:09

kind of effect makes it look much more

13:11

futuristic

13:12

and

13:14

you know all this metal which i suppose

13:16

is supposed to represent the vibranium

13:18

which is a key plot point of the film

13:22

gives it that science fiction look the

13:24

other thing is the colors

13:26

blue

13:27

is generally used to suggest science

13:30

fiction it's

13:32

reminiscent of

13:34

you know

13:36

planets seen from space or

13:38

um it's reminiscent of metal it's shiny

13:41

it's cold it's futuristic feeling

13:46

and that ties in with the

13:49

sort of

13:50

science fiction genre the black panther

13:52

fits into which is afrofuturism

13:55

uh which is a genre that

13:59

extrapolates what would happen if africa

14:02

had become the dominant

14:04

social cultural force on the planet

14:06

rather than europe

14:09

so

14:10

this is the genre which is very much

14:12

been

14:13

pushed to the fore by black panther

14:15

because it was very much

14:17

a lesser known sci-fi genre until then

14:21

so

14:23

that's a brief overview of that but

14:25

let's have a look at some of the more

14:27

specific

14:28

stuff there are certain things you need

14:31

in a film poster

14:34

the first and possibly the most

14:35

important is the title of the film

14:39

you've got to know what the film is

14:40

called if you're going to go and watch

14:41

it

14:42

so you have the movie's title pretty

14:44

large

14:46

on the page

14:47

surprisingly i'd say the black panther

14:49

logo here is actually quite small i'd

14:52

expect it to be

14:55

rather larger to attract people's

14:56

attention

14:58

also at the top of the page

15:01

you've got the

15:03

names of the key actors

15:06

there are all sorts of contractual

15:08

things that are used to

15:12

show the importance of the actors i mean

15:14

there are famous things like

15:16

you know the main star tends to have

15:18

their name on the left

15:21

and higher up

15:22

why because we read left or right it's

15:25

the first one we see

15:27

same way as his picture has to be really

15:29

big and large and at the top of the page

15:31

because he is there to draw your eye he

15:34

is the big star he has to be at the top

15:38

usually then the actors are listed in

15:41

order of importance in the story

15:45

and

15:46

they will have these little things like

15:48

with angela bassett with frost whitaker

15:50

and andy serkis

15:52

these whiz and ands

15:55

it's

15:56

used when the character may not be that

15:58

important to the story but the actor

16:00

playing them is pretty big and famous

16:03

so

16:04

they have these

16:06

with an and

16:08

credits because it shows that they're

16:10

important but they're not as important

16:12

as the main star

16:15

so obviously

16:17

turtle boson or michael b jordan another

16:18

pro protagonist and the antagonist did

16:21

the two most important characters they

16:22

get their names first

16:26

as i said since some of these actors was

16:28

especially famous when the film came out

16:31

none of them was particularly bigger

16:32

than the other one in or

16:34

in sort of like order of

16:37

size or precedent and placement except

16:39

that you know the more important

16:41

characters are in the film the earlier

16:42

they are on the list

16:46

so

16:46

we don't have any

16:49

the title credits

16:52

we do have a possessory credit though

16:55

as i said black panther might not have

16:57

been not particularly important or

16:58

famous or well known as a character

17:01

no one was clamoring for a black panther

17:03

movie

17:06

that's not the draw

17:07

the draw for the audience was the marvel

17:11

brand

17:13

the name marvel was seen and is seen as

17:16

a badge of quality

17:18

you know what you're gonna get

17:21

you've seen one of these marvel

17:23

superhero films you've seen them all

17:25

and they want you to see them all that's

17:27

what the sort of like the

17:29

end of credit sequence little stingers

17:32

at the end are used to do they're there

17:33

to attract you to go see the other ones

17:36

that's why they have all the crossovers

17:37

where different characters will appear

17:39

in each other's films and you've got the

17:40

big team-up ones like avengers assemble

17:43

all the other ones that have come

17:44

since so

17:46

you have all these

17:50

super hairy elements being used to

