トランスクリプトEnglish

Finding Your Perfect Hairstyle Is Surprisingly Easy

4m 26s957 単語156 segmentsEnglish

全トランスクリプト

0:00

You've probably done this before,

0:01

looking for a new hairstyle, you come

0:02

across a guide and it tells you to

0:04

identify your face shape. You follow the

0:06

recommendation exactly, but it still

0:07

doesn't look how you wanted. The

0:09

problem, against common belief, your

0:11

face shape is almost irrelevant and way

0:13

too unspecific. What actually matters

0:14

are your individual facial features. And

0:16

once you understand the four that matter

0:18

most, choosing the perfect hairstyle

0:20

becomes surprisingly easy. The first and

0:22

most important feature are your facial

0:24

thirds. Research shows that facial

0:25

thirds determine perceived

0:26

attractiveness more than almost any

0:28

other proportional feature. This is the

0:30

exact principle professional hair

0:31

stylists use to correct imbalances. For

0:33

example, if you have a small, narrow

0:34

upper third, expose it, don't cover it.

0:36

Bad Bunny demonstrates this perfectly

0:38

where he consistently wears his

0:39

hairstyled upward and away from his

0:41

forehead, making his compact upper third

0:43

appear larger and more balanced. But

0:45

here's where it gets interesting. Look

0:46

at actor Omar Aayus. He also has a

0:48

narrow upper third, but when he wears

0:50

downward styles that cover his forehead,

0:51

his face looks compressed and bottom

0:53

heavy. Now look at this morph where we

0:55

expose his forehead. The proportions

0:56

immediately improve because we're no

0:58

longer hiding an already small feature.

1:00

Now, if you have a large, wide upper

1:02

third, the opposite applies. Chris Briny

1:04

is the perfect example. He has a

1:05

prominent forehead, so when he wears

1:07

forward styled hair or bangs, it

1:09

visually reduces that area and creates

1:10

balance. Paul Mscal's case is even more

1:12

specific. His slightly receding hairline

1:14

makes his upper third wider than his

1:16

midface, which is why forward styled

1:18

hair with textured bangs work so well in

1:20

him. It's not just about covering

1:22

height. It's also about reducing

1:23

perceived width. And if your upper,

1:25

middle, and lower thirds are already

1:26

balanced and proportional, you have the

1:28

most flexibility. You can pull off slick

1:29

backs, medium length flows, and mid

1:31

parts equally well. Okay, so another

1:33

crucial feature you need to understand

1:35

is your facial symmetry. And this one is

1:36

counterintuitive. The more asymmetrical

1:38

your face is, the more asymmetrical your

1:40

hairstyle needs to be. Most men assume

1:42

symmetrical hairstyles, clean middle

1:44

parts, perfectly balanced buzz cuts,

1:45

always look better. But that only works

1:47

if your face is already symmetrical.

1:49

Look at this comparison of Andrew

1:50

Garfield. On the left, a relatively

1:52

balanced face. On the right, the same

1:54

face with a clean middle part. Notice

1:56

how the slight unevenness around the

1:57

eyes and jaw suddenly becomes more

1:59

visible. A symmetrical hairstyle creates

2:00

a visual reference point. And when your

2:02

face deviates from that symmetry, it

2:04

stands out. Timothy Charm's face, like

2:06

most, has subtle asymmetry. If you

2:07

mirror his face, the structural

2:09

unevenness becomes clear. But he

2:10

consistently wears messy textured hair

2:12

with irregular volume because it

2:14

prevents your eye from locking onto his

2:15

structural asymmetry. Now compare that

2:17

to someone like Brad Pitt where during

2:18

his career he pulled off nearly every

2:20

single hairstyle out there just because

2:22

of his highly balanced facial structure.

