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Bishop Barron Presents | David Henrie - Seeking Beauty

1h 2m 59s13,826 palavras2,011 segmentsEnglish

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0:07

Well, I am delighted to be here with

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David Henry, star of um stage and screen

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and small screen and big screen and

0:13

writer, producer, director, great

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Catholic gentleman, someone I've wanted

0:17

to talk to in this program for a long

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time, but we've known each other for a

0:20

long time. In fact, I remember vividly

0:23

when we met. I had just been named

0:26

auxiliary bishop out in LA and I can't

0:28

remember it was even before I was

0:30

ordained or it was it was right after

0:32

maybe but very early on.

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>> Yes. And I remember I I my brother and I

0:37

picked you up outside of the cathedral.

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>> Exactly.

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>> And we went to dinner with Father Steve.

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>> Yes.

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>> And just had a great conversation.

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>> You and Lorenzo came by and I was very

0:45

grateful to you cuz I was brand new. I

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mean I knew nothing about it. I'd been

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to LA a couple times before, but I knew

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nothing about the dascese and I was just

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kind of lost. And you two came and very

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graciously, you know, kind of welcomed

0:57

me into that world. So, we know each

0:59

other for a long time.

0:59

>> And you gave me I remember that dinner

1:01

particularly because you gave me a

1:02

significant amount of hope. I was at a

1:04

point in my faith and in my conversion.

1:06

I was still early on in my conversion

1:07

where I was just I I was struggling with

1:10

how I came into the faith, the types of

1:13

books I was reading. I was reading a lot

1:15

of the saints and I was reading a lot of

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St. Thomas and studying philosophy at

1:18

the time. That was what fueled my

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conversion. And I was I was not I was

1:24

looking for that in Catholicism. I was

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like, where is this? I And I wasn't

1:28

finding it in where I was going to

1:30

church and just the daily masses that I

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was going to. I was like, where is this

1:33

Catholicism? And we had dinner.

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>> And I remember it was just such a

1:36

wonderful dinner. And I was like, you

1:38

were totally with it. you were totally

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your your uh responses to some of my

1:44

things that I was contending with were

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just so wonderful and I was like okay

1:47

great

1:48

>> we we have some hope

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>> and we'll come back to that because I

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really want to talk to you you have a

1:52

great interest in philosophy and in

1:54

theology and kind of the higher

1:55

intellectual side of the faith which is

1:57

terrific

1:58

>> hey something about Lorenzo because met

2:00

him that night he's of course been very

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successful actor too and now is actually

2:05

in this new Mel Gibson movie about the

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resurrection right I'm so proud of him

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He uh he had he had a I'm proud of him

2:12

because um he had came he he he had to

2:16

walk away from a big role in a big show.

2:18

Show was the offer with Miles Teller. It

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was about the making of the Godfather.

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It was a very very big big show. And

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Lorenzo books the role of young

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Alpuccino

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>> and

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>> Oh gosh. Wow.

2:27

>> And it was a huge role like

2:28

life-changing money

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>> of course. Yeah.

2:29

>> Massive thing for him. And there was

2:33

some stuff in it. He had signed the

2:35

contract. He was ready to go. And there

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was some con there was some stuff in it

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that he was uncomfortable with and uh

2:41

particularly around nudity and um and he

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said I I just can't we we're on fire for

2:47

our faith. We converted by the grace of

2:49

God

2:50

>> and he said you know I I he came to me

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and it was just like I can't I can't do

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this. I'm not going to compromise my

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faith. I can't do this.

2:56

>> They end up cutting it from the show. So

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it ended up getting cut later on but he

3:00

goes I can't do this. So from a moral

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perspective his conscious was clean.

3:03

>> Yeah. And then Mel calls him

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>> this other door open.

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>> Not too long after, you know, a couple

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years later, whatever, Mel calls him and

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uh

3:10

>> had this opportunity uh for for my

3:13

brother. And I'm I'm

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>> those are little godwink moments where I

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go, you know what, Lorenzo, you did you

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did the right thing. You stuck to your

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guns. You walked away from

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>> hu life-changing life-changing money

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because you believed that it your soul

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was more important. You believed that

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your example as a father and husband was

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more important. And um

3:30

>> another door opened up.

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>> Another door opened up. Another door.

3:32

That's the way the divine providence

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often works, isn't it?

3:34

>> Amen.

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>> They say, "Oh, that's the thing I really

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wanted and it got blocked and why is God

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doing this and how come that happened?"

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But then this other path, it's all

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through the Bible and that story is told

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over and over again in the Bible and The

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Saints, right?

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>> 100%.

3:48

>> So, he's there now filming uh and of

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course, you know, Mel Gibson always

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makes great movies. Uh if Mel is in the

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movie, his acting just anchors it. If he

3:57

makes the movie, it's always compelling.

4:00

In fact, you know, just a little while

4:02

ago, I I watched again Apocalyptto,

4:04

which I think I think is a great movie.

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It I think any filmmaker would want to

4:08

watch. Like, how does he produce the

4:11

mood of that movie? And it's it's so

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skillfully done, you know. So, I'm, you

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know, look, I'm praying that this be a

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great movie as powerful as The Passion

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was. I

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>> I think it will be. I got to shadow him

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for a day. I got to be on set with him,

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and I directed him in a film called

4:25

Monster Summers. Yeah,

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>> he starred uh in a movie. So, I got to

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spend a lot of time with him. And you

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know, his his secret sauce is he's

4:33

always telling the story.

4:35

>> Even him as an actor on set as I was

4:38

directing him, he was always looking for

4:40

ways to plus the story. He was always

4:42

looking to tell the story. You know, the

4:43

Hitchcock school of film making is like

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the old joke about Alfred Hitchcock was

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he'd fall asleep on set because the

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movie's already shot in his head.

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Storyboarding storyboard every single

4:52

scene.

4:52

>> It's all done. So, he'd fall asleep

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while they're setting up the shots,

4:55

right?

4:55

Mel, while they're setting up shots,

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while they're

4:58

>> setting up production, he's he's

5:01

thinking of how do I make this a little

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better? And it can be small things. I'm

5:04

going to move this. I'm going move this

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right here.

5:07

>> Um,

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>> but he would he he was always telling

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the story, and that was really

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impressive to me. Like, he never went to

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his trailer. We got him this gorgeous

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trailer. This trailer had like a six

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burner in it. I've never seen a movie

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trailer with like a live stove in it. It

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was unbelievable. And uh he never he

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never went in his trailer. He was always

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on set just sitting watching. And I

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remember one of my first meetings with

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him to to pitch him to be in my movie.

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And who am I? You know, I'd only made

5:34

one film at the time and I'm sitting

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with an Oscar winning director. How do I

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convince an Oscar winning director to be

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in my movie?

5:40

>> It got down to the education question.

5:42

He said, you know, how did you how did

5:43

you study? How did you learn? And I

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said, well, you know, Mel, I've been

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doing this for over 20 years as an

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actor, been in the business for a very

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long time, and uh and I just always ask

5:53

questions. I always stayed on set and I

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always ask questions. He goes, "Ah,

5:56

perfect. Me too."

5:57

>> Yeah.

5:57

>> Because that's exactly how I learned.

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Exactly how I learned.

5:59

>> Ron Howard said that as a young, you

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know, of course, he's a child actor,

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