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I Obsessed Over Music Branding for 20 Years - Here's What Actually Works

30m 54s6,501 単語947 segmentsEnglish

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0:00

Many artists think the difference

0:01

between where they are and where they

0:03

want to be is either talent or luck.

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It's not. It's storytelling and

0:07

marketing. There are hidden cheat codes

0:09

surrounding the world of music

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marketing. There are techniques the

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biggest artists in the world use to

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build audiences of millions. These

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artists get six figures per show and

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travel the world showcasing not just

0:19

their music, but their taste. They have

0:21

the houses, the cars, the toys, the bank

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accounts, and more importantly, the

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resources to keep growing their projects

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year after year. If you want to play in

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the pros of the music world, you're

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going to need real knowledge of where

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storytelling meets marketing and a clear

0:35

plan of the tactics you're going to use

0:37

to grow your project. Unfortunately,

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music alone will not get it done in

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today's world. You need a proper story,

0:45

identity, and a plan. In my world, most

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of what we talk about is story, brand,

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identity, and communication. In the

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broader music industry, all of this gets

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flattened into one word, marketing.

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There are so many different marketing

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techniques and ways to use time and

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money trying to get your music heard.

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Over the years, I've seen them all. I've

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seen millions of dollars wasted on the

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wrong path. But I've also seen artists

1:07

go from being semihomeless to

1:09

multi-millionaires just by mastering one

1:11

technique. And this is exactly what I'm

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going to talk about today. I'm going to

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give you my top 10 key insights when it

1:16

comes to music marketing. If you want to

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create a cult following of fans and

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build the creative life you seek, the

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insights from today's topic could be

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crucial in walking up the mountain

1:25

toward your dream. So, who am I to even

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talk about this subject? My name is

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Chris Alba and I've worked on all sides

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of music for the last 20 years. I've

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been an artist, a producer, and a DJ.

1:34

For a full decade, I was a concert

1:36

curator doing weekly shows with

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thousands of people every week in Los

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Angeles during the boom of EDM. In the

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2010s, my wife Lindsay and I owned

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clothing stores up and down the

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California coast, and we styled many a

1:47

music video, photo shoot, and album

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cover. 12 years ago, I founded my

1:50

creative agency, The Cole Creatives. We

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focus on creating clarity surrounding

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storytelling, brand, and marketing

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strategies. We help artists get ultra

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clear on the story they're actually

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trying to tell, how that story lines up

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with the music, and then building plans

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surrounding execution to bring that full

2:06

concept, what we call the movie, to

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life. Over the last 12 years, we've done

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tens of millions of dollars in business

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and have helped craft strategies and

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execute creative campaigns with some of

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the world's most well-known music

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artists, record labels, and music

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festivals. We've also been on the ground

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floor with many artists helping build

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their brand story and growth strategy

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from day one. So, because of these

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experiences, I've had a front row seat

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to a massive range of campaigns,

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strategies, and launches across the

2:30

industry. I've seen what works and what

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doesn't, and what looks good on paper,

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but never actually delivers the results.

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And with all these unique experiences

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that I've been blessed to have, it's

2:39

given me perspective. And I don't think

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my perspective is better or worse than

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anyone else. I've just seen what I've

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seen. I've been able to experience the

2:46

industry from a lot of different angles.

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And with those experiences, there are

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some key insights that I found that

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could save you years of trial and error

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and save countless marketing and content

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dollars from your artist bank account.

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These insights are what we're going to

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get into today. So, let's dive in.

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Insight number one, brand is greater

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than product. They say it only takes one

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song for an artist or one product for a

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company to blow up. And while that can

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be true, in my experience, the brands

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that I've been a part of from the ground

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floor that have become massively

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internationally known brands all had one

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thing in common. They always put brand

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first. And what do I mean by brand? It's

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the story, point of view, mission,

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rules, values, principles, and beliefs

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of the brand. This is why a core part of

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our work at Colt is getting the

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foundational elements, values, and story

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ultra clear on any brand that we work

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on. These elements should become the

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guiding light on everything a brand

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does. With this level of clarity, you're

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making decisions not based on if

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something's cool or not. You're asking,

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is this in alignment to my brand? And in

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my world, it's black and white. If an

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artist is clear on these elements and is

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game for the advertising and promotional

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part, they usually grow at an

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exponential rate versus artists that are

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unclear and play the game of throwing a

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bunch of ideas at the wall to see what

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sticks. Most of the videos on the

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neighbored art supply channel are filled

4:01

with exercises and organizational tools

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to help flesh out these elements. So, it

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can be good to watch those if you're

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unclear with any of these elements for

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your own brand. The main reason most of

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the larger artists that we work with are

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hiring myself and Colt is they have a

4:14

sense of these elements, but they want

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to get clear on each piece so they can

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attack all sides of their project with

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clarity. If you're clear on your brand

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and its story and you have an audience

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of people attached to it, it's okay if

4:25

you have a song or even an album come

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out that maybe the audience doesn't

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resonate with because they're connected

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to the brand. They'll likely stick

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around for the next one. This is

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different than the one hit wonder

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stories where the audience loved a song

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or two, but then there was no brand to

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back it up, so they quietly faded away.

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A well-built brand can do so much of the

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heavy lifting when it comes to

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marketing. A confused brand will always

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struggle with the marketing, even if the

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product is incredible. For example, look

4:50

at Steve Jobs and Apple. Jobs and his

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marketing agency sold the story and idea

4:54

of think different. Rebels fighting a

4:57

system and thinking differently. The

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storytelling, visuals, and messaging was

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so strong he could have put almost any

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product next to it and it would have

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worked. Seth Goden, one of the greatest

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marketing minds of our generation, says,

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"Marketing is no longer about the stuff

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you make, but the stories you tell."

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This is why it's crucial to have the

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movie and story to go along with the

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soundtrack that is your music. Without

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the movie portion, the audience is

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hearing the music, staring at a black

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screen, or worse, if the story is

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confusing, they're watching scenes in a

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movie that they don't understand, tied

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to music that they may actually like,

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but it all feels disjointed. The music

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artists that are your personal heroes

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spend time with the stories surrounding

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their music. It's par for the course

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with legendary music acts. If you want

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to connect in the way that they are, you

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need to put brand and story at the

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forefront of your marketing

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conversations. Insight number two, from

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I like this to I am this. When someone

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wears a t-shirt with your logo on it,

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they may just be saying they like your

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music, but more than not, it's actually

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a way for someone to signal to the world

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that they identify with you and your

6:00

artist brand. They identify with it so

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much that they're willing to be a

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walking billboard for you and your

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project. Artists are groups with great

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music who have done their job with their

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storytelling, branding, and properly

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conveying what they stand for are

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usually the types that get people

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wearing their merch. Artists who can

6:16

sell merch are on a different level. And

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