17:53

bind the poster together right and sell

17:56

it to the audience but it's the marvel

17:58

bit that really sells it not the name of

18:00

the character

18:02

then you've got a tagline that's

18:03

supposed to tell you a little bit about

18:05

the film long live the king in this case

18:08

i mean

18:09

yeah it tells you that black panther is

18:11

supposed to be a king would you have a

18:12

sidebar can we talk about the fact that

18:14

for a country that's supposed to be that

18:16

you know that came into existence by

18:19

defeating the british empire and kicking

18:21

it out because they didn't want to be

18:22

ruled by a king

18:24

how many american mainstream

18:27

media entertainment products are about

18:29

people who were only good at what they

18:31

do because they were born into it

18:34

whether it be

18:35

luke skywalker or

18:37

neo from the matrix or whether it be

18:40

bruce wayne or you know don't matter

18:43

they're all born into it they don't like

18:45

learn these

18:47

through hard work and skill usually

18:49

i digress though

18:51

right

18:52

so

18:54

the other things we've got to have

18:56

are a credit block

18:59

the credit block is a legal requirement

19:01

and it is

19:04

used to list the key personality actors

19:07

the writers the directors the producers

19:08

etc of the film again there are all

19:10

sorts of complicated rules about who

19:12

gets their name first where it goes how

19:14

big it is

19:16

one of the things they will use and they

19:18

nearly always not always been nearly

19:20

always in a sans serif font

19:24

it'll be a very condensed narrow font

19:28

and it will be very much stretched

19:30

vertically

19:31

by 125 to 135 percent maybe of its usual

19:36

size so very narrow very tall and very

19:39

thin

19:40

this allows you to

19:42

condense

19:43

more information into a smaller space

19:45

and make it bigger

19:48

and therefore more easy to read

19:50

not that most people care about the

19:52

credit block

19:55

then the other things we'll have is

19:57

we'll have you know the logos of the

19:59

company that made the film

20:01

you will have the date of when the film

20:04

is going to get released

20:06

and in this case the different formats

20:08

it's in so in

20:10

3d

20:11

realty 3d and imax 3d

20:17

following the financial crash of 2008

20:20

and the rise of

20:23

dvd

20:25

piracy and uh file sharing and torrents

20:29

and stuff on the internet where people

20:30

were pirating and sharing movies

20:32

this took a major

20:34

hit to the

20:36

profit margins of hollywood studios

20:40

people were no longer renting and buying

20:43

movies they were pirating them online

20:47

to combat this

20:49

remember this is days before netflix and

20:51

amazon prime and other streaming

20:52

services

20:53

to combat this

20:56

the hollywood studios wanted people

20:58

getting back into the cinemas

21:00

and to get people back in the cinemas

21:01

they relied on spectacle

21:04

big

21:05

brash

21:07

loud

21:08

lots of stunts lots of cgi lots of

21:10

special effects and for a while

21:14

they thought 3d was going to be the big

21:17

killer application

21:19

of

21:20

the cinema blockbuster the thing that

21:22

everyone wanted to go and see because 3d

21:25

television sets aren't that common in

21:27

fact i don't think anybody makes 3d tvs

21:29

anymore

21:31

and

21:32

they thought 3d was going to be the

21:34

thing but

21:35

3d sucks it gives people headaches it

21:38

makes them feel sick

21:40

you know and it's

21:42

darkens the picture by 20 no one i don't

21:44

think anyone like 3d

21:48

instead imax has become the thing

21:50

massive gigantic screens

21:53

uh anyone's been to the south bank bfi

21:56

south bank imac screen nothing's the

21:58

height of eight double decker buses it's

22:01

humongous

22:02

right so it gives you that sense of

22:04

spectacle and scale you can't get what

22:07

you can film on your phone

22:10

that's what they don't want you doing

22:11

they don't want you watching it on your

22:12

laptop or on your tablet or on your

22:14

phone they want you to pay good money

22:15

and pay more to go and see an imax so

22:18

spectacle and scale

22:20

are the main selling points

22:24

3d still around but it's petering out

22:26

nobody cares imac's the thing now

22:30

but then comes the decision in 2016.

