Can you explain all these coincidences? (19th Century American “Theater”)

Howdy y'all. Welcome back. In keeping up

with what I like to do on my channel,

sharing with you different ideas,

different theories, even different

oldworld accepted narratives that most

people will not talk about today or have

not talked about in recent times. trying

to put a more decisive sort of dive into

what the history could actually mean.

Theater, we have the theater of war, the

theater of progression, the literal

theater, like in ancient Rome, a

construct in itself which elevated

Romans from a conquering warrior culture

to one that cultivated many of the

aspects of society that are still in

place today. However, have you ever

heard of the coincidence of theater?

More specifically, the vast assortment

of so-called coincidences that reshaped

America before the year 1900. All

seemingly related to the actual theater

or stage acting, but seemingly alluding

to a much deeper, possibly calculated

and orchestrated series of events meant

to discombobulate the population and

blur the line between the old world and

the new. Today, I'll be attempting to

highlight for you a multitude of

coincidences, all of which coalesed

rather unbelievably to create the

current historical narrative in America.

And oddly, all of these anomalies tie

back to the theater. The Illuminati was

founded on May 1st, 1776 in Europe. On

May 1st, 1796,

we are told a prodigal son was born in

St. Pancress, London.

St. Pancreas, London sits at roughly the

center of the ancient city and maybe one

of the oldest portions of London

according to the narrative with some of

the evidence suggesting that the church

was founded here as early as 314 AD next

to the fortified Roman encampment that

was known as the Brill. Inside the

ancient walls of this parish community

in London in the year 1796,

Junius Brutus Booth Senior was born. The

Roman names and the birth date given for

this gentleman are already a

coincidence. However, we are also told

that Junius's father, Richard Booth, was

a staunch yet secretive supporter of the

American patriot cause, all the while

living inside the heart of London's

religious community. The question

becomes, are these individuals

predetermined to fill certain roles in

history, or are there clues in the

narrative that could allude to this?

Junius Brutus Booth Senior would go on

to be regarded as the greatest age actor

in the world during the early to mid

19th century. He was a household name

according to the narrative, not just in

Europe, but across all corners of

civilization. So, it becomes rather

surprising that one of Booth Senior's

most famous quotes is, and I quote, "I

was destined by my controllers first for

the printing office, then to be an

architect, then to be a sculptor and

modeler, then a lawyer, then a sailor."

Of all of these, I preferred those of

sculptor and modeler." End quote. In the

multiple places that this quote was

printed in the 19th century, the term

controllers is always capitalized.

That's why I use the term prodigal son.

It's as if Booth Senior was chosen for

the role from inside a very tight-knit

community in the heart of London. But

the question becomes, by whom was he

chosen? Who were these controllers? In

1813 at the age of 17, Junius Brutus

Booth witnessed the play Oello at the

Royal Opera House of London.

Immediately, he gained his controllers's

blessings and began a career in acting.

Just one year later, Booth had toured

most of the Low Countries before being

invited back to London in 1817 to make

his debut at the Royal Opera House. That

year, Junius Brutus Booth rose to

worldwide acclaim when he played the

role of Richard III. By 1821, he was

said to be having an affair with a

flower girl. He was caught and

subsequently he abandoned his wife and

his son to flee to America. That sounds

like the actors I know. By 1822, the

couple had settled in Bair, Maryland,

which is just about 20 minutes from

where I'm recording this audio right

now. We're told Booth then inherited or

came upon roughly

150 acres in Maryland, formerly the

stomping ground of the Saskuhan

indigenous people who were wiped out

just a few years earlier in 1763. But I

digress. So Booth lands on 150 rich

acres of land. He builds or founds a log

cabin. But then quickly afterwards, he

founds a massive two-story home known as

Tutor Hall. However, this isn't just any

two-story home. It's the classic

oldworldstyle two-story building where

each story appears to be about 15 ft

tall. And the overall building itself at

only two stories is probably close to 50

feet tall or more. We're told Junius

Brutus Booth was then immediately hired

to again play Richard III in America, a

role which he perfected over the next 30

years. Long story short, it appears

Booth was part of some oldw world regime

that was trickling into America as

there's still much debate over whether

his plays were put on in French or in

English. Seeing as he's an English actor

from the heart of London, it's somewhat

strange that he would perform in French

at all. Unless much like John Levy has

pointed out before, French appeared to

be the predominant language that was

universally being used before the rise

of Napoleon, but was still being used

afterwards in elite circles, even

postreset.

Of course, it does appear to get deeper.

For example, in 1835, Booth Senior, the

predominant actor in the entire world at

this time, wrote a letter to American

President Andrew Jackson explicitly

stating that he planned to cause

Jackson's passing. If you didn't know,

Andrew Jackson essentially looked to end

the central bank and get America out of

the control or the grip of the banking

elites. But if we read between the

lines, could those banking elites also

have been controlling the media at the

time like the theaters and the

newspapers? I think you know the answer.

What's even stranger here is Andrew

Jackson not only did not charge Booth

with any crime for this, but he actually

accepted Booth into a role in

Washington. I wonder why.

What leverage was really had there?

Booth lived the remainder of his life

touring both Europe and America, usually

accompanied by some, but never all of

his sons at the same time.

Although he was an extremely

well-educated

upper class gentleman, we're told on a

steamboat from New Orleans where he had

just performed in French going to

Cincinnati, Booth repeatedly drank river

water, causing him to get violently ill.

This specific steamboat, for whatever

reason, was not carrying any doctors or

medical supplies at the time, and Booth

was said to have passed away in a rather

ghastly fashion on the waters outside of

Louisville, Kentucky. When his mistress

came to claim his body, she said that

she could barely recognize the person as

being Booth. However, that's only the

tip of an iceberg that pierces into the

very heart of American culture. Junius

Brutus Booth Senior had four children of

note being his daughter Asia and his

three sons, Brutus Jr., Edwin, and John

Wils Booth. The firstborn of these

children, Brutus Jr. was actually born

in Charleston, South Carolina, and not

on the family estate in northern

Maryland. While his acting career was

rather elementary compared to his

brothers, Brutus Jr. actually did garner

worldwide acclaim by being the manager

of four of the most important theaters

in American history. the Boston Theater,

the Walnut Street Theater in

Philadelphia, which since 1808 is the

oldest continuously operating theater in

America. He also managed the Winter