TRANSCRIPTIONEnglish

ARE YOU OK? sweet old foid remembers chad

20m 0s3,931 mots638 segmentsEnglish

TRANSCRIPTION COMPLÈTE

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All

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right. What was your name?

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>> Johanna.

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>> Johanna, welcome to To What? To the

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show.

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>> Okay.

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>> Welcome to the show. Does that help you

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give you some information?

0:11

>> It sounds like Seinfeld's a show about

0:12

nothing, but I think it's going to be

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about something, right?

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>> Could be something bad.

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>> Okay, that's all right, too.

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>> Okay. What do you want us to do?

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>> Um, lend your ear to what I might offer.

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Is this for entertainment or education

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or a combo deal? It's a combo deal.

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>> All right.

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>> It's like you get a sandwich and a soda.

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>> All right. Okay. So, where should we

0:34

begin? Maybe

0:35

>> variety is the spot. You want something

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that's hot and cold. You don't want to

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be You don't want to sit here and be a a

0:40

weak ass cracker. Anybody ever call you

0:43

that?

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>> We got used to that when daddy had a hot

0:46

weenie joint on Eddie Street in

0:48

Providence.

0:49

>> Oh.

0:49

>> So, we got used to a few thugs who

0:51

walked out with the cash register one

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day.

0:54

>> People That's crazy.

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>> Yes. Yes. So, I mean, hey, Zelie. That's

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right.

0:58

Mhm.

0:59

>> Mhm.

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>> You want to to lend You want us to lend

1:02

ears.

1:03

>> Mhm.

1:03

>> I'm I am a [ __ ] man.

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>> That's okay. Welcome.

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>> Thank you. We're going to lend you our

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ears.

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>> Well, I thought my role was

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>> Are you touching my leg on purpose?

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>> We're just Are you We're tucked in right

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now.

1:16

>> Save it for later.

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>> Okay. This is crazy. Go ahead.

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>> My role I thought was to figure out, hm,

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can I take off the shelf what I've put

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there? What's on the shelf?

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>> A dream. And I took it off and said,

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"Okay, now put up or shut up. You want

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to be a painter?"

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>> Oh, you shelved your you sheld your

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dream.

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>> My dream. Yeah. I started in Vermont

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back in the 70s. Um, as a sculptor, and

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did a little bit of the painting. I had

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a few loose screws,

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>> which was the, you know, era.

1:47

>> What does that mean?

1:48

>> Well, women's lib, Vietnam War. Uh,

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>> what's women's lib?

1:52

>> Women's liberation. when we would burn

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our bras and walk around hairylegged.

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>> Did you do that?

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>> Yes.

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>> You slept with anything that moved.

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>> Did you do that?

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>> Yes. Those were the times.

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>> Was it fun?

2:04

>> Yes.

2:04

>> It was kind of like uh for lack of

2:06

better terms, it's it's okay for women

2:08

to be horny.

2:09

>> Correct.

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>> Is that too cr You want me to reprimand

2:12

him?

2:12

>> No.

2:13

>> Okay.

2:13

>> Well, that's what it is. I mean, that's

2:14

what it is, right?

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>> Accurate right now.

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>> Yep.

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>> Okay. So, it was being horny

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>> is the name of the game.

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>> Yeah.

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>> And that's okay. writing that one down.

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That was the

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>> sanctioned.

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>> Yes.

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>> That it's women.

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>> Yes.

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>> Okay.

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>> So, and that would lead to new

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awakenings. What I did was when I went

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for a three-day weekend to Vermont,

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which uh would end up becoming five

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years because I also was a dilotant

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about uh sculpting.

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>> A dilant. What's a dilant?

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>> Um somebody who talks the talk and

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doesn't walk the walk. Ah,

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>> we're into edm learning new words and

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>> etmology

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>> retired English teacher too. So that

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helps. So I'll proofread what you say.

2:59

>> Okay.

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>> Okay. But anyway, on my trip third day,

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I heard a little voice say, "Put up or

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shut up."

3:04

>> Yes.

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>> Was it the devil?

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>> No, it was actually the saint because

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half hour later outside of Brattleleboro

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was a sign in front of an old farmhouse

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for rent. Moved in following week with

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300 lb of self-hen clay. Five years

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later beca three years later became a

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professional sculptor.

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>> Is it any good? Is the sculpture any

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good?

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>> No, it's boring. I started actually I

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used

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>> Okay. What's the Let's Let's go through

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the list. The hit list here.

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>> 1975.

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>> Yeah. And I've got the little Smurfies

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in. Want me to get it out of the bag?

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>> What's a Smurfy?

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>> I brought this to a Hasbro um executive

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to do toys.

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>> So you've made a little Smurf.

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>> Yes, that's a Smurf. That was a toy.

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>> Okay. But I tried to use that as a form

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of promotion doing uh toys with the

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clay.

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>> What made you obsessed with sculpting

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and you know love it?

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>> You could take a mound of mud and

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transform it into something magnificent.

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>> If we Google you, will it come up the

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images?

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>> Uh probably not because the only thing

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you most likely are going to see are I

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have some YouTube videos um but also

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articles that have been that have been

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published. Is there a sculpture that you

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that you did that would I be like,

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"Whoa, we have a picture of that."

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>> Um,

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probably not. They were smaller sort of

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like exploratory ones that I wasn't that

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proud of.

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>> Okay. Do we have a p We have a painting

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slideshow here. This is into the

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maelstrom. Yeah.

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>> What does that represent? Going to hell.

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>> You're going right into getting swept

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away in the current of emotion that

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doesn't get resolution. I think with the

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painting, you're trying to get somebody

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to relate. They'll see themselves within

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that expression of color or of design

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movement.

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>> I think if you see yourself within this,

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you might have you might be in trouble.

4:57

That's

4:57

>> make an appointment. Yes.

4:58

>> Make an appointment. Exactly.

4:59

>> Yeah. Yeah.

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>> Yeah.

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>> Next painting, please. What else we

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have?

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>> What's this called? Demons in Hell.

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>> Uh, actually, it's a crummy slide. A

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crummy picture. No, it's a crummy

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picture.

5:09

>> This is the cribies.

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>> Sorry. This is called Interracial

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Nightmare.

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>> It was It was called um What was This

5:17

one? Was I think uh

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>> is this about a personal relationship

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you had?

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>> There's a black and a white figure

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against Yeah, it was I can't remember

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what it was even called. Uh and I didn't

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really like it. I

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>> guess an ocean of bloodshed.

5:29

>> Yeah. Well, I guess you know when the

5:31

two come together sometimes that's the

5:33

name of the game.

5:34

>> It's true.

5:35

>> We'll find out, you know, with her on

5:37

what's going on there, too. Okay. So,

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