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Kenya Ware Reveals Daz and Nate Dogg's Reactions To 2Pac Being Shot In Las Vegas!

16m 16s3,144 palavras410 segmentsEnglish

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0:05

Going back to the Vegas situation with

0:07

Tupac, can you give me a detailed

0:10

rundown of the day um that you guys are

0:13

driving out there and then um you know

0:16

the leadup to when you guys find out

0:19

that Suge and Tupac were um shot in the

0:22

car?

0:22

>> Yeah. So Nate Dog's girlfriend Natasha

0:27

um she's gonna roll out there with me.

0:29

Nate. Uh, that was Nate's Nate Dog's

0:31

fiance at that point. Um, we get to

0:34

Vegas. Nate finds out that and Nate is,

0:38

you know, he's very ter territorial of

0:40

his women. You know, he's, you know,

0:42

jealoushearted.

0:43

Rest in peace, Nate. So, he got wind

0:45

that Natasha

0:48

um had rolled down there with me. And he

0:50

was mad. He hopped on the road with his

0:52

bodyguard in a little van. He a little

0:55

little a little camper. He made his way

0:57

out there. So, I'm like, "Oh, God. Here

0:59

we go." So, we got down there that day.

1:02

Uh, got to the Lexar Hotel. Defro

1:05

Records had already uh had me my room

1:07

available cuz I always went down there

1:09

to all the fights. So, I always booked

1:11

it through death row. Went and checked

1:12

in our room. Tasha was in the room with

1:14

me. Um, by the time we checked in,

1:17

Nate's there. And Nate caused a big

1:21

commotion at the hotel. Oh god. He seen

1:24

us and what are y'all what are you doing

1:26

down here? And Tupac actually had to

1:29

come down and uh break the incident up

1:32

cuz he was him and he was letting Tasha,

1:34

you know, like just words have it. And

1:36

Tupac came down out the elevator and

1:38

kind of pushed them away from each other

1:41

cuz Nate was upset like what is my girl

1:43

doing here? Like you don't come down

1:45

here without me.

1:46

>> Yeah,

1:47

>> we came down to death row. But Tupac

1:49

calmed he pulled Nate aside, calmed him

1:53

down. And Nate was in a good place at

1:56

that point. He was happy. his he was

1:57

with his girl and you know we had a good

2:00

rest of the day. So towards the evening

2:04

time um it's almost fight time. So I'm

2:06

calling Suge. I'm calling Suge. Where

2:08

are my tickets? Because every time I

2:11

went down there, Suge would give me two

2:12

tickets to the fight. I can take one of

2:13

my my own girls with me. So I kept

2:16

calling him and kept calling. He wasn't

2:17

answering. So I'm blowing them up. I'm

2:18

blowing them up. So he finally answers

2:20

and he's like, "Yo, numbers." He calls

2:22

me numbers. Yo numbers, there ain't no

2:25

more tickets left. I'm like, "What do

2:27

you mean there's no tickets? You always

2:29

give me tickets." He's like, "I don't

2:31

have no more. I don't have no more, but

2:33

um you know, Migas in the ballet parking

2:36

after like after the fight, let's all

2:39

meet at ballet parking and we'll all go

2:41

to Club 662 together." So, I'm like,

2:43

"All right, forget it." You know, we

2:45

didn't get no tickets. So, we mess

2:47

around and it's Nate, Tasha, his

2:49

bodyguard, and me and we're just having

2:51

fun. I think some other home girls end

2:53

up coming and I had a Suburban. Um, they

2:56

end up hooking up with us. Um, we all

2:59

kind of I kind of towards the evening

3:01

time we're waiting. I'm waiting in my

3:03

truck, my very fancy truck downstairs.

3:07

Tasha's in the car. I have a few other

3:09

females in the back seat.

3:11

We're waiting. Um, Tupac and them. We

3:14

finally see the entourage come back from

3:17

the fight. MGM, I suppose. MGM to the

3:21

Lexar Hotel. And it's it's a weird

3:25

feeling. Nobody's really saying

3:26

anything, but the only thing that caught

3:27

my eye was that Tupac was messing with

3:29

his chain, his um big old rope chain.

3:31

He's trying to fix it. It's broken. So,

3:33

I get out the car. I get out on my own.

3:37

They stay in the car, but I get out on

3:39

my own. And I'm like, "Hey, you guys,

3:41

you know, hey, we going to go to Club

3:43

662." Pockets is fumbling with this

3:45

chain. He's fumbling. He's fumbling.

3:47

that whatever their whatever the problem

3:49

is, they're talking amongst each other.

3:51

It's not obvious at this point what's

3:53

going on, but I'm focused on his chain.