2:24

Clean symmetrical hairstyles emphasized

2:26

his natural balance rather than exposing

2:28

any deviations. The third feature is

2:30

your vertical face length. And the

2:31

principle here is quite simple. Your

2:32

hairstyles vertical silhouette should

2:34

counterbalance your face length. If you

2:35

have a long face, you need horizontal

2:37

emphasis. Flat styles, sides swept hair,

2:39

anything that reduces vertical height.

2:41

Adding volume on top will only make your

2:42

face look even longer. Look at Adam

2:44

Driver. He has an elongated face, which

2:46

is why he almost exclusively wears his

2:48

hair flat or sides swept. You never see

2:49

him with a quiff or high volume on top.

2:51

It would exaggerate his facial

2:52

proportions because it makes the face

2:54

immediately look stretched and

2:55

unbalanced. But if you have a short,

2:57

more compressed face, the opposite would

2:58

apply. You need vertical emphasis to add

3:00

height. Bruno Mars is famous for his

3:02

long afro, but it doesn't just look

3:03

cool, it also adds volume and height,

3:05

elongating his facial proportions. And

3:07

even when he's not wearing the afro,

3:08

like here, he usually goes for upward

3:10

styled hairstyles because short styles

3:12

like a buzzcut would draw focus to a

3:13

slightly compressed face. On the other

3:15

hand, if your face is balanced

3:16

vertically like Robert Patterson, you

3:18

have complete flexibility. High volume

3:20

styles, flat styles, slick back looks,

3:22

all of them generally work because there

3:23

is no vertical imbalance to correct. The

3:25

fourth and final feature will determine

3:27

if you can pull off a buzz cut, which is

3:29

your jaw projection. Short hair,

3:30

especially buzz cuts, remove all

3:32

distraction from the lower third.

3:34

There's nothing to soften and redirect

3:36

attention making your jaw the focal

3:38

point. Streamer Marlon Ludrin Garcia

3:40

became known for his buzzcut. His jaw is

3:42

angular, well projected and defined. So

3:44

removing hair draws more attention to

3:46

that particular feature. Another famous

3:47

example is Jeremy Meeks. His short hair

3:50

emphasized his facial structure, eyes,

3:52

and especially his jawline so

3:53

dramatically that his mug shot went

3:55

viral, launching his career as a

3:56

professional model. On the other hand,

3:58

if your joy is softer like Austin

3:59

Butler's, short hair also exposes that.

4:02

In those cases, messy textured styles

4:04

work better because they create visual

4:05

distraction. Take a look at this morph.

4:07

A buzz cut would shift all focus to his

4:09

lower third, which isn't his strongest

4:11

feature. Once you understand these four

4:12

features, you realize why someone like

4:13

Brad Pitt was able to pull off

4:15

practically any hairstyle throughout his

4:17

career, while another individual with

4:18

the exact same face shape could not. So,

4:20

forget what the face shape chart says.

4:21

And if you want us to analyze your face,

4:23

head over to goo.com.

さらにアンロック

無料でサインアップしてプレミアム機能にアクセス

インタラクティブビューア

字幕を同期させ、オーバーレイを調整し、完全な再生コントロールでビデオを視聴できます。

無料でサインアップしてアンロック

AI要約

動画コンテンツ、キーポイント、および重要なポイントのAI生成された要約を即座に取得します。

無料でサインアップしてアンロック

翻訳

ワンクリックでトランスクリプトを100以上の言語に翻訳します。任意の形式でダウンロードできます。

無料でサインアップしてアンロック

マインドマップ

トランスクリプトをインタラクティブなマインドマップとして視覚化します。構造を一目で理解できます。

無料でサインアップしてアンロック

トランスクリプトとチャット

動画コンテンツについて質問します。AIを利用してトランスクリプトから直接回答を得られます。

無料でサインアップしてアンロック

トランスクリプトをもっと活用する

無料でサインアップして、インタラクティブビューア、AI要約、翻訳、マインドマップなどをアンロックしてください。クレジットカードは不要です。

    Finding Your Perfect Hairstyle… - 全文書き起こし | YouTubeTranscript.dev