22:35

so we've got the title of the film

22:36

that's important we've got the tagline

22:38

or

22:41

strap lines it's sometimes called

22:44

we've got possessory credit marvel

22:46

studios black panther because that's a

22:48

selling point we've got our credit block

22:50

we've got our release date we've got

22:52

these kind of like selling points with

22:53

the formats we've got the styles up here

22:56

which are not as big a selling point for

22:57

black panther as they might be for some

22:59

other films

23:01

so those are the basics

23:03

of the poster design

23:07

let's have a look at some of the

23:09

design choices

23:11

so obviously

23:14

the

23:15

design of the

23:17

sci-fi and

23:19

to a lesser extent superhero poster owes

23:21

a lot to

23:24

not just comic book art and comic book

23:26

covers

23:28

but also to

23:29

science fiction

23:33

novel

23:35

artwork from the

23:37

50s 60s 70s but also

23:40

a lot of heavy metal album covers so

23:43

you've got artists like

23:45

frank frazetta and boris vallejo and all

23:49

these kinds of um artists who were many

23:52

people actually did film posters

23:55

were

23:56

creating these sort of like science

23:57

fiction and fantasy images that would go

24:00

on the front covers of comic books and

24:02

um science fiction magazines and

24:06

you know album covers and there's a

24:07

that's filtered into film posters and

24:10

it's become the sort of de facto design

24:12

element

24:13

so

24:15

all of these characters that are the

24:16

main characters of our film

24:19

and

24:20

they're kind of like arranged in size of

24:23

how important they are to the narrative

24:25

the more important they are the bigger

24:27

they are and they get smaller as they go

24:30

into less and less importance or they

24:32

become less and less famous so as i said

24:34

ironically some of the more famous

24:35

characters are some of the smaller ones

24:39

so

24:40

what's also interesting here is the

24:43

prominence of the female characters

24:46

nearly half the characters on this

24:48

poster so forty percent of them

24:50

generally are women and they are some of

24:52

the biggest ones in the frame as well

24:56

and the women of color no less who are

24:58

generally underrepresented in all films

25:00

let's face it let alone superhero action

25:02

films

25:05

most of the

25:07

characters here are in very

25:09

strong powerful poses

25:12

all of whom seem to be looking over

25:13

their shoulder for some reason

25:15

not all of them most of them not

25:16

entirely sure what that's about it's

25:18

almost like they turned back to look at

25:20

you in an angry way

25:21

but notice how other than the direct

25:24

gaze we're getting off

25:26

um

25:27

chadwick boseman here into a lesser

25:29

instead of danny kahlua and um

25:32

uh martin freeman here they all seem to

25:34

be looking off in different directions

25:37

she's looking off over there somewhere

25:38

she's looking up here he's looking over

25:40

there

25:41

you know he's kind of looking down here

25:43

he's always there she's looking out

25:44

there she's gonna it's all over the shop

25:46

what are they looking at

25:48

perhaps they're looking towards the

25:51

future

25:53

perhaps they are

25:55

being watchful for threats

25:59

the point is it creates an enigma a

26:01

question what are they looking at

26:03

that entices us it makes us think

26:07

what else do they got

26:09

weapons

26:11

he's got this whacking great sword here

26:14

she's got her spear

26:16

she's got her high-tech

26:19

kind of

26:20

energy glove things

26:22

that's another classic of superhero

26:24

movies and sci-fi the combination of the

26:27

new and the old because

26:29

a lot of science fiction films and a lot

26:30

of this is due to star wars to be honest

26:32

are taking

26:34

the conventions of

26:36

the arthurian legends of king arthur

26:39

um

26:40

mixing it with a bit of western and a

26:43

bit of sci-fi and some religious

26:45

allegories like a christ metaphor or a

26:47

messiah metaphor

26:49

mashing them all up together to create

26:51

these superhero stories

26:53

a lot of superheroes are basically

26:56

almost like religious characters

26:59

um if we look at joseph campbell as

27:00

universal hero monomyth story when we

27:03

look at a lot of religions

27:05

not to mention legends like king arthur

27:08

you will have characters who start off

27:10

as lowly humble characters

27:13

christ the son of a carpenter

27:16

uh

27:16

you know disciples of fishermen etc

27:19

they're lowly ordinary people king

27:22

arthur starts off with a lowly squire

27:24

um

27:26

you know

27:27

harry potter is an orphan and living and

27:30

covered in the stairs luke skywalker is

27:32

just a farm boy they start off

27:35

lowly

27:36

and slowly learn that they're the chosen

27:39

