Seedance 2 for Motion Design Is Insane — Full Workflow Test

Hello everyone. Today, we're building a

full motion graphics video completely

from scratch. No motion graphics

software, none. Just flashboards.

Please, take a look. You know this idea,

it's already there in your head. But

while you piece it together from 10

different windows as your focus keeps

getting pulled in every direction, while

you're chasing fragments instead of the

whole, it fades. And suddenly, there you

are, alone, idea gone, head empty,

emotionally sponsored by chaos. [music]

Flashboards keeps the idea whole.

Everything you drop onto the canvas,

[music]

references, clips, voice prompts, stays

right there with it. Nothing gets lost

between tabs. At the center, a prompt

box. Everything around it, your process

[music] laid out the way you think,

where the idea doesn't fall apart.

Flashboards, built to create.

Good news, SeaDance now has a 30%

discount. So, the price goes from $0.302

to $0.211.

Here's the roadmap we're going to

follow. We'll start with the idea, move

into references, then build our still

shots, shape everything into a

storyboard, bring it to life with

SeaDance transitions, and finally polish

it in After Effects or DaVinci. Now,

let's break it down. We start where we

always should, the idea. A short script

to guide us and double as our voiceover.

Using a few carefully chosen references,

we begin by selecting the character

reference, colorful 3D elements, a

meditation pose, and some icon

references, a simple prompt, and we get

our first draft. Good start, but not

quite there. So, I iterate, reuse the

result, refine the prompt, better. Next,

remove everything outside the head.

Cleaner. Finally, bring in a new

background reference, combine

everything, and now scene one is locked.

So, once you got a concept you liked,

things get easier to manipulate. Scene

two, using scene one plus the 3D

elements reference, I generate the next

shot with a more detailed prompt. One

issue, those connecting lines. Quick

fix, select the result, short prompt,

gone. From here, the process becomes a

rhythm. Moving next, we'll select the

second scene we've just generated, write

our next prompt,

and here it is. Moving to the next one,

same colorful elements reference with a

new more organized one, a detailed

prompt, and the first draft is ready.

Now, building upon the scene we just

generated, we'll tweak it a little to

make those elements more organized in a

grid, and here we go. We keep building

upon what we already have to maintain

style consistency. So, moving next,

selecting what we have, writing a

detailed prompt, and our next one is

ready. To make a specific card escape

the board, we'll select the new scene,

type a new prompt, and yep, that's it.

For the next scene, where he's sitting

at a desk and working relaxed, I'm going

to select this new reference and our

main character, then type a detailed

prompt describing what should happen,

and Nano Banana 2 did just that. For the

next one, to make him catch the flying

media card, I'm going to select what we

already generated, the card itself, and

the board the card is escaping from,

which is the previous scene. With a

suitable and specific prompt, it's done.

For the prompt box scene, I'm going to

select an image of the prompt box in

Flashboards, our 3D elements again,

followed by the prompt, and here we go.

Tweak the result a bit, update the

prompt, and we have our chosen scene.

For the next scene, selecting what we

generated, followed by a previous scene

to keep the same media cards look dev,

and a screenshot from a Flashboards

video we made. And with the right

prompt, they are all combined perfectly.

And for the last scene, selecting the

first scene, describing what's happening

with a prompt, and it's done. And just

like that, we have a stylized and

consistent storyboard ready to be

animated.

>> [applause]

>> Now, before going any further in the

process, don't forget to upscale all

your results to 4K for more accurate and

consistent results with SeaDance 2.

Moving now to SeaDance 2 and the video

generation process. First, I made a full

body shot and a close-up shot of the

main character to maintain that level of

texture. Starting by selecting both as

references along with the first scene,

type the prompt, and the first scene is

alive. Since I selected the duration to

be 15 seconds and the actions [music]

are simple, you'll notice that the

result is slow, but we'll fix it later.

Moving to the second scene now, keep the

first scene selected since it's going to

be the start frame, followed by the next

scene as the end frame, and the close-up

character shot for texture clarity. Type

a detailed prompt of what's happening,

and here we have our second scene.

Man, look at you. You just elevated the

whole idea.

Keeping everything selected, I'm only

going to update the prompt with a

shorter description this time. And just

like that, we have a second variant of

the same scene, which we can also use.

Now, a very cool trick to keep

everything seamless and connected, I'm

going to select a frame from the end of

this current scene, upscale it, and use

it as an input to be the start frame for

the next scene, then follow it with the

next scene itself and a short prompt.

And here we have our next scene starting

exactly where we left off.

Repeat the same process by selecting a

frame from the end of this shot to be

the start frame for the next one, then

select the next scene, a short prompt

again, and here we go.

>> [music]

[music]

>> Get back to a frame we want to start the

next scene with, followed by the next

scene, and typing yet another short

prompt again, here we have it. Notice

that it's not always a complex or long

prompt.

>> [music]

>> For the next one, to make the media card

escape the board, I'll select the board

shot first, followed by the flying card

shot. Type the prompt, and it's done.

Let's keep everything selected and

update the prompt with a shorter one,

and just like that, we have another

option to use.

Notice that it's not always a long or

complex prompt. Sometimes a short, clean

one will do the trick.

Now, for the next shot, I want to make

things easier for SeaDance 2 to

understand what's going on much better

from the first try. So, I will first

make another pose out of our next scene,

then another pose in between where the

media card is trying to get out of the

monitor. Select all three now for

SeaDance 2 and type a detailed prompt,

and there you have it.

Keeping everything selected and only

updating the prompt with a shorter one,

we have another option to use, combine,

or choose from.

Moving next, I'll select this scene as a

start frame and the next one as an end

frame. Describe what's happening with

extra details, and we have our first

try.

>> [music]

>> And once more, keeping everything

selected, update the prompt with a

shorter version, and there we have a new

option.

A complex prompt when I want control, a

short one when I want variety.

More options, more directions, and so

far, it's looking really good. And for

the final scene, I'll grab it and type a

prompt to animate it. And there it is.

From the generated result, I'm going to

select a frame from the start and make