3:55

I'm focused on and he can say anything.

3:57

He's just my chain broke and no reasons

4:00

why it broke. He's just fumbling with it

4:01

to to get it fixed. So, they go

4:03

upstairs. They go upstairs and change to

4:07

clothing. I'll get back in my car and

4:09

I'm waiting for him and I'm in valet

4:11

parking. I'm kind of in the what? Behind

4:13

everybody's car. I'm there. We're in the

4:16

car. We're bumping music. My music is

4:18

bumping. Oh god, I'm playing it loud.

4:20

Um, he comes back down in the jersey and

4:25

me and Reggie always Reggie's my boy and

4:27

we always have friendly fire argue about

4:29

this point, right? So he comes down and

4:33

he doesn't have a bulletproof vest on

4:34

and that's kind of where my eye went

4:36

like the jersey

4:39

there's no bulletproof vest on. I'm

4:41

like, you know, and he comes around to

4:44

my truck at this point. He comes to me

4:47

at this point and he's on the side of my

4:49

truck as the robar jump dumping up and

4:51

down and he he was being funny at that

4:54

point. He said, "Ah, you got another

4:56

truck out of him again. You got another

4:57

car." You know, he's kind of giving me

5:00

my props. You know, you got another

5:01

truck. This is fly. Woo. You know, a

5:03

different kind of in a jovial manner

5:05

now. He's whatever happened, he's better

5:06

at this point. He's ready to go party,

5:10

right? And I did ask him about the

5:13

bulletproof vest and you know, I don't

5:14

have to wear one. We're going, this is

5:15

our house. This is We're in our house

5:17

right now. We're going to our house,

5:18

Club 662. I don't have to wear this

5:21

bulletproof vest. And Reggie seems to

5:24

think it's the mother instinct in me

5:25

that's saying, you know, to wear a

5:27

bulletproof vest. I, you know, you're

5:29

the one that told them to get

5:30

bulletproof vest. They need to wear it.

5:32

But Pac said he didn't have to wear one

5:33

that night. You know, I'm going to my

5:34

this is my house. And

5:37

all these female groupies, women just

5:40

start piling up around taking pictures

5:42

with Pac. We're waiting cuz we're all

5:43

waiting to go as a entourage to 662. So

5:48

Nate dog was like, "Man, [ __ ] this. Come

5:51

on. Let them. They with the [ __ ]

5:53

Come on. We going to go on up there." So

5:55

we left. My truck is following Nate's

5:59

van with the bodyguard. And we get up

6:01

there, we get um I remember when we got

6:05

to Club 662. Um it was some kind of

6:07

bodyguard there. I never met him. And I

6:09

had words with him because he was asking

6:10

me too many questions. And I'm like, I'm

6:12

Kenya wear. I don't have to tell I'm not

6:14

on no list. I am the list, you know. I

6:16

was feeling myself. I was young and

6:18

feeling myself. I was like, move. Got

6:20

in. But the problem is when I got in

6:22

there, I seen all the security guards,

6:24

all the some of the security guards I do

6:26

know. They're running out. And Craig

6:29

Mack is performing, but the security

6:30

guards are running out the door when we

6:32

walking in. And that was like red flags

6:35

to me. Like I'm like, why are they

6:36

running out? Then they're supposed to be

6:38

in here. Something's I mean something

6:40

the intuition tell me something's going

6:42

on. They're running out of here. So I'm

6:45

going to run with them. I want to know

6:46

what happened cuz something ain't right.

6:48

Something my gut feeling something's not

6:50

right. So Tasha rolls with me and we hop

6:55

back in the truck because I'm like I'm

6:56

going to go find out what's going on. So

6:59

you I think I got be it was a I I got

7:01

behind somebody. I'm just I'm just kind

7:04

of backtracking where we were going to.

7:06

But then you start hearing sirens and

7:07

sirens and sirens. I'm like, "The [ __ ]

7:10

is going on?" So, when we hit one of the

7:12

corners, Cobalt, whatever the streets,

7:14

you see a sea of lights, police lights.

7:17

And I'm like, and the thing that caught

7:20

my eye was that the the car that Suge

7:23

was in was like it was kind of tilted

7:27

over like something happened. I'm like,

7:28

"What the fuck?" So, the guy is putting

7:30

up yellow tape and I remember the cop is

7:33

putting up yellow tape and I almost hit

7:34

him. I ran straight through the yellow

7:35

tape and that suburban. I didn't give a

7:37

[ __ ] at that point. something ain't

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    Kenya Ware Reveal… - Transcrição Completa | YouTubeTranscript.dev