one and become this messianic figure who

27:42

rise to become the saviors

27:45

so that's a classic narrative

27:48

so they're mixing the old and the new

27:50

the science fiction and the medieval

27:54

so he's got his sword she's got her

27:56

spear

27:58

interesting in of course these long

28:00

pointy weapons are essentially phallic

28:02

symbols so this is kind of like

28:04

taking a few more characters and trying

28:05

to masculinize her

28:08

swords have always been

28:10

and never actually been that important

28:11

as weapons usually pole arms like spears

28:14

have always traditionally been the most

28:15

important weapons

28:17

swords however are expensive and we're

28:19

therefore symbols of

28:22

power and authority more than they were

28:24

actual practical fighting weapons

28:27

his armor obviously both looks leathery

28:30

and futuristic but at the same time

28:32

reminds us of medieval knights

28:37

it's

28:40

again everyone's got these power poses

28:43

legs apart arms pointed shoulders back

28:46

heads up

28:47

makes them look strong makes them look

28:49

powerful makes them look authoritative

28:52

slightly low angle so we're looking up

28:53

at them it makes them look big and

28:56

strong heroic or intimidating

29:02

but again like i said it's difficult to

29:03

tell which ones are the heroes and which

29:04

ones the villains little to distinguish

29:06

them none of them are looking

29:08

particularly villainous except perhaps

29:09

any

29:10

circus they could interchangeably be

29:13

heroes or villains

29:14

also a point i might point out very

29:16

unusual to see heroes with beards

29:21

um

29:23

do i guess be it so fashionable nowadays

29:25

at the moment but

29:28

it skews people's faces and

29:31

traditionally people have often seen

29:32

beards as being

29:35

a you know you've got a beagle or

29:36

something to hide you're hiding

29:37

something

29:38

but on the other hand masculine as well

29:43

so what other kinds of things have we

29:44

got going on here well

29:47

we've got

29:49

one of the classic stereotypes of

29:53

um poster designs is the head in the

29:55

cloud design now these aren't literally

29:57

heads in the clouds

29:59

in the way that some posters have but

30:01

this blue and white background is

30:03

reminiscent of a sky with clouds in it

30:05

and there are lots of big giant floating

30:07

heads so maybe not literally in the way

30:10

some posters are but still a bit of a

30:12

classic heads in the clouds

30:15

design

30:17

color wise we've got

30:19

complementary colors now

30:22

most films nowadays are

30:25

color coded in post-production

30:28

and you use complementary colors that

30:30

are opposite on the color wheel

30:32

and since most skin

30:35

especially caucasian skin is in the

30:38

orange color spectrum

30:41

the opposite of that is teal

30:43

teal is kind of blue green color

30:45

so teal and orange are the two standard

30:48

colors we see being used a lot and that

30:51

is replicated here quite a lot

30:54

because

30:56

the color of the skin

30:58

whilst brown is still going towards the

31:01

more orange hue

31:03

again the red of her top is in that

31:05

color sort of like this is as close to

31:08

gold as it is yellow gold is it's kind

31:12

of orangey and tint to it so

31:16

gold and blue really stand out the gold

31:20

pops against that blue background it

31:22

really gives that contrast

31:24

it's the contrast between the warm and

31:26

the cold

31:28

the

31:29

futuristic and natural

31:32

and gold is very symbolic of wealth and

31:35

power and authority

31:38

gold gives it that futuristic techno

31:40

look

31:42

so we've got the

31:44

complementary colors again everything

31:46

superhero films do this but also science

31:48

fiction films the ting of light is a big

31:51

deal whether it be the glow of her

31:53

energy weapons or the fact that these

31:54

kind of like the kind of

31:56

glow that's coming off these

31:59

statues of the black panthers the kind

32:01

of glow that's coming off the metal

32:04

little tings here for example

32:06

classic superhero trope

32:09

but also classic trope of science

32:10

fiction films

32:13

as i said the size of the characters

32:15

denotes their importance

32:18

the size of the marvel studios logo

32:21

shows us the power of the brand

32:24

the sight lines like i said create a

32:26

sense of enigma but one of the key

32:28

things i think here is this

32:31

very geometric looking

32:34

pattern

32:35

this

32:37

triangle

32:39

will sort of like resembles a kind of

32:40

like some kind of pyramid

32:43

this visually draws the eye

32:46

up through the middle from the title

32:48

which is possibly the first thing that

32:49

attracts us and it points the way to

32:51

look up towards

32:53

chadwick boseman here equally the cross

32:56

shape

32:58

again draws our eye to the center

33:02

of the image and to

33:04

chadwick boseman's face

33:07

the circular shape behind him and these

33:10

these kind of branch out almost like

33:12

wings

33:13

and that circular shape is kind of

33:14

reminiscent of a halo so it kind of has

33:17

a religious element there and it kind of

33:19

makes him look like some kind of

33:21

angel i suppose with these wings and

33:24

this sort of like

33:25

halo effect going on behind him

33:28

the diagonals are also a very strong

33:31

shape again even the characters here are

33:33

arranged in kind of an x

33:35

it's very strong it's powerful

33:38

it's

33:40

diagonals tend to make things look fast

33:42

as if they're leaning forward

33:46

looking towards the future going forward

33:49

to a very strong

33:50

shape again the way these lines here go

33:53

up and then in

33:55

up and in it draws our attention all the

33:58

time back to childhood clothes as this

34:00

necklace look the shape of this the

34:02

teeth on this necklace kind of like

34:04

almost like arrows pointing to his face

34:09

so

34:10

to a certain extent this is a poster

34:12

that is selling the character

34:14

not the star

34:16

again chadwick boseman may become hugely

34:18

famous after this but he wasn't at the

34:20

time

34:21

so very few people knew who he was

34:24

so black panther was the selling point

34:26

not chadwick boseman

34:31

all of this has got a traditional he's

34:33

gonna remind me like the ghost of things

34:35

from ghostbusters

34:37

but

34:38

again it's got a typical science

34:40

fictiony feel

34:42

it does remind me a little bit of films

34:44

like

34:46

um dark city actually the sort of like

34:49

alex pryas is sort of like science

34:52

fiction detective story

34:54

um i really like the sort of like the

34:56

patterns on here as well i suppose

34:57

they're meant to be african i guess or

34:59

asian because some of it's sort of like

35:02

set in

35:03

south korea but i think this is sort of

35:04

like the

35:05

wakandan language they've invented these

35:07

pictograms a little less it's got kind

35:09

of like an art deco feel to it they're

35:11

sort of like but that was a thing with

35:13

art deco art deco as a design in the

35:15

1920s had a very

35:18

post-colonialist attitude it was very

35:21

much

35:22

influenced by the discoveries that were

35:25

being made in egypt by howard carter as

35:28

he was in and covering the tune of

35:30

carmen

35:32

so

35:33

artec was very much influenced by

35:35

this

35:37

postcolonialism and the others edward

35:39

syad would talk about

35:41

so

35:42

there's that crossover there

35:45

but the unless it's supposed to be

35:47

these african designs

35:49

but

35:50

this doesn't lean that heavily into the

35:52

africanness

35:53

of

35:54

black panther not as much as some of the

35:56

other posters did

35:59

um angela bassett's

36:01

outfit here especially this head dress

36:03

has got

36:04

a kind of

36:06

african uh

36:09

element to it

36:11

for us so

36:11

is a rogue ship and the rest of it is

36:13

kind of like toning down the

36:15

afrofuturist element of it in comparison

36:18

to many of the other posters

36:24

so that i think

36:28

covers many of the basics of that poster

36:34

see if you can come up with any more

36:36

the more you can think about the better

36:39

but

36:42

this is very different obviously to the

36:43

i daniel black poster which has a very

36:46

very very different way of selling the

36:48

film

36:49

one of the things this clearly doesn't

36:51

have on it

36:52

it's not got any quotes

36:55

it's not gonna be quotes from critics or

36:57

newspapers or magazines or anything like

36:59

that because you don't need that kind of

37:01

stuff to sell or marvel movie it sells

37:03

itself almost

37:05

it's not got any awards on it black

37:07

panther didn't win that much in the way

37:09

of awards certainly didn't win anything

37:11

major it's not going to win a palm door

37:13

you know a silver bear or something like

37:15

that is it

37:16

and well it was nominated for oscars

37:19

don't think he'd won much of any if any

37:23

so

37:24

whilst the film may have had a lot of

37:26

cultural impact it wasn't that very well

37:29

received critically

37:32

relatively speaking because it's a

37:35

mainstream studio movie and they're

37:38

never really well received critically

37:40

they don't get much in the way of

37:41

acclaim

37:42

genre films never have whether it be

37:44

sci-fi or horror or superhero movies or

37:46

whatever

37:47

with the odd exception

37:51

so

37:53

very different to the

37:54

positive right daniel blake which we'll

37:56

look at later

37:58

right okay that'll do for now

38:00

if you've got any questions you know

38:01

where to find me

38:03

and i'll see you in the